IMDb RATING
6.3/10
923
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Mann, a gunman, learns his father was murdered by his mother and her lover. His childhood friend informs him, while Mann's sister is controlled by their murderous mom. Mann and his friend co... Read allMann, a gunman, learns his father was murdered by his mother and her lover. His childhood friend informs him, while Mann's sister is controlled by their murderous mom. Mann and his friend confront the mother to settle the score.Mann, a gunman, learns his father was murdered by his mother and her lover. His childhood friend informs him, while Mann's sister is controlled by their murderous mom. Mann and his friend confront the mother to settle the score.
Pilar Velázquez
- Isabella Carrasco
- (as Pilar Velazquez)
José Suárez
- General Juan Carrasco
- (as José Suarez)
Barbara Nelli
- Conchita
- (as Barbara Nelly)
Mirella Pamphili
- Inez
- (as Mirella Pompili)
Franco Gulà
- Preacher
- (as Francesco Gula)
José Riesgo
- Francisco Henchman
- (as José Riesco)
Omero Capanna
- Hitman
- (uncredited)
Storyline
Did you know
- TriviaBased on the ancient Greek myth of the events in the House of Atreus, as dealt with by the fourth-century BC Athenian tragedians: Aeschylus, in his trilogy, 'The Oresteia'; Sophocles, in his play, 'Electra'; and Euripdies, in his play, 'Electra'. The story, however, is much older, appearing also in Homer's 'The Odyssey', albeit in much less detail. According to the myth, Agamemnon is assassinated upon his return home from the war at Troy by his wife Clytemnestra and her lover Aegisthus, Agamemnon's cousin. In Aeschylus, Orestes, Agamemnon's son, is sent as a boy by Clytemnestra to an old family friend and ally in Delphi, far enough from the royal palace in Mycenae/Argos to be both safe and not a threat. In Sophocles, Orestes is entrusted by his older sister, Electra, to an old slave who flees and raises Orestes in secret. Some years later, Orestes secretly returns as a young man, intent on revenge, alongside his friend Pylades. The plays vary in their respective representations, but ultimately Orestes and Electra are re-united, Orestes forms a plan to kill Clytemnestra and Aegisthus, and Electra wholeheartedly supports the plan. A false report of Orestes' death is given to Clytemnestra and Aegisthus (in Aeschylus, Orestes himself poses as the messenger; in Sophocles, it is the Old Slave, while Orestes poses as an attendant carrying the urn of his own supposed ashes). Once in the palace, Orestes, supported by Pylades, murders Clytemnestra and Aegisthus. In Sophocles, the play ends here, and the audience is left with the sense of the figurative death of both Orestes' and Electra's humanity through the destructive vendetta. In Aeschylus, Orestes is driven mad by the avenging Furies over his act of matricide, and eventually goes on trial in Athens.
- GoofsAt 2 minutes a mounted bandit, having fired at a lone rider, rides down a hill wearing a black serape over his right shoulder. At 3 minutes when he arrives at the bottom of the hill and is shot the serape is gone.
- ConnectionsReferenced in ...And Give Us Our Daily Sex (1979)
Featured review
Poor Mexican farmer Leonard Mann is met one day by mysterious stranger Peter Martell, who tells him that he's really the son of a wealthy landowner, murdered by his unfaithful wife and her lover. They then travel to his boyhood home to seek revenge, reclaim his birthright, and save his long-lost (and long suffering) sister from his mother's now ex-lover.
The Forgotten Pistolero, which borrows a little from Hamlet, is a well-told story, with excellent production values, and enough great western/Mexican atmosphere to go around. The imitation Ennio Morricone score by Roberto Pregado is pretty swell too.
The entire cast give really great performances, though the lack of any real bankable international star probably helped get this above-average Italian western unjustly buried. Mann and Martell are exceptional though, and they do make a great team.
The climax amidst a flaming backdrop is superb and ultimately quite satisfying.
However, there are some unanswered questions regarding Mann's apparent amnesia in regards to his childhood, or lack thereof. Is he even the same person? Did he tell the villain the truth when they first met? No answer is given.
The Forgotten Pistolero, which borrows a little from Hamlet, is a well-told story, with excellent production values, and enough great western/Mexican atmosphere to go around. The imitation Ennio Morricone score by Roberto Pregado is pretty swell too.
The entire cast give really great performances, though the lack of any real bankable international star probably helped get this above-average Italian western unjustly buried. Mann and Martell are exceptional though, and they do make a great team.
The climax amidst a flaming backdrop is superb and ultimately quite satisfying.
However, there are some unanswered questions regarding Mann's apparent amnesia in regards to his childhood, or lack thereof. Is he even the same person? Did he tell the villain the truth when they first met? No answer is given.
- FightingWesterner
- Jan 22, 2010
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