IMDb RATING
6.3/10
923
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Mann, a gunman, learns his father was murdered by his mother and her lover. His childhood friend informs him, while Mann's sister is controlled by their murderous mom. Mann and his friend co... Read allMann, a gunman, learns his father was murdered by his mother and her lover. His childhood friend informs him, while Mann's sister is controlled by their murderous mom. Mann and his friend confront the mother to settle the score.Mann, a gunman, learns his father was murdered by his mother and her lover. His childhood friend informs him, while Mann's sister is controlled by their murderous mom. Mann and his friend confront the mother to settle the score.
Pilar Velázquez
- Isabella Carrasco
- (as Pilar Velazquez)
José Suárez
- General Juan Carrasco
- (as José Suarez)
Barbara Nelli
- Conchita
- (as Barbara Nelly)
Mirella Pamphili
- Inez
- (as Mirella Pompili)
Franco Gulà
- Preacher
- (as Francesco Gula)
José Riesgo
- Francisco Henchman
- (as José Riesco)
Omero Capanna
- Hitman
- (uncredited)
Storyline
Did you know
- TriviaBased on the ancient Greek myth of the events in the House of Atreus, as dealt with by the fourth-century BC Athenian tragedians: Aeschylus, in his trilogy, 'The Oresteia'; Sophocles, in his play, 'Electra'; and Euripdies, in his play, 'Electra'. The story, however, is much older, appearing also in Homer's 'The Odyssey', albeit in much less detail. According to the myth, Agamemnon is assassinated upon his return home from the war at Troy by his wife Clytemnestra and her lover Aegisthus, Agamemnon's cousin. In Aeschylus, Orestes, Agamemnon's son, is sent as a boy by Clytemnestra to an old family friend and ally in Delphi, far enough from the royal palace in Mycenae/Argos to be both safe and not a threat. In Sophocles, Orestes is entrusted by his older sister, Electra, to an old slave who flees and raises Orestes in secret. Some years later, Orestes secretly returns as a young man, intent on revenge, alongside his friend Pylades. The plays vary in their respective representations, but ultimately Orestes and Electra are re-united, Orestes forms a plan to kill Clytemnestra and Aegisthus, and Electra wholeheartedly supports the plan. A false report of Orestes' death is given to Clytemnestra and Aegisthus (in Aeschylus, Orestes himself poses as the messenger; in Sophocles, it is the Old Slave, while Orestes poses as an attendant carrying the urn of his own supposed ashes). Once in the palace, Orestes, supported by Pylades, murders Clytemnestra and Aegisthus. In Sophocles, the play ends here, and the audience is left with the sense of the figurative death of both Orestes' and Electra's humanity through the destructive vendetta. In Aeschylus, Orestes is driven mad by the avenging Furies over his act of matricide, and eventually goes on trial in Athens.
- GoofsAt 2 minutes a mounted bandit, having fired at a lone rider, rides down a hill wearing a black serape over his right shoulder. At 3 minutes when he arrives at the bottom of the hill and is shot the serape is gone.
- ConnectionsReferenced in ...And Give Us Our Daily Sex (1979)
Featured review
As soon as the Forgotten Pistolero starts, the theme tune is instantly familiar - with the whistled score probably surpassed only by Morricone's Dollars trilogy soundtracks, or maybe the Magnificent Seven, when it comes to being used as the backdrop to western sketches everywhere. It is made all the more beautiful by the mountainous Almeria backdrop.
The film itself is equally impressive. Directed by the prolific Ferdinando Baldi, it begins with Rafael (Pietro Martellanza) being pursued by a gang of Mexicans. Surviving the ambush (to the sound of that glorious theme), he finds himself finally locating child-hood friend Sebastian (Leonard Mann).
Sebastian is informed that the woman he believed to be his mother, and who had raised him since a child, had in fact rescued him as an infant from the brutal attack and mass murder that had cost his father his life. Rafael tells him that this attack had been arranged by his real mother (Paluzzi) and her lover.
Sebastian's sister, who had witnessed the massacre all those years ago, had since fallen in love with Rafael (for which he had been severely punished and hounded). The extent of this punishment becomes clear later in the movie when, whilst captive, he is forced to lie next to a beautiful lady, and taunted that he now only has his muscles to prove his manhood.
This revenge story follows a different path to the majority of Euro-westerns, with emphasis on the tale rather than action (that said, there are some great action scenes). It is a highly captivating and atmospheric movie, gripping from start to finish. Well worth the watch but - warning - you'll be whistling the music for days!
The film itself is equally impressive. Directed by the prolific Ferdinando Baldi, it begins with Rafael (Pietro Martellanza) being pursued by a gang of Mexicans. Surviving the ambush (to the sound of that glorious theme), he finds himself finally locating child-hood friend Sebastian (Leonard Mann).
Sebastian is informed that the woman he believed to be his mother, and who had raised him since a child, had in fact rescued him as an infant from the brutal attack and mass murder that had cost his father his life. Rafael tells him that this attack had been arranged by his real mother (Paluzzi) and her lover.
Sebastian's sister, who had witnessed the massacre all those years ago, had since fallen in love with Rafael (for which he had been severely punished and hounded). The extent of this punishment becomes clear later in the movie when, whilst captive, he is forced to lie next to a beautiful lady, and taunted that he now only has his muscles to prove his manhood.
This revenge story follows a different path to the majority of Euro-westerns, with emphasis on the tale rather than action (that said, there are some great action scenes). It is a highly captivating and atmospheric movie, gripping from start to finish. Well worth the watch but - warning - you'll be whistling the music for days!
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