A clumsy (and gullible) American Lieutenant Roger Carrington (Ken Berry) in charge of dropping propaganda leaflets over Germany during a mission at the close of World War Two falls out of the plane and parachutes into enemy territory. He escapes the horrors of a prisoner of war camp by breaking into the castle of a lonely and flighty widowed Baroness Marlena Hoffman (Gabor).
He eludes the attention of the very determined German Major (Werner Klemperer) out to capture both him and the heart of the Baroness. She instead romances the American and refuses to let him leave even after the war has been over for several years.
The possessive Baroness lies to him telling him that Germany is winning the war and since he can't speak German and is out of radio contact he doesn't know the difference. She creatively translates print news to keep the charade going. She even gives local veterans beer money to dress up in their old uniforms and drop by the house pretending that the war is still going on so he'll think she still has to hide him.
Only one of the servants, a pretty young maid named Ava, decides that the charade is cruel and aims to put a stop to it. If only she could speak English she could tell him what has been going on. Then the old Major finds out about the ruse and decides to have a bit of fun with Roger. A few other Germans wistful about the days of the Third Reich also decide to have a bit of fun with Roger. A string of coincidences serve to keep things unnecessarily complicated.
Think F-Troop meets Hogan's Heroes meets Green Acres if you want to be cynical. Berry, Gabor and Klemperer are not exactly trying to expand their acting range in these roles. It could just as easily have been Bob Crane (or Don Knotts or Bob Denver) in Berry's role or Barbara Eden in Gabor's. In fact it could just as easily have been a cartoon for the most part.
Werner Klemperer, Norbert Schiller, Jon Cedar, Ben Wright, Walter Janowitz, Martin Kosleck, Parley Baer were all on Hogan's Heroes at one time or another during its six-year run. Baer had also appeared on Green Acres. Woodrow Parfrey had been on Mayberry RFD. These people all knew each other and how to play off of each other and made a big difference as far as timing goes maximizing the potential of the material.
Green Acres and Hogan's Heroes as well as Mayberry RFD (on which Berry starred in addition to F-Troop) were all casualties axed by CBS in 1971. Few of the cast members of those shows had careers as bright after that. But the stars of these shows were in some cases still under contract to their respective production companies in 1969 and still very popular with small screen audiences. The result is a movie like this, which pools their resources.
Ken Berry had graduated from F-Troop to the Andy Griffith spin off Mayberry RFD. Werner Klemperer (an absolute scream hamming it up in his role here) had portrayed Colonel Klink on Hogan's Heroes for six years and Gabor (Zsa Zsa or Eva? Like there's a difference) had starred on Green Acres for the same amount of time. Even Jim Backus formerly of Gilligan's Island (another CBS staple) made it out for this one.
This paint-by-numbers TV sitcom romantic comedy produced by Aaron Spelling and Danny Thomas could have been so much more if the people behind it had decided that they actually wanted to do something different. But the slapstick elements are done well and it is a fun madcap romp, which plays like a typical Disney movie. Thomas was a sitcom pioneer and filled the cast with actors who were well known within the genre. A number of them had worked with him or for him numerous times before.
There are various TV sitcom style moments in which the characters comically make their way through different mildly funny situations. It runs only 75 minutes, which I attribute to commercial breaks. Even at that short length it looks as though it was padded with a couple of minutes with a long opening titles door knob sequence inter-cut with and followed by stock footage of wartime newsreels to set the scene and minutes here and there throughout of even more stock footage. The costuming and sets look like they were expropriated leftovers from other productions.
The mostly small screen cast, crew and producers concoct harmless escapist family entertainment that is actually quite tolerable in parts. "Not nearly as stupid as it looks" is not the type of critic's blurb that ends up on a movie poster or the back of a DVD but it is the one I am sticking with because it fits.
