The Grasshopper

Christine Adams (Jacqueline Bisset) hitchhikes from Canada to L. A. to be with her boyfriend. Comedian Danny Raymond drives her on a detour to Vegas. By the time she gets to L. A., her boyfriend is more interested in getting a promotion than having a family with her. She decides to leave him for Danny. She becomes a showgirl. She marries ex-football player Tommy Marcott (Jim Brown).

The story meanders around and hits some big points. There are some turns that I don't like and I would like other turns that aren't there. After the shooting, I want her to get revenge against Dekker. The movie could have made a dramatic turn there. I'm fine with the final turn but it's more humorous than high intensity. In the end, it's a character study of Christine. She's a woman of the 70's trying to find her path. She keeps looking and changing but can't stay settled. At times, she's aimless. At other times, she has plans but that never lasts long. I get the theme and her progression. I really want to settle the score with Dekker.

"The Grasshopper" is a little-known melodrama in the spirit of "Valley of the Dolls." The similarities between the two films are many. 'Valley' was made in 1968, 'The Grasshooper' in 1970, and both films tell the story of young and vibrant women who find themselves lost in the overwhelming world of show business. However of the two films, this 1970 film starring Jaqueline Bisset is more focused, and more in-depth, as it is telling the tale of one woman, while "Valley of the Dolls," followed at least three different women on their road to oblivion. Christine leaves home at the age of 19 to find excitement, and a better life. She seems to be driven by the terrifying thought that she might end up as an ordinary woman, with a boring life. Chris, wonderfully played by Bisset, wants it all, and she wants it now, before it is too late. She realizes that she has no real talent, and not much to offer besides her beauty, so she plays that card, with expected results. Jumping from man to man, in search of something that even she doesn't quite know what, always believing that she is the smart one, and the one in control. But when she slowly realizes that it is she that is being used, she finds herself a hard and jaded young woman indeed, turning to drugs, and a succession of 'wrong guys'. Because of the films age, and flashy style, "The Grasshopper" holds much camp appeal. But when you bother to look beyond the kitch, you might find a story filled with some pretty important life lessons, for Christine made all the choices that we don't want to make. And most everyone has known a person like this girl, living for the moment, with no thought of next week, until the time comes when it is too late to realize any dreams of success or happiness. This is a glitzy, excessive film, bursting with eye popping late 60's fashion and music. Jaqueline Bisset sports a different hairstyle every 10 minutes, and she is at her most beautiful here. And oddly, this is the film that showcases her acting ability, far more than any of her well known, later films. Featuring a finale that is both outrageous, and surprisingly downbeat at the same time, this one is quite entertaining, and worth a look, if you can track it down.

Although this film has quite a bit going for it, it ultimately feels like one of those 1970's ABC movies of the week turned up a notch. Perhaps that television feel is a result of director Jerry Paris and coproducer Gary Marshall's direct involvement with the project. Paris is best known for the Dick Van Dyke show, but not many may know he was a prolific television director. And Marshall was successful in both film and television.

What saves this film, in my opinion, is the acting. Bisset does a great job, and the supporting cast are all believable. However, what probably looked good on paper as a final script draft does not necessarily translate successfully to the screen. It's not erotic enough to be considered soft porn/exploitive and too melodramatic to be labeled a hard drama.

It's a delight to see Joseph Cotten, but be warned that despite his co-billing, he has minimal screen time. He looks terrific. He either aged more gracefully than I ever will, or he had the best face lift in Hollywood history.

There are some fun tidbits. For those who are fans of Vicki Lawrence from the Carol Burnett Show, you'll catch her singing "Used To Be", one of the songs featured in the film. Marshall's wife Penny has a bit part. The location shooting in Vegas is definitely sort of its own time capsule.

I agree with other reviewers that his movie mimics Valley Of The Dolls. If you are not afraid to admit you liked that film, you may very well like this one. Otherwise, not really recommended.

Jacqueline Bisset is a girl from a small town in Canada. She's on her way to Los Angeles to make something of herself when she finds herself i Las Vegas. There she becomes a showgirl and gradually falls into the pill-popping demimonde, with occasional efforts to lead a more normal existence.

It all seems superficial as directed by Jerry Paris and brightly lit by cameraman Sam Leavitt, but here's an example when that seemingly annoying contradiction actually works. Vegas is beautiful, the showgirls are beautiful, the costumes they wear are beautiful, it's the people's souls that are ugly. With Jim Brown and Joseph Cotten.

This is undoubtedly the best performance of Jacqueline Bisset's career. Unfortunately, it's in an over-the-top trash-fest that is so audaciously (and probably tongue-in-cheek) cheesy that it's pretty damn good. I saw this thing about a hundred times working as a movie usher in the early 70s, and practically any other film would have become dull after that many viewings -- not "The Grasshopper"!

The plot is completely implausible, but in a nutshell it has Jackie starting out as a fresh-faced farmgirl and, after being used and betrayed by gigolo boyfriends, horny old businessmen and the Mob, ending up an embittered prostitute. And all within the space of one year! The final skywriting scene would have become a classic had an audience of any size actually seen this film. Definitely worth a look!