User reviews

Having previously done True Grit, star Glen Campbell had something of a reunion with some of that movie's people: screenwriter Marguerite Roberts with her once again adapting from Charles Portis' novel, producer Hal Wallis, and co-star Kim Darby. Since neither of them have John Wayne around this time, Ms. Darby acquits herself quite nicely as the romantic lead while Campbell at least sings some good songs and puts more of his personality around to make up for his lacking acting skills. Making his debut here is Joe Namath-a hot football star at the time-who also uses his persona to mask his lesser thespian talents. Much of the supporting cast, like Tisha Sterling, Meredith MacRae, Leigh French, Pat Hingle, and Billy Curtis provide welcome turns. Dom DeLuise is especially hilarious as Glen's brother-in-law. Only real irritating presence was Carol Lynley as Laverne...actually, Yvonne-a real stick-in-the-mud complainer and I really hated it when she mentioned New Orleans, which is a two-hour drive from where I live, as her home. In summary, Norwood is an amiable pleaser of a comedy. Directed by Jack Haley Jr. whose father Jack Haley Sr. has a nice cameo. P.S. Sorry to hear of Mr. Campbell's recent revelation of Alzheimer's. Hope he doesn't suffer too much from it.

Glenn Campbell returns from Louisiana with a single ambition: to appear on the Louisiana Hayride radio show. Before that happens, he goes through several low-key and episodic adventures with sketchy characters, from hot-car smuggler Pat Hingle, to his sister Leigh French and her husband Dom Deluise, to several pretty ladies.

For his follow-up to TRUE GRIT, Campbell sings half a dozen songs. He played it safe, going with a novel by Charles Portis, screenwriter Marguerite Roberts, and co-star Kim Darby. It's a pleasant little bit of fluff, with Jack Haley Jr. As director; Jack Haley Sr. Has a role.

I suspect it was modernized slightly. The Louisiana Hayride ceased broadcasting in 1960.

After the success of TRUE GRIT, Glen Campbell and Kim Darby re--teamed for this lighter than air comedy, like TRUE GRIT based on a Charles Portis novel but definitely more of a homespun Andy Griffith-hayseed type flick. The novel was set in the 1950s, so some of the plot devices play like wheezing cliches (e.g., the story's uninteresting pregnancy flap and some of the relationships are straight form TV sitcom land). Yet, a lot of the dialog from the novel made its way into the movie and that makes for some good humor. Carol Lynley practically steals the movie in her brief cameo, and Dom DeLuise has some of the best shtick on view. Campbell is good natured and sings a few decent Mac Davis tunes. He is so like the Norwood character, so typecasting helps here. Darby is wasted. Pat Hingle has a few good moments but Tisha Sterling and Joe Namath are embarrassments. Meredith Macrae makes an impression, but like so many characters in this episodic fiasco, she is buried under the hokum. You could do worse if stuck with nothing to watch in the early morning hours.

Hillbilly comedy casts Glen Campbell as Norwood, a U.S. Marine returned home from service, who finds life changed--and not for the better--in his Texas hometown. He has his sights on playing guitar and singing country music for a program called the Louisiana Hayride, and travels cross-country to New York City for an audition (this section of the movie, with Norwood in a cowboy hat walking the big city streets, feels like a G-rated version of "Midnight Cowboy"). The details in this scrubbed-clean scenario aren't rich and the characters Norwood meets on his journey aren't vividly drawn. Feature film debut for director Jack Haley, Jr. has warmth and a big heart, but no substance. Campbell keeps his face slack (like a rube) and his manners polite, and he's appealing if fidgety. Producer Hal B. Wallis reunites Campbell with his "True Grit" co-star Kim Darby, and the two have a warm rapport (especially in the scene at the food counter). Football star Joe Namath makes his acting debut as a soldier, Billy Curtis is fun as a little person who becomes Norwood's traveling companion, and there's also a college-educated chicken (don't ask). Adapted from a novel by Charles Portis (the author of "True Grit") by "True Grit"'s screenwriter, Marguerite Roberts; however, there's nothing gritty about this yokel fantasy, which is completely out-of-touch with reality and presented only as escapist fare. ** from ****

Glen Campbell and Joe Nameth, both in their career primes, give surprisingly creditable acting performances about two Marines just back from the Viet-Nam War finding their places back in society. The theme of this film is somewhat out-dated, yet with the current war in Iraq raging on, maybe it's not as out-dated as I think. Campbell is Norwood and has the major role, while Joe Nameth has more like a guest staring part. Campbell embarks on a road trip and meets a host of different people. Trish Sterling looks beautiful, but is really wasted here. Coogan's Bluff still rates as her best on-screen role. I saw this film as a young teenager at the Cinema Theater on Miami Beach. I remember liking it a lot and sort of wondering if I would one day be living this type of experience myself. With the draft and the war, this film was very realistic for the times, now not so much. Yet, it's an enjoyable film on the same take as Bus Riley's Back in Town.

I just wrote a long, long review of Sam Peckinpah's The Getaway and I have just about ten lines of blathering left in me, so here goes! I saw Norwood over thirty years ago on ABC and I still have a fond memory of it. I barely remember the plot, but I do know I thought the story of a just-back-from-Vietnam soldier (Glen Campbell) on some sort of road trip was a pleasant use of my time.

The film has an interesting cast including Kim Darby, Joe Namath, and Tisha Sterling. There is a moment where Campbell says the "S" word and Darby scolds him for his bad language (ABC bleeped out the word, but you could tell exactly what he said).

I won't fool you--this is all I remember, but I intend to add it to my mail-order movie rental queue--not super high on priority, but above The Notebook!

The only reason I'm aware of Norwood is that I graduated high school in NC in 1970. Our senior class was traditionally treated to a movie on a school morning in the week of commencement. The newfangled Park Theater (long since closed) on the east side of Burlington (now a Hispanic colony) was showing Norwood by night, so that's what we sat and watched. I appreciate the few details other posters made about the Vietnam war and Kim Darby's unwed motherhood. The movie almost sounds interesting, but it wasn't. Glen Campbell was a good musician but a joke as an actor. Broadway Joe looked great, of course, but aside from an occasional cameo on the Love Boat . . . Well, he was an even better quarterback than Campbell was a guitarist. Where'd Kim Darby go? She might have been Molly Ringwald's mother.

This movie from Charles Portis' novel starts out ok with Glenn Campbell's return to his hometown and some amusing stuff with his obnoxious brother in law and the always oleaginously wonderful Pat Hingle as a con artist. But, paradoxically, as soon as this road picture goes on the road things start to get drained of interest and it is hard to pick a Most Boring among the three girls with whom the title character gets involved; Carol Lynley as a bad tempered, small town floozie, Tisha Stirling as a cynical hippie or Kim Darby's good natured country gal. Campbell's performance is serviceable at best and throughout the film director Jack Haley Jr and screenwriter Marguerite Roberts, the later of whom did such a good job adapting Portis' "True Grit", lays the hick schtick on thicker than congealed Crisco so that you feel at times like you're watching "Petticoat Junction: The Movie". Bottom line: Read the novel and get Portis' quirky insights without all the stupid Hollywood crap, like Central California standing in for Tennessee and being asked to buy Dom De Louise, with his Brooklyn accent, as a Nebraskan. Give it a C.

Some of the people from in front of and behind the camera of True Grit bring us this easy going country story starring Glen Campbell and Kim Darby. It's not quite in the same caliber as True Grit however.

Glen Campbell is returning from Vietnam to his home in the metropolis of Ralph, Texas which is a stone's throw from the Arkansas border. He goes his separate ways from Joe Namath a fellow Marine and returns home to his sister Leigh French and drip of a brother-in-law Dom DeLuise. Glen is never without his guitar and never turns down a song request. However he'd like to make a living at it and hopes to get a big break on the Louisiana Hayride country radio show, a rival of sorts to the Grand Ole Opry.

After that it's an episodic adventure with him delivering a stolen car from conman Pat Hingle to New York, of course Glen doesn't find out it's stolen until he's on the road. During the course of the film he gets involved with would be actress Carol Lynley, hippie chick Tisha Sterling, and eager young bride Kim Darby. Guess whom he winds up with.

Glen's singing of several country/western ballads makes the film easy to take and glosses over a lot of his lack of acting ability. Had he come along thirty years earlier Campbell might have been a good singing cowboy star, but those days have passed. No real plot in Norwood just a series of incidents on his journey to New York and back.

Whatever else it is Norwood is not True Grit, but Glen Campbell fans might like it.

All the makings of a decent movie, at the time the world's most popular athlete and the world's most popular singer come together in a so-so movie. Namath's acting made Glen's Oscar caliber! I love Glen Campbell and that had a lot to do with the 8 rating I gave it. If Glen wasn't in it, I'd have given it a 3. If you can find the soundtrack, get it instead! Dom Delouise is in this movie if that helps your judgement and Kim Darby plays a weaker, pregnant Madie Ross(True Grit). Watch it anyway!

Glen Campbell once said that he was so bad as an actor that he made John Wayne's performance in True Grit seem Oscar worthy (Wayne's only Best Actor award). In Norwood, Glen Campbell does not have any real talent around him to overcome his weaknesses. Lets face it, the chicken that is carried around provided the most credible performance in the movie.

While there is some talent in the movie, none if it surfaces. Some reviewers suggest that simply buying the Norwood soundtrack would be better for those who like Glen Campbell's music. I would point out that there may be a reason that the Norwood soundtrack tanked on the charts while almost all of Campbell's records were selling at the time. There may be a reason. (If you do want the Norwood soundtrack, try to find the "I'll Paint You A Song" album, which has the Norwood soundtrack as well as the Theme from True Grit).

So, why 8 stars? First, Glen Campbell gets 8 stars as a starting point because he was a true icon at the time. Second, the movie is really so bad that it becomes good. The jokes fall flat, but the serious parts are hilarious. It is worth watching when you just want some mindless humor and mind-numbing music.