A man is shot in an underground car-park by a mysterious bearded man. As he dies he recollects the events that led him to this situation, including adulterous liaisons and jealous envy.A man is shot in an underground car-park by a mysterious bearded man. As he dies he recollects the events that led him to this situation, including adulterous liaisons and jealous envy.A man is shot in an underground car-park by a mysterious bearded man. As he dies he recollects the events that led him to this situation, including adulterous liaisons and jealous envy.
Photos
- Nora Tosatti
- (as Lucia Bosé)
- Waiter
- (uncredited)
- Man in Tennis Club
- (uncredited)
- Poliziotto
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe American hippie has books on anarchism, Mao Tse Tung, Malcom X, and "Religion and the Rise of Capitalism," along with Maxwell House coffee in his car.
- GoofsLucia tells Giovanni (Frank in the English version) he's stark naked, when, two seconds later, he gets up, wearing a bathing suit, too soon to have time to put it on, and they're just going skinny dipping in the next cove over anyway.
- Quotes
Lucia: Eddie? A fairy! I'll be damned!
Nora Tosatti: Often I can't tell, but I caught on to him soon. You know what? I noticed he was a bit impressed with your Frank.
Lucia: Ma no! And Frank was jealous of me!
Nora Tosatti: Anyway, I wanted to help him. Besides, they're usually nice and tidy, worse than women are.
- ConnectionsReferenced in Videoman (2018)
Carlo Carlini's cinematography is generally blandly suitable, though in some instances decidedly overzealous. Where Guerrieri's direction is concerned, meanwhile, the first words to come to mind are "dull" and "unpracticed." I suppose Armando Trovajoli's compositions for he score show some promise - or at least, they might if they weren't so glaringly repetitive. There aren't that many distinct themes on hand, and in fact it at least feels as though there are only two that get used over and over again, with a single unique theme to show up in the last ten to fifteen minutes. Every now and again it seems like the cast is performing well, appropriate to the needs of any given moment, yet mostly they don't. In fairness, considering how shoddy the writing and direction are, it might not be their fault. As if to emphasize the point, a little after the one-hour mark there's a scene where Lucia asks Giovanni if he's still mad at her. Thanks to the awful writing we have no idea what quarrel she might be referring to; thanks to the floundering acting, it doesn't seem like either person cares about the conversation at all.
Oh, and about that "vague, loose sense of story" one may possibly ascertain. Elsewhere on The Internet one can read a synopsis of the plot of 'The double' and gain definite understanding of the tale that Guerrieri is trying to impart with at best extremely mixed results. I wouldn't recommend it, however, for when all is said and done, the narrative at large is plainly insipid, all but amateurish. Any amorphous feelings of tension that might kind of sort of manifest in the last act are squashed, to the point that we are made to feel like fools, for how nonsensical (and, of course, poorly written and executed) the ultimate revelations are. I repeat my hope that this feature is not a true reflection of the novel it's based on, for if it is, that speaks very, very poorly to author Bigiaretti as much as all involved in this production. Well, maybe not all, as one might say the crew behind the scenes put in good work. "Might" is the furthest I can get with such evaluation, however, for at best this is such a chore that it's impossible to care about such contributions; at worst, one might just say that their work was just as putrid as everything else here.
I don't care who you are. I don't care what your interests are when it comes to cinema. There is no reason for you to watch this. It's among the clumsiest, most gawky, actively aggravating movies I've ever watched. I may, in fact, need to reassess my ranking of the worst movies I've ever seen, because 'The double' is indisputably below the bottom of the barrel, and countable among the lowest of all company. It makes 2019's 'A karate Christmas miracle' look passable by comparison, and The Beatles' woe-begotten TV movie 'Magical Mystery Tour' seem fun. I feel like less of a person just for the fact of having wasted my time on this. Please do not make the same mistake that I have. Avoid this, forever.
- I_Ailurophile
- Feb 3, 2023
- Permalink
Details
- Release date
- Country of origin
- Language
- Also known as
- Love Inferno
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 28 minutes
- Sound mix
- Aspect ratio
- 1.85 : 1