A low-life bandit and an I.R.A. explosives expert rebel against the government and become heroes of the Mexican Revolution.A low-life bandit and an I.R.A. explosives expert rebel against the government and become heroes of the Mexican Revolution.A low-life bandit and an I.R.A. explosives expert rebel against the government and become heroes of the Mexican Revolution.
- Awards
- 1 win & 2 nominations
- Santerna
- (as Rick Battaglia)
- Gutierez
- (Italian, English version)
- (as Domingo Antoine, Jean Michel Antoine)
- …
Storyline
Did you know
- TriviaSergio Leone offered the role of Juan Miranda to Eli Wallach, but Wallach had already committed to another project. After Leone begged Wallach to play the part, he dropped out of the other project and told Leone he'd do his movie. However, the studio already had Rod Steiger signed. Leone offered no compensation to Wallach, and Wallach subsequently sued.
- GoofsIn the train, the automatic pistol that Juan Miranda uses is a Browning GP35. As its names suggests, this model became available in 1935 (so a contemporary of the aforementioned MG42).
- Quotes
Juan Miranda: What's that?
John H. Mallory: It's a map.
[Juan lies down on top of it]
John H. Mallory: It's your country you're lyin' all over, there!
Juan Miranda: [drowsily] Hm-hm. Not my country. My country's... me and my family.
John H. Mallory: Well, your country's also Huerta, the governor, the landlords... Günther Ruiz and his locusts... this little revolution we're having here.
Juan Miranda: [alert] A revolution? "Little revolution"? Please, don't try to tell me about revolution! I know all about the revolutions and how they start! The people that read the books, they go to the people that don't read the books, and say "Ho-ho! The time has come to have a change, eh?"
John H. Mallory: Shhhh...
Juan Miranda: [mimicking John] Sh, sh, sh, sh, sh, SHIT, SHUSH! I know what I am talking about when I am talking about revolutions! The people who read the books go to the people who can't read the books, the poor people, and say, "We have to have a change." So, the poor people make the change, ah? And then, the people who read the books, they all sit around the big polished tables, and they talk and talk and talk and eat and eat and eat, eh? But what has happened to the poor people? THEY ARE DEAD! That's your revolution! Sh... so, please... don't tell me about revolutions. And what happens afterwards? The same fucking thing starts all over again!
John H. Mallory: [exhales] Whew. Hmmm.
[throws a book he was reading into the mud: Mikhael A. Bakunin, The Patriotism]
- Crazy creditsA quote from Chairman Mao regarding the nature of revolutions was removed from original English prints out of fear that audiences would misinterpret the quote's use as an endorsement of communist revolution. The quote was later put back into uncut prints.
- Alternate versionsThe new 5.1 remix of the soundtrack on the restored Region 2 Special Edition release uses incorrect music cues for several scenes including the restored long flashback scene at the end, and edits out two expletives, one is uttered by Juan while talking to himself before attacking the bridge, the other spoken by John on the train. Both of these are intact in all other restored versions. The title of the restored version is now "Duck You Sucker" while the title on the cover remains "A Fistful of Dynamite".
- ConnectionsEdited into Spaghetti Western Trailer Show (2007)
Many reviewers have said how strong the Leone formula is and I won't be able to add much to their words but for me this is a fine film mainly because it takes apart yet another of the cinema myths of the noble revolutionary fighters and has a fascinating thread of political commentary running all the way through it. It doesn't open this way though, rather it starts with Leone's usual brand of wit and confrontation between John and Juan and it all feels like it will be similar (and just as good) to some of Leone's other westerns. However, about an hour in, it becomes more interesting thanks to the rather shocking portrayal of the revolution (on both sides) and the ripping into the ideas behind it. It only adds to the basic plot and, when it becomes the main focus, the film is stronger for it, although Leone's Marxist views may be a little hard to swallow for some viewers in the west. That said, it does still work as a typical Leone western and fans of his will still love this film.
The cast is good but you gotta wonder how those accents would have been mauled if the film had not been as roundly good certainly Coburn's attempts at an Irish brogue are not the most convincing I've heard. Other than that though he is good in the lead role, coping well with making an IRA character "likeable" without damaging the cynicism and regret that exists within him. His flashback scenes are convincing even if it is not that important to the main thrust of the film. Steiger is less serious at first but develops his character well, despite having to cope with a "road to Damascus" moment as part of it. He is consistently amusing as a character and he does tend to dominate his scenes to good effect. Support is fine but really these two men are the film and they do it very well, coping with the laughs, tension and political commentary equally well.
Overall, a typically strong film from Leone that has all his usual formula touches as well as plenty of commentary of value. The direction and use of music are as good as always and the cast cope well with the demands of the script. Reviewers who have taken this as an attack on John Ford's idea of the revolutionary Irishman are perhaps a little off since the film only confirms Ford's usual pointing out of "printing the myth" but it still has plenty of value and interesting political commentary.
- bob the moo
- Jun 5, 2005
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Details
- Release date
- Country of origin
- Languages
- Also known as
- A Fistful of Dynamite
- Filming locations
- Toner's Pub, Baggot Street, Dublin, Ireland(Flashback scenes in pub)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross worldwide
- $980