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“I don’t know if you caught this, but we avoided black,” “American Primeval” assistant costume designer Mila Hermanovski told IndieWire. “For the most part, black was reserved only for the Mormons.”

That feels right for a show that finds the deepest gray in every situation. In keeping with the latest wave of Western projects, the eight-part Netflix series (directed by Peter Berg) is precise in the ways in which it eviscerates any lingering notions John Wayne or Laura Ingalls Wilder might have left of the wild wild West. Set during the 1857 Utah War, “American Primeval” spins off in several directions but always returns to Betty Gilpin’s Sara, on the run with her little boy and at the mercy of their reluctant guide Isaac (Taylor Kitsch). He’s not as dangerous as Sara fears (at least not towards her); she’s far more capable of violence than he expects.

The best Shelley Duvall movies and TV shows reveal exactly why the star of The Shining and Popeye came to be known as a legendary presence on the screen. Born in 1949 in Texas, Shelly Duvall was discovered by director Robert Altman, who she came to work with frequently following her debut in his 1970 comedy Brewster McCloud. From there, Duvall found herself starring in many of the best films of the 1970s and 1980s, with her career reaching its highly celebrated peak with films like Popeye and, of course, Stanley Kubrick’s The Shining.

However, despite being regarded as an incredible presence on-screen in the 2020s, Shelley Duvall was somewhat under-appreciated in her time - especially when it came to awards and accolades. Shelley Duvall unfortunately passed away in 2024, aged 75, though by this time, her legacy was cemented and celebrated by many critics and career peers - and the best Shelley...

NYC Weekend Watch is our weekly round-up of repertory offerings.

Museum of the Moving Image

See It Big! Let It Snow brings 35mm prints of Kurosawa’s Dersu Uzala, 1994’s Little Women, and McCabe & Mrs. Miller.

Film at Lincoln Center

Mike Leigh’s Secrets & Lies shows on Saturday with an introduction from Marianne Jean-Baptiste.

Film Forum

The Umbrellas of Cherbourg and The Wages of Fear play in 4K restorations.

Metrograph

La Dolce Vita, Permanent Vacation, Death By Hanging, and The Art of the Steal show on 35mm and Lino Brocka’s Bona starts screening; Ed Lachman’s Report from Hollywood and Urban Ghosts begin while Absconded Art, The World Is a Stage, and Crush the Strong, Help the Weak continue.

IFC Center

It’s a Wonderful Life and a 4K restoration of Carrie plays daily; 2001, Spider Baby, Threads, and Alien show late.

Museum of Modern Art

A Robert Frank centennial continues.

Wicked director Jon M. Chu will receive the Ace Golden Eddie Filmmaker of the Year Award at the 75th annual Ace Eddie Awards, which recognize the year’s best editing achievements in film and TV.

The American Society of Editors made the announcement Monday, along with revealing that longtime Robert Altman and Tyler Perry collaborator Maysie Hoy and Star Wars Oscar winner Paul Hirsch will be bestowed with career achievement honors during the ceremony, set for January 18, 2025 at UCLA’s Royce Hall.

The Filmmaker of the Year honor goes to an artist who “exemplifies distinguished achievement in the art and business of film,” Ace said. Recent recipients include John Waters, Gina Prince-Bythewood, Spike Lee, Quentin Tarantino, Kathleen Kennedy and Christopher Nolan.

“Jon M. Chu is a visionary filmmaker who has captivated audiences worldwide with his dynamic storytelling and innovative visual style,” said Ace president Sabrina Plisco, Ace, noting Chu’s...

From Troy to Mr. and Mrs. Smith, Brad Pitt’s filmography is filled with one iconic project after the other, making it impossible for us to pick a favorite. However, his Se7en co-star Morgan Freeman has a film picked out that he cannot stop singing praises of and it is a rather underrated one – The Assassination of Jesse James by the Coward Robert Ford. Quite a mouthful.

Morgan Freeman and Brad Pitt in Seven (1995) | Credits: New Line Cinema

The epic revisionist Western film retold the story of American outlaws Jesse James and Robert Ford, the latter of whom killed the former and went on to capitalize on the murder. Morgan Freeman, one of the greatest actors to have blessed the film industry, couldn’t stop watching the film for all the right reasons.

An Underrated Brad Pitt Film Brad Pitt’s The Assassination of Jesse James by the Coward...

Vampire movies of the '70s were influenced by global horror trends, exploitation, and social commentary. Experimental films like Cuadecuc, Vampir deconstructed vampire fear through stillness and metacommentary. Salem's Lot and Nosferatu the Vampyre exhibit different approaches to vampire lore and storytelling.

The vampire movies that proliferated in the 70s werent your run-of-the-mill graveyard spookfests. Spurred by both a global horror and the exploitation boom brought about by loosening censorship codes and by the French New Wave movement that responded to both phenomena, this medieval monster got noticeably freakier.

In a period shaped by political change, particularly in the aftermath of myriad revolutions, artists and capitalists alike took advantage of the vampire as a figure ripe for social commentary, satire, and dangerous erotic charge (vampires are famously seductive). Across the globe as well as across Hollywood, bloodsuckers held audiences hypnotized in films that remain salient (and sometimes scary) today for their daring,...

Robert Altman was in Houston filming “Brewster McCloud” when he met Shelley Duvall at a party. After the filmmaker and his crew became close to Duvall, Altman was convinced that she would be perfect as the off-beat young woman who falls for Brewster. Duvall, who had sold cosmetics and studied nutrition in college, was stunned. “I’m not an actress,” she insisted. To which Altman replied, “Oh yes, you are.”

At least that’s the way that Keith Carradine, a frequent collaborator of both Altman and Duvall, heard it. “I love that story,” Carradine says. “It’s so Bob, it’s so Shelley.”

Duvall died on July 11 at the age of 75, having long ago left Hollywood, but she left behind a treasure trove of indelible onscreen performances, playing Jack Nicholson’s terrified wife in “The Shining,” as well as a series of quirky roles in Altman films like “Nashville,” “3 Women” and “Popeye,...

The 1970s marked the end of traditional westerns and the rise of the anti-western, questioning the genre's whitewashing of U.S. history. Movies like The Cowboys, Jeremiah Johnson, and High Plains Drifter paved the way for revisionist westerns in the '70s. Films like El Topo, The Shootist, and Blazing Saddles brought fresh, innovative perspectives to the western genre in the 1970s.

With delightfully dark classics like El Topo and McCabe & Mrs. Miller, the 1970s marked the end of the western genres heyday and the dawn of the anti-western. The western genre has been a staple of American cinema since the invention of filmmaking. One of the first narrative films ever made Edwin S. Porters 1903 silent movie The Great Train Robbery was a western. Seminal masterpieces like Stagecoach and Destry Rides Again established the cinematic language of the western genre in the 1930s, and westerns remained popular and prevalent throughout the 40s,...

Shelley Duvall's performance in Robert Altman's 3 Women is an underrated gem in her career, showcasing her talent in a psychological drama. Altman's dream-inspired concept for 3 Women led to a unique exploration of identity, with Duvall delivering a standout portrayal of Millie. Duvall's chemistry with co-stars Sissy Spacek and Janice Rule in 3 Women elevates the film, showcasing a dynamic trio on-screen.

The late, great Shelley Duvall, best known as Wendy Torrance from The Shining, gave one of the finest performances of her career in Robert Altmans chilling psychological drama 3 Women. Since Duvall sadly passed away on July 11, 2024, movie lovers have been reevaluating and reappraising her on-screen work. While The Shining will always be Duvalls most iconic film, her best working relationship was with Altman. Duvall made her acting debut in Altmans pitch-black comedy Brewster McCloud in 1970, kicking off a series of terrific collaborations between the actor and filmmaker.

Shelley Duvall, the iconic actress known for her distinctive voice, striking appearance, and memorable performances, passed away on July 11, 2024. She was 75 years old. Duvall’s contributions to film and television left an indelible mark on the entertainment industry, and her death is a significant loss to the world of cinema. Duvall’s cause of death was due to complications from diabetes, and she was bedridden for several months prior to her passing. Her longtime partner Dan Gilroy says the actress died in her sleep sometime after midnight.

Early Life and Career Beginnings

Shelley Alexis Duvall was born on July 7, 1949, in Fort Worth, Texas. Her early life was far from the limelight, as she initially pursued a degree in nutrition and diet therapy. However, her life took an unexpected turn when she was discovered by director Robert Altman at a party. Altman saw something unique in Duvall, leading to her film...

Some sad news to report today, as The Shining and Popeye actress Shelley Duvall has passed away at the age of 75. Reports (via FearHQ.com) indicate that Duvall died in her sleep of complications from diabetes at her home in Blanco, Texas.

“My dear, sweet, wonderful life partner and friend left us. Too much suffering lately, now she’s free. Fly away, beautiful Shelley,” said Dan Gilroy, her life partner since 1989.

The two-time Emmy nominee had all-but retired from acting by the mid-1990s, but left behind a memorable body of work, including seven films directed by her mentor, Robert Altman.

She made her onscreen debut as Astrodome tour guide Suzanne Davis in Brewster McCloud (1970), later appearing as a mail-order bride in McCabe & Mrs. Miller (1971); bank robber Keith Carradine's love interest in Thieves Like Us (1974); groupie L.A. Joan in Nashville (1975); the wife of President Grover Cleveland in Buffalo Bill and the Indians,...

Shelley Duvall, one of the most iconic movie stars of the ’70s and ’80s, died on Thursday from complications related to diabetes. She was 75.

Duvall got her start working with Robert Altman, with her first acting role coming in his 1970 film Brewster McCloud. This sparked a longtime collaboration and friendship, with Duvall starring in other Altman films like Nashville, 3 Women and Popeye.

Her work with Altman led to being cast in Stanley Kubrick’s The Shining as Wendy Torrance, her most recognizable role. In addition to her film work, Duvall hosted and created the children’s series Faerie Tale Theatre and Bedtime Stories.

In 2002, Duvall decided to retire from acting. Following the attention from The Hollywood Reporter‘s 2021 cover story on her reclusive life in Texas Hill Country post-Hollywood, the actress returned to the screen in the 2023 independent horror film The Forest Hills.

“My dear, sweet, wonderful life partner and friend left us.

Tributes to late actor Shelley Duvall have been shared across social media. These tributes have come from filmmakers and appreciators including Edgar Wright and Mike Flanagan. The Shining author Stephen King also shared a heartfelt tribute to Duvall.

Various tributes to Shelley Duvall have been shared on social media. The two-time Emmy nominee is best-known for her roles in movies helmed by auteur directors including working with Stanley Kubrick in The Shining, Terry Gilliam in Time Bandits, Tim Burton in the short film Frankenweenie, Terrence Malick in Badlands, and Robert Altman in seven different movies including 3 Women, Popeye, Nashville, and McCabe & Mrs. Miller. Duvall died of complications of diabetes at the age of 75 on July 11, 2024.

Across social media, tributes to Shelley Duvall have come pouring in. This includes posts from various key figures in the entertainment industry including Last Night in Soho director Edgar Wright, The Haunting of Hill House creator Mike Flanagan,...

The sad news came down earlier today that actress Shelley Duvall died in her sleep of complications related to diabetes. She was 75.

“My dear, sweet, wonderful life partner and friend left us,” Dan Gilroy, her life partner, said in a statement. “Too much suffering lately, now she’s free. Fly away, beautiful Shelley.”

Duvall was one of the most celebrated and accomplished actresses of the Seventies. Director Robert Altman launched her career by giving her one of the lead roles in his 1970 classic Brewster McCloud. He continued to work with...

Shelley Duvall, known for her performance opposite Jack Nicholson in The Shining, has passed away at the age of 75, it has been confirmed. Though she didn’t appear in many projects over the past couple of decades, she starred in a range of classic movies across the 1970s and 80s.

The actor died in her sleep of complications from diabetes, at her home in Texas. Duvall’s partner Dan Gilroy confirmed the news to The Hollywood Reporter, sharing the following statement: “My dear, sweet, wonderful life partner and friend left us. Too much suffering lately, now she’s free. Fly away, beautiful Shelley.”

Born on 7 July 1949 in Fort Worth, Texas, Shelley Duvall didn’t initially pursue an acting career in her youth, instead focusing on science, studying nutrition and diet therapy at South Texas Junior College. It was only after being discovered by members of director Robert Altman’s team...

Shelley Duvall, the beloved actress renowned for her roles in iconic films such as The Shining, Annie Hall, and Nashville, has passed away at 75.

Her longtime partner, Dan Gilroy, confirmed the news with The Hollywood Reporter.

He revealed her cause of death, stating that she died peacefully in her sleep at her home in Blanco, Texas, due to complications from diabetes.

In November 2016, Duvall made headlines with a disheveled appearance on an episode of the syndicated talk show Dr. Phil, where she opened up about her struggles with mental illness.

During the interview, she spoke about receiving messages from a “shapeshifting” Robin Williams after his death and mentioned malevolent forces she believed were out to harm her.

Shelley Duvall was born on July 7, 1949, in Houston, Texas, to Bobbie Ruth Crawford and lawyer Robert Richardson “Bobby” Duvall, not to be confused with the actor Robert Duvall.

Shelly Duvall was known for...

Shelley Duvall Photo: Warner Bros Shelley Duvall has died at the age of 75, her life partner Dan Gilroy has announced.

The character actress, whose memorable roles included Wendy Torrance, the wife of axe-wielding Jack in Stanley Kubrick's The Shining, died from the complications of diabetes at her home in Blanco, Texas.

Gilroy told The Hollywood Reporter: “My dear, sweet, wonderful life partner and friend left us. Too much suffering lately, now she’s free. Fly away, beautiful Shelley.”

Texas-born Duvall rose to screen prominence in the Seventies, acting in seven films for Robert Altman beginning with her debut as a teenage tourguide in Brewster McCloud. She would go on to feature in McCabe & Mrs Miller, Thieves Like Us, Nashville, Buffalo Bill and the Indians, or Sitting Bull’s History Lesson, 3 Women and, alongside Robin Williams in Popeye.

The role of Millie Lamoureaux in 3 Women saw her...

Variety, along with her partner, musician Dan Gilroy, have confirmed that Shelley Duvall, best known for her roles in The Shining and Nashville, has died. She passed away on Thursday, July 11 in Blanco, Texas.

Shelley Duvall – Her Impact In The World Of Films

Duvall’s work with Stanley Kubrick in The Shining, which required extensive shooting that took over a year to complete, was said to push the actress to her limits.

Some of the scenes needed over 100 takes, with the baseball sequence appearing in the Guinness Book of World Records for the most takes needed in a single dialogue seen.

Shelley is also well-known for her work with director Robert Altman, and her performance in his 3 Woman, where she received a Cannes Film Festival Award for Best Actress and a BAFTA nomination.

Her first onscreen appearance was in Altman’s Brewster McCloud, and went on to work with the...

US actress Shelley Duvall, star of Stanley Kubrick’s The Shining and seven films by Robert Altman, has died at the age of 75.

Duvall died in her sleep at her home in Blanco Texas, of complications from diabetes, according to her life partner Dan Gilroy.

Born in Fort Worth, Texas in 1949, Duvall got her start in the film industry after meeting Robert Altman at a party in 1970 while he was shooting Brewster McCloud. Altman cast Duvall in the film as a tour guide; and went on to direct her in six further films, including 1971’s McCabe & Mrs Miller, 1974’s Thieves like Us,...

Actress Shelley Duvall, best remembered for her work in Stanley Kubrick’s The Shining, has died. She was 75.

As Duvall’s life partner, Dan Gilroy, told The Hollywood Reporter, she passed away in her sleep of complications from diabetes.

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“My dear, sweet, wonderful life partner and friend left us. Too much suffering lately, now she’s free,” Gilroy said in a statement to THR. “Fly away, beautiful Shelley.”

Throughout her career, Duvall...

Shelley Duvall, the actress who captivated moviegoers in Robert Altman classics and brought wide-eyed terror to Stanley Kubrick’s The Shining, has died at the age of 75.

Duvall’s life partner Dan Gilroy confirmed the actress’ death to the Hollywood Reporter, adding that she died in her sleep of complications from diabetes at their home in Blanco, Texas, where Duvall moved to after leaving Hollywood in the mid-Nineties.

“My dear, sweet, wonderful life partner and friend left us. Too much suffering lately, now she’s free. Fly away, beautiful Shelley,...

After generations have repeated, "Hello, I'm Shelley Duvall!" in the legendary actress' trademark soft and sweet vocal inflection, fans across the globe must now bid the wide-eyed performer a farewell. The Hollywood Reporter has announced that Duvall has passed away at the age of 75. Her death was confirmed by her partner, musician Dan Gilroy, who has been with her since 1989.

"My dear, sweet, wonderful life partner and friend left us. Too much suffering lately, now she's free. Fly away, beautiful Shelley," Gilroy told THR.

With a career spanning over 50 years, Shelley Duvall was a distinct and unique talent unlike anyone else of her generation. Known by most as Wendy Torrance, the tortured wife of Jack Nicholson in Stanley Kubrick's adaptation of Stephen King's "The Shining," Duvall was also the shining star of Robert Altman's golden era — starring in seven films directed by the equally legendary filmmaker. It...

A true icon and legend in the world of entertainment, actress Shelley Duvall has passed away at the age of 75, her longtime partner Dan Gilroy tells The Hollywood Reporter this morning.

“Duvall died in her sleep of complications from diabetes at her home in Blanco, Texas.”

“My dear, sweet, wonderful life partner and friend left us. Too much suffering lately, now she’s free. Fly away, beautiful Shelley,” Gilroy said in a statement shared by the website.

Shelley Duvall is of course known here in the horror world for her all-time-great performance in Stanley Kubrick’s The Shining, playing opposite Jack Nicholson as Wendy Torrance.

Duvall got her start in the 1970s working with director Robert Altman, making her debut in the 1970 film Brewster McCloud. She went on to work with Altman on McCabe and Mrs. Miller (1971), Thieves Like Us (1974), Nashville (1975) and 3 Women (1977), as well as Woody Allen in...

Shelley Duvall, the great actress best known for playing Wendy Torrance in “The Shining” and her performances for Robert Altman, has died. She was 75. Her partner, Dan Gilroy, confirmed the news of her passing first to The Hollywood Reporter. Duvall had been suffering from complications from diabetes, according to Gilroy. They lived in Blanco, Texas, where Duvall had been on retreat from Hollywood since the ’90s, appearing in TV and independent film.

“My dear, sweet, wonderful life partner and friend left us. Too much suffering lately, now she’s free. Fly away, beautiful Shelley,” Gilroy told the outlet.

In a statement shared with IndieWire, Scott Goldberg, director of Duvall’s final film “The Forest Hills,” said, “Shelley leaves behind an amazing legacy and will be missed by so many people, myself included. I am proud of her for overcoming adversity to act again and will always be forever grateful for her friendship and kindness.

Shelley Duvall, the big-eyed, waifish performer who won the Cannes actress award for Robert Altman’s “3 Women” and endured Stanley Kubrick’s intense directing techniques to star in “The Shining,” died Thursday in Blanco, Texas, Variety confirmed with her partner Dan Gilroy. She was 75.

Duvall was known for working with director Altman, who cast her in “Brewster McCloud” as her first screen role. She went on to appear in his films “McCabe & Mrs. Miller” and “Thieves Like Us” before starring as part of the ensemble cast of “Nashville” in 1975. After gaining attention in “Nashville,” Altman cast her in “Buffalo Bill and the Indians,” then gave her unusual screen presence a chance to shine in “3 Women,” for which she won the Cannes Film Festival Award for Best Actress as well as a BAFTA nomination.

Also in 1977, Duvall played a Rolling Stone journalist in Woody Allen’s “Annie Hall,...

Shelley Duvall, the saucer-eyed, rail-thin waif who starred in seven films directed by her mentor, Robert Altman, and avoided the ax wielded by an unhinged Jack Nicholson in Stanley Kubrick’s The Shining, died Thursday. She was 75.

Duvall died in her sleep of complications from diabetes at her home in Blanco, Texas, Dan Gilroy, her life partner since 1989, told The Hollywood Reporter.

“My dear, sweet, wonderful life partner and friend left us. Too much suffering lately, now she’s free. Fly away, beautiful Shelley,” Gilroy said.

In November 2016, a disheveled Duvall appeared on an episode of the syndicated talk show Dr. Phil and revealed that she was suffering from mental illness. “I am very sick. I need help,” she said. Four years later, THR‘s Seth Abramovitch visited her for a memorable story.

Before she fled Hollywood for her native Texas in the mid-1990s, Duvall had a thriving career as a versatile,...

Robert Towne – who died Monday at 89 – was more than just an Oscar winner, more than a mere successful screenwriter. He was the acknowledged master of the craft itself who achieved something no other writer has been able to match (before or since): he earned Academy Award screenplay nominations for three critical and commercial hits in successive years, all released in a single dizzying 14-month period. There was “The Last Detail” in 1974, “Chinatown” (for which he won his lone writing Oscar) in 1975 and “Shampoo” in ’76. He would also earn a bid in 1985 for “Greystoke: The Legend of Tarzan, Lord of the Apes.” But it was that remarkable run in the Seventies that established Towne as a screen wordsmith without peer.

In fact, Towne would become known as much for his writing on films for which he received no screen credit than the ones he did. A look at his IMDb...

Robert Towne, the Oscar-winning screenwriter of Chinatown who was also one of Hollywood’s most renowned script doctors, has died. He was 89.

Born in Los Angeles, Towne started his film career acting and writing for producer Roger Corman. In the early 1970s he emerged as a key figure in the New Hollywood movement, collaborating with filmmakers including Jack Nicholson and Warren Beatty.

Towne’s credited scripts from the period included Roman Polanski’s classic Chinatown as well as The Last Detail and Shampoo. But he was also known as one of the industry’s leading script doctors, doing uncredited work...

There’s a Safdie Brothers aesthetic to Gareth Bowen’s new short The Licensed Fool. Despite the film being set in a Medieval past, it carries that gritty, textured look that we’ve come to expect from New York’s brightest filmmakers. Story-wise, it follows a travelling court jester who begins to unravel when he learns of a sinister motive behind his hiring for an upcoming performance. Whilst, from what I’ve said so far, this may sound like a tense, charged affair, Bowen’s film actually has a comedic quality to it as well, with plenty of jokes amidst its twisted folkloric vibes. With the short currently playing festivals, Dn joined up with Bowen to break down his journey with the film so far, from the internet rabbit hole that inspired its creation through to the technical specs that inform The Licensed Fool’s distinctive, zoom-lensed look.

When and...

René Auberjonois, known for Star Trek, also once starred as Spider-Man in a forgotten 1970s Marvel adventure on vinyl. Beyond his acting in Hollywood classics, Auberjonois directed 8 Star Trek: DS9 episodes and did voice work in multiple animated series. Auberjonois' performance as Spider-Man in a rockomic left a lasting impression on 1970s kids, connecting Star Trek with Marvel.

René Auberjonois, best known for playing Constable Odo in Star Trek: Deep Space Nine previously played the role of Spider-Man in a forgotten Marvel production from the 1970s. Starting out on stage in the early 1960s, René Auberjonois had an impressive and extensive list of credits when he joined the cast of Star Trek: DS9 in 1993. Auberjonois began his screen acting career working with Hollywood auteur Robert Altman in the movies M.A.S.H and McCabe & Mrs. Miller, and had several guest roles in classic TV shows like Starsky and Hutch,...

Quentin Tarantino is doubling down on his film criticism, as he not only has his 10th and final feature, The Movie Critic, on the horizon but also has a follow-up to his book Cinema Speculation in the works.

As he revealed on the Pure Cinema Podcast – which frequently promotes goings-on at the Qt-owned New Beverly Cinema – the Cinema Speculation sequel will be his next book. While Tarantino didn’t provide any details as far as when Cinema Speculation II: Electric Boogaloo will hit shelves, he did mention one title he would be covering: Peter Bogdanovich’s 1972 screwball comedy What’s Up, Doc? On that movie and its cast dynamics, Tarantino said, “I am a big fan of everybody in this movie, but I’m a particularly big fan of Ryan O’Neal’s job as Howard Bannister. I think it’s one of the great straight-man comedy roles. I think he’s really,...

As he's said frequently over the last few years, Quentin Tarantino is retiring from filmmaking. He has one more movie in the works — "The Film Critic" — and then he's apparently hanging it up. But that doesn't mean the acclaimed filmmaker is going to stop working entirely. For one thing, Tarantino has recently gotten into the book-writing game. He wrote a novelization of his most recent flick, "Once Upon a Time in Hollywood," and then followed that up with "Cinema Speculation," a collection of essays about several notable American films from the 1970s. The book was full of nerdy insights, and while I didn't agree with everything said — at one point, Tarantino calls Peter Yates' masterful "The Friends of Eddie Coyle" "overrated" — I loved pouring over Tarantino's thoughts on classic (and not-so-classic) films.

If you, like me, enjoyed the book, here's some good news: Tarantino is working on a sequel! The...

In February 2024, The Criterion Collection will release The Heroic Trio and Executioners in 4K and Blu-ray. Yes, they will also release films by Michael Roemer's Nothing But a Man, Raoul Walsh's The Roaring Twenties, Eric Rohmer's Tales of the Four Seasons, and Robert Altman's McCabe and Mrs. Miller in 4K (?!). You can read more about at the official Criterion site. But my personal takeaway is The Heroic Trio and Executioners in 4K and Blu-ray will be released. I'll just quote from Criterion's official verbiage: "The star power of cinema icons Maggie Cheung, Anita Mui, and Michelle Yeoh fuels these gloriously unrestrained action joyrides from auteur Johnnie To and action choreographer Ching Siu-tung. "The Heroic Trio and its sequel, Executioners, follow a new kind...

[Read the whole post on screenanarchy.com...]...

Congratulations to Johnnie To, whose achievements are such that almost anything else is pat. Yet he now has one of the best films in the Criterion Collection: his action-fantasy masterpiece The Heroic Trio––starring Maggie Cheung, Michelle Yeoh, and Anita Mui––will retire its hard-subbed laserdisc rip for a 4K Uhd arriving in February, its sequel Executioners (perhaps not one of the best films in the Criterion Collection but welcome all the same) included as a two-feature set. (With appreciable credit given to co-director Ching Siu-tung.) Raoul Walsh’s The Roaring Twenties is likewise joining the collection in 4K, while 2016’s McCabe & Mrs. Miller disc gets an upgrade.

Arguably most eventful, though, is the long-awaited release of Rohmer’s Tales of the Four Seasons, which Janus toured virtually and physically throughout 2021. And not to be discounted even slightly is Michael Roemer’s Nothing But a Man––arguably, it so happens,...

Western movies often feature thrilling shootout sequences as a prominent trope, culminating in high-octane gunfights between heroes and villains. The tone of these shootout scenes varies, from triumphant and celebratory to subversive and unsettling, reflecting different perspectives on the act of killing. Shootout scenes in classic Western movies have influenced the depiction of gunplay in modern action cinema, shaping the way it is portrayed in films today.

From the saloon standoff at the end of Shane to the cemetery showdown at the end of The Good, the Bad, and the Ugly, there are plenty of exciting shootout sequences in classic Western movies. Shootout scenes are one of the most prevalent tropes of the Western genre, along with bar fights, cattle drives, and train robberies. Almost every Western movie culminates in a high-octane gunfight between the heroes and villains. Even the most subversive anti-Westerns, like The Great Silence and McCabe and Mrs. Miller,...

When the clear-cut ethics of western movies turned out to be an idealized myth, the genre took a violent turn with rougher, bloodier visions of life in the Old West. The western genre started out with an optimistic view of justice and a morally black-and-white perspective of good versus evil. However, as time went on and the world became a lot more complicated, filmmakers challenged these tropes and conventions with morally gray antiheroes, real hardship on the frontier, and lots and lots of blood. Directors like Sam Peckinpah and Sergio Corbucci upended the genre’s traditions to deliver darker, grittier, and bloodier western movies.

There are a lot of spaghetti westerns with no good guys and an abundance of bloodshed (such as Sergio Leone’s A Fistful of Dollars). There are movies that incorporate gory horror elements in the well-worn western traditions (like Bone Tomahawk). While there are also acid...

Julie Christie is an Oscar-winning actress who has been largely absent from movie screens this century, enjoying a semi-retirement that finds her returning for the odd performance here and there. Yet she’s always finding new fans as younger generations discover her cinematic classics. Let’s take a look at 20 of her greatest films, ranked worst to best.

Born on April 14, 1940, Christie rose to prominence for her work in London, starting with a breakthrough performance in John Schlesinger‘s “Billy Liar” (1963). She won the Oscar as Best Actress just two years later for Schlesinger’s “Darling” (1965), playing a fashion model who sleeps her way to the top. That same year, she shot to stardom thanks to David Lean‘s romantic epic “Doctor Zhivago” (1965), which casts her as a political activist’s wife who falls in love with a physician (Omar Sharif) during the Russian Revolution.

She earned a second Best...

’Avatar: The Way Of Water’ is now the biggest film of all time in France.

France’s box office is bounding back steadily with a nearly 40% jump in February year-on-year ticket sales, driven by Disney’s Avatar: The Way Of Water, Pathe’s Asterix And Obelix: The Middle Kingdom and Studiocanal’s Alibi.com 2. But admissions are still below the pre-pandemic 2017-19 average according to figures released by the Cnc.

Even as James Cameron’s Avatar: The Way Of Water broke records and the local-language blockbusters started strong, February’s ticket sales of 18.2m remain 21.3% below the 2017-2019 average.

Guillaume Canet...

When it comes to winning an Oscar, the key is usually a good narrative.

The young upstart bursting onto the scene with a sparkling debut performance. The faded star staging an unlikely comeback. The hell-bent Method actor transforming themselves completely in service of their craft.

While the decision of who wins is often down to the arbitrary notion of “momentum” and whoever ran the most effusive behind-the-scenes campaign, many talented actors have often found themselves falling just short – losing out to a more romantic narrative.

Sometimes, actors have accrued a whole handful of Oscar nominations without ever once winning.

For every serial winner like Daniel Day-Lewis or Frances McDormand, there’s a Willem Dafoe or Glenn Close: great actors who haven’t yet been given their due by the Academy.

Here’s a breakdown of all the living actors who have been nominated multiple times – but have never taken home an award.

When it comes to winning an Oscar, the key is usually a good narrative.

The young upstart bursting onto the scene with a sparkling debut performance. The faded star staging an unlikely comeback. The hell-bent Method actor transforming themselves completely in service of their craft.

While the decision of who wins is often down to the arbitrary notion of “momentum” and whoever ran the most effusive behind-the-scenes campaign, many talented actors have often found themselves falling just short – losing out to a more romantic narrative.

Sometimes, actors have accrued a whole handful of Oscar nominations without ever once winning.

For every serial winner like Daniel Day-Lewis or Frances McDormand, there’s a Willem Dafoe or Glenn Close: great actors who haven’t yet been given their due by the Academy.

Here’s a breakdown of all the living actors who have been nominated multiple times – but have never taken home an award.

We all know smoking is bad, but now the very idea of even looking at a cancer stick is something HBO Max is apparently trying to put a stop to.

It was recently discovered that HBO Max has altogether removed the implication of smoking–that is, cigarettes and cigars–from the accompanying artwork on certain movies. The two standout examples right now are for Robert Altman’s McCabe & Mrs. Miller (1971) and John Milius’ The Life and Times of Judge Roy Bean, as seen in the below tweet:

No Smoking!

Twitter users report HBO Max removed Warren Beatty’s and Paul Newman's cigars from movie poster art used on its home page:

McCabe & Mrs. Miller.

The Life and Times of Roy Bean. pic.twitter.com/QLPz0olJz1

— Pete Salisbury (@Tuckerpete) September 13, 2022

Of course, it’s going to take a hell of a lot more from HBO Max than...

As the pioneer of premium cable, HBO became popular for a programming lineup that offered plenty of adult-oriented choices alongside shows for children. But the cabler’s streaming service HBO Max continues to make tweaks in the wake of the Warner Bros. Discovery merger, film enthusiasts are fearful the service is over-compensating in trying to protect viewers from the dangers of smoking — through removing images of cigarettes and cigars.

“No Smoking! Twitter users report HBO Max removed Warren Beatty’s and Paul Newman’s cigars from movie poster art used on its home page: ‘McCabe & Mrs. Miller.’ ‘The Life and Times of [Judge] Roy Bean,'” Twitter user Pete Salisbury wrote.

No Smoking!

Twitter users report HBO Max removed Warren Beatty’s and Paul Newman's cigars from movie poster art used on its home page:

McCabe & Mrs. Miller.

The Life and Times of Roy Bean. pic.twitter.com/QLPz...

Filmmaker Boaz Yakin discusses some of his favorite films with hosts Josh Olson and Joe Dante.

Show Notes:

Movies Referenced In This Episode

Aviva (2020)

The Harder They Fall (2021)

The Harder They Come (1972)

Reservoir Dogs (1992)

Pulp Fiction (1994)

Fresh (1994)

Mo’ Better Blues (1990)

Safe (2012)

Scream (2022)

The Punisher (1989)

The Adventures of Robin Hood (1938)

Kagemusha (1980) – Bernard Rose’s trailer commentary

Mean Streets (1973)

Jaws (1975) – Josh Olson’s trailer commentary

The 400 Blows (1959) – Robert Weide’s trailer commentary

Yojimbo (1961)

Dodes’ka-den (1970)

Short Cuts (1993) – Glenn Erickson’s Criterion Blu-ray commentary

Casablanca (1942) – John Landis’s trailer commentary

Coonskin (1975) – Larry Karaszewski’s trailer commentary

Fritz The Cat (1972) – Mick Garris’s trailer commentary, Charlie Largent’s Blu-ray review

The Lord of the Rings (1978)

Wizards (1977)

Heavy Traffic (1973) – Larry Karaszewski’s trailer commentary, Randy Fuller’s wine pairing

The Warriors (1979)

Quintet (1979)

Brewster McCloud (1970) – Larry Karaszewski’s trailer commentary, Glenn Erickson’s Blu-ray review

Mash (1970)

Nashville (1975) – Larry Karaszewski’s trailer commentary, Dan Perri’s trailer commentary,...

Based upon the kudos count to date, Jane Campion’s “The Power of the Dog” clearly ranks as one of the top awards-contending films of 2021. For those fascinated by that raucous, rowdy, storm-the-barricades Hollywood moment known as the “New Hollywood,” which started roughly in the mid-’60s and was exhausted or vanquished — depending upon who’s telling the history — by the end of the 1970s, it’s also the perfect embodiment of that era’s fondness for revisionism, both historical and cinematic, as well as sexual frankness wherever the filmmakers could find it.

Which shouldn’t be surprising, given that the film’s taut, deadly source material is Thomas Savage’s piercing 1967 modern Western, “The Power of the Dog.” Set in 1925, a little over a decade past the 1913 setting of Sam Peckinpah’s revolutionary 1969 revisionist Western, “The Wild Bunch,” “Dog,” like “Bunch,” skewers the American Dream along with myths of...

Ken Kragen, a prolific manager and producer in entertainment and a central organizer behind the 1985 charity single “We Are the World,” died from natural causes in his Brentwood, Calif. home on Tuesday. He was 85 years old.

Kragen’s death was confirmed to Variety by his spokesperson and friend Cheryl J. Kagan.

“While I am of course immensely proud of everything he has accomplished professionally, he has also been the best dad to me that I could have ever asked for,” Ken Kragen’s daughter, Emma Kragen, said in a statement.

Kragen was born in Alameda, Calif. on Nov. 24, 1936. Kragen graduated from Harvard Business School before embarking on a career across film, television and music.

One of Kragen’s first key ventures was the Kragen-Fritz management company that he created with his business partner Ken Fritz in the ’60s. For over five years they worked together as co-executives of the “Smothers Brothers Comedy Hour,...

Ken Kragen, producer of Smothers Brothers Comedy Hour, among others, organizer of humanitarian projects including “We Are The World” and “Hands Across America and personal manager to Kenny Rogers, Lionel Richie and many others, died Tuesday of natural causes at his home in Brentwood, CA, a family spokesperson announced. He was 85.

A graduate of Harvard Business School, Kragen’s decades-long career transcended the music and entertainment industries, where he managed some of the world’s top entertainers including Kenny Rogers, Lionel Richie, The Bee Gees, Olivia Newton-John, Burt Reynolds, The Smothers Brothers, and Trisha Yearwood, among others.

He created and organized historic humanitarian projects including “We Are the World,” and “Hands Across America,” for which he was honored with the United Nations’ Peace Medal, as well as Cisco System’s “NetAid.”

Kragen also produced a variety of film and TV projects, from the Smothers Brothers Comedy Hour on CBS to...

Is this show a hatchet job on Raymond Chandler’s confidential agent, or do Robert Altman and Leigh Brackett honestly find a place for Philip Marlowe in the laid-back 1970s? Vilmos Zsigmond’s even more laid-back ‘pushed and pre-flashed’ cinematography made industry news by shooting in places that normally needed three times more artificial light. The characters are vivid, as portrayed by Nina Van Pallandt, Sterling Hayden, and Mark Rydell. It’s also a terrific Los Angeles film, from Marlowe’s Hollywood apartment to the Malibu Colony, and a dangster’s Sunset Blvd. tower office suite. Elliott Gould’s mellow Marlowe may be unfocused and sloppy, but he still subscribes to the old ethics, particularly where friendship and betrayal are concerned. And darn it, he cares about his pet cat.

The Long Goodbye

Blu-ray

Kl Studio Classics

1973 / Color / 2:35 widescreen / 112 min. / Street Date December 14, 2021 / available through Kino Lorber / 29.95

Starring: Elliott Gould,...

The legendary Robert Altman was such a groundbreaking and prolific filmmaker that it’s near-impossible to name the definitive masterpiece of his career. M*A*S*H, Short Cuts, The Long Goodbye, 3 Women, The Player, and McCabe & Mrs. Miller are all brilliantly made movies that had a profound influence on American cinema.

Related: 8 Ways The Godfather Still Holds Up Today

But despite how great all those films are, the work most commonly described as Altman’s magnum opus is 1975’s Nashville. Almost half a century later, Altman’s epic satirical study of the country music scene still holds up.

“Hallelujah: Leonard Cohen, a Journey, a Song” is a documentary about the Leonard Cohen song “Hallelujah,” and if that sounds like a lot of movie to devote to one song — well, “Hallelujah” is a lot of song. The way we think of it now, it’s epic and lovely and trancelike: a hymn cast in a pop idiom. You might call it a feel-good hymn for a secular society, because the word “hallelujah” has obvious religious connotations, and part of the reason that people feel so good listening to “Hallelujah,” or singing along with it in oversize stadiums, is that the song says to its audience: If you find this beautiful, then you’re a spiritual person.

The documentary, which was directed, written, photographed, and co-edited by the team of Daniel Geller and Dayna Goldfine, is also a portrait of Leonard Cohen, who in a career that spanned half a...

Lil Nas X won the marquee Video of the Year award for his “Montero (Call Me By Your Name)” at Sunday’s MTV Video Music Awards, which celebrated their 40th anniversary with a performance-loaded broadcast at Barclays Center in Brooklyn, NY.

Newcomer Olivia Rodrigo won three Moon Men during the ceremony — for Song of the Year, Best New Artist and Push Performance of the Year. Justin Bieber was also a multiple winner, scoring Artist of the Year and Best Pop Video for “Peaches” along with Daniel Caesar and Giveon. Lil Nas X’s “Montero” also won for Best Director and Visual Effects.

Bieber came in with a leading seven nominations. Megan Thee Stallion came in with the second-most noms, six, but went home empty-handed despite being in the mix for her and Cardi B’s video “Wap.”

Lil Nas X, Rodrigo and Bieber all performed during the show along with host Doja Cat,...