Cesar is in love with Rosalie. But Rosalie isn't making it easy for him, especially when her old flame enters the picture.Cesar is in love with Rosalie. But Rosalie isn't making it easy for him, especially when her old flame enters the picture.Cesar is in love with Rosalie. But Rosalie isn't making it easy for him, especially when her old flame enters the picture.
- Awards
- 1 win
Eva Maria Meineke
- Lucie Artigues
- (as Eva-Maria Meineke)
Pippo Merisi
- Albert
- (as Pipo Merisi)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaVittorio Gassman was considered for the role of César and Gérard Depardieu for the role of David. Catherine Deneuve turned down the part of Rosalie because of her pregnancy.
- ConnectionsFeatured in Montand à la rencontre de Pagnol (1986)
Featured review
I was amazed from this film! Not only because I usually like Yves Montand and Romy Schneider, but because above all this is a film about human feelings and reactions.
Claude Sautet's works are not intellectual movies, but they have the quality of showing people in real life, with their strength and their weakness, we can find people who laugh and cry. They are films about life, there isn't necessarily an happy ending. (In Hollywood they're not able to talk to us about REAL persons.) Simple, isn't it? A director normally shows life, you may say. But in reality I don't think it's so easy. The risk is to talk about people with exaggerations and melodramatic elements. In movies like "César et Rosalie" we find common situations, people with whom we can identify and share feelings.
Here we have a woman who can't choose between two men... (Ingmar Bergman has another approach, in choosing psychological and darker aspects of people. It's another valid method.) I chose to comment this film because it's an example of intimate cinema, a way of telling stories which talk to hearts.
Claude Sautet's works are not intellectual movies, but they have the quality of showing people in real life, with their strength and their weakness, we can find people who laugh and cry. They are films about life, there isn't necessarily an happy ending. (In Hollywood they're not able to talk to us about REAL persons.) Simple, isn't it? A director normally shows life, you may say. But in reality I don't think it's so easy. The risk is to talk about people with exaggerations and melodramatic elements. In movies like "César et Rosalie" we find common situations, people with whom we can identify and share feelings.
Here we have a woman who can't choose between two men... (Ingmar Bergman has another approach, in choosing psychological and darker aspects of people. It's another valid method.) I chose to comment this film because it's an example of intimate cinema, a way of telling stories which talk to hearts.
- michelerealini
- Oct 12, 2005
- Permalink
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Details
- Release date
- Countries of origin
- Languages
- Also known as
- César and Rosalie
- Filming locations
- Beaugency, Loiret, France(first scene, the painter's house, Rue de l'Evêché)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $5,063
- Gross worldwide
- $60,705
- Runtime1 hour 44 minutes
- Sound mix
- Aspect ratio
- 1.66 : 1
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