An aging hitman befriends a young man who wants to be a professional killer. Eventually it becomes clear that someone has betrayed them.An aging hitman befriends a young man who wants to be a professional killer. Eventually it becomes clear that someone has betrayed them.An aging hitman befriends a young man who wants to be a professional killer. Eventually it becomes clear that someone has betrayed them.
- Director
- Writers
- Stars
Frank DeKova
- The Man
- (as Frank De Kova)
Lindsay Crosby
- Policeman
- (as Lindsay H. Crosby)
Tak Kubota
- Yamoto
- (as Takayuki Kubota)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
6.817.6K
1
2
3
4
5
6
7
8
9
10
Featured reviews
Charles Bronson Thriller with a wallop of an ending
Fascinating film about the life and lifestyle of a professional hit-man, a Mechanic, and how dangerous that lifestyle can be not just for the person that gets "Hit" but also for the "Hitman" himself. Arthur Bishop, Charles Bronson, is the top "Mechanic" in the business and we see in the beginning of the movie how he does his job.
Getting his orders through the mail Bishop sets up his victim by casing out his hotel room and then planting an explosive in his bookcase and rigging his gas-range to leak slowly so he wouldn't notice. Then wait hidden ,across the street facing his intended victim's room, until the time is right for him to get off a shot. Not at the victim but at the bookcase to make it look like the he died in a tragic accident instead of an assassins bullet.
You see this all happening in the first fifteen minutes of the movie without a single word of dialog but it's done so well that you know exactly what's happening on the screen. The "hit job" that Bishop had at the start of the movie turned out to be a flaming success.
One afternoon Bishop gets a call from a old friend "Big" Harry, Keenan Wynn. McKenna about some trouble he's having with the organization and if Bishop can help him out. Being that Bishop's father was one of the founders of the organization "Big" Harry feels he can get whatever trouble he has with it smooths out. Bishop tells "Big" Harry he'll see what he could do.
The next morning Bishop gets an envelope in the mail from the organization for his next hit and the person Bishop is contracted to knock off is non other then "Big" Harry. Going through the motions as usual Bishop plans his "Hit" on "Big" Harry with cold calculations and no emotions at all even though he knew "Big" Harry since he was a little boy.
Getting "Big" Harry to meet him in a secluded place by the beach Bishop takes a number of shot at him but not trying to kill him but to induce "Big" Harry to have a fatal heart attack which he does. This is doe by Bishop so that the police and maybe even his fellow mobsters wouldn't be suspicious of any foul play in "Big" Harry's death.
"Big" Harry's son Steve, Jan-Michael Vincent who Bishop met when he came to see "Big" Harry begins to take a very strong liking to him after his fathers death. It's as if Steve wanted Bishop to be his fathers replacement. Even though at the time when Bishop saw Steve with his father they weren't exactly that close and Steve seemed to have a dislike and resentment for his dad even at his funeral that Bishop attended.
It seems that Steve wants to become a "Mechanic" like Bishop and wants to learn the tools of the trade from him, who's the best in the business. Steve likes Bishop's pad in the country and fancy sports car and most of all the danger of his job that is very exciting for the young man who was bored with his life of unending parties. You start to wonder if thats really the reason Steve is so interested to be around Bishop? Does Steve want to get even with Bishop, who Steve seems to know, killed his father? And why does Bishop seem to be so agreeable with Steve in teaching him about the art of killing in secret? Or is Bishop not as naive as he seems to be and is setting Steve up for something?
Intelligent film about the dirty business of the assassination game with Charles Bronson and Jan- Michael Vincent very good as cold-blooded killers who show no emotion at what they do. Slow in the action department, for a Charles Bronson movie, at first but better acted and written then most of the movies that he made back then in the 1970's. With an ending that's one of the best and most surprising finals you'll ever see in any movie.
Getting his orders through the mail Bishop sets up his victim by casing out his hotel room and then planting an explosive in his bookcase and rigging his gas-range to leak slowly so he wouldn't notice. Then wait hidden ,across the street facing his intended victim's room, until the time is right for him to get off a shot. Not at the victim but at the bookcase to make it look like the he died in a tragic accident instead of an assassins bullet.
You see this all happening in the first fifteen minutes of the movie without a single word of dialog but it's done so well that you know exactly what's happening on the screen. The "hit job" that Bishop had at the start of the movie turned out to be a flaming success.
One afternoon Bishop gets a call from a old friend "Big" Harry, Keenan Wynn. McKenna about some trouble he's having with the organization and if Bishop can help him out. Being that Bishop's father was one of the founders of the organization "Big" Harry feels he can get whatever trouble he has with it smooths out. Bishop tells "Big" Harry he'll see what he could do.
The next morning Bishop gets an envelope in the mail from the organization for his next hit and the person Bishop is contracted to knock off is non other then "Big" Harry. Going through the motions as usual Bishop plans his "Hit" on "Big" Harry with cold calculations and no emotions at all even though he knew "Big" Harry since he was a little boy.
Getting "Big" Harry to meet him in a secluded place by the beach Bishop takes a number of shot at him but not trying to kill him but to induce "Big" Harry to have a fatal heart attack which he does. This is doe by Bishop so that the police and maybe even his fellow mobsters wouldn't be suspicious of any foul play in "Big" Harry's death.
"Big" Harry's son Steve, Jan-Michael Vincent who Bishop met when he came to see "Big" Harry begins to take a very strong liking to him after his fathers death. It's as if Steve wanted Bishop to be his fathers replacement. Even though at the time when Bishop saw Steve with his father they weren't exactly that close and Steve seemed to have a dislike and resentment for his dad even at his funeral that Bishop attended.
It seems that Steve wants to become a "Mechanic" like Bishop and wants to learn the tools of the trade from him, who's the best in the business. Steve likes Bishop's pad in the country and fancy sports car and most of all the danger of his job that is very exciting for the young man who was bored with his life of unending parties. You start to wonder if thats really the reason Steve is so interested to be around Bishop? Does Steve want to get even with Bishop, who Steve seems to know, killed his father? And why does Bishop seem to be so agreeable with Steve in teaching him about the art of killing in secret? Or is Bishop not as naive as he seems to be and is setting Steve up for something?
Intelligent film about the dirty business of the assassination game with Charles Bronson and Jan- Michael Vincent very good as cold-blooded killers who show no emotion at what they do. Slow in the action department, for a Charles Bronson movie, at first but better acted and written then most of the movies that he made back then in the 1970's. With an ending that's one of the best and most surprising finals you'll ever see in any movie.
I liked the way this ended...I am sure many fans didn't.
This is the original version of "The Mechanic" and I have not seen the remake....mostly because I am not a big fan of remakes. I do know the remake has a different ending
The film follows the exploits of Arthur Bishop (Charles Bronson), a hired killer or 'mechanic'. Much of the film just shows the complex way that Bishop plans and executes the killings...as if his actions as works of art. And, in most cases he wants to make these deaths look like accidents. But this very cold and calculating killer lets his guard down a bit when he takes a young apprentice under his wing. Steven McKenna (Jan-Michael Vincent) is actually the son of one of Bishop's contracts...and like Bishop, Steven seems to have little conscience or remorse. To see where all this is headed, see the film.
Considering the plot, it isn't very surprising that is a violent action film. However, the violence wasn't generally gratuitous and the plot quite exciting. Not Bronson's best, but among his best...though I am pretty sure many will hate the downbeat ending. I actually thought the ending was great.
The film follows the exploits of Arthur Bishop (Charles Bronson), a hired killer or 'mechanic'. Much of the film just shows the complex way that Bishop plans and executes the killings...as if his actions as works of art. And, in most cases he wants to make these deaths look like accidents. But this very cold and calculating killer lets his guard down a bit when he takes a young apprentice under his wing. Steven McKenna (Jan-Michael Vincent) is actually the son of one of Bishop's contracts...and like Bishop, Steven seems to have little conscience or remorse. To see where all this is headed, see the film.
Considering the plot, it isn't very surprising that is a violent action film. However, the violence wasn't generally gratuitous and the plot quite exciting. Not Bronson's best, but among his best...though I am pretty sure many will hate the downbeat ending. I actually thought the ending was great.
Murder Is Only Killing without a License
The forty-two year old hit-man Arthur Bishop (Charles Bronson) is frequently hired to kill without a trace and he carefully studies the profiles of his victims to find the perfect and clean way to execute them.
When he is hired to kill "Big" Harry McKenna (Keenan Wynn), who was a former friend of his father, Arthur meets his son Steve McKenna (Jan- Michael Vincent) asking money to Harry at home. Later in Harry's funeral, Steve asks for a ride to Arthur and they become very close. Arthur finds potential in the twenty-four year old Steve to become a professional killer and he invites the youngster to form a partnership with him. However his attitude displeases the Powers that Be and Arthur is sent to Naples to kill a mobster. Arthur finds a file about him in a drawer at Steve's house but he invites Steve to travel with him to Italy. Sooner they learn that someone wants them to see Naples and die.
"The Mechanic" is an engaging film by Michael Winner with another great performance of Charles Bronson in the role of a "mechanic", meaning a hired hit-man that kills his victims without leaving a trace. One of the best lines in this film is when he tells to Steve that murder is only killing without a license. Jan-Michael Vincent has one of his best performances in the role of a youngster that believe that he has learned how to lure an experienced man. My vote is seven.
Title (Brazil): "Assassino a Preço Fixo" ("Killer at a Fixed Price")
When he is hired to kill "Big" Harry McKenna (Keenan Wynn), who was a former friend of his father, Arthur meets his son Steve McKenna (Jan- Michael Vincent) asking money to Harry at home. Later in Harry's funeral, Steve asks for a ride to Arthur and they become very close. Arthur finds potential in the twenty-four year old Steve to become a professional killer and he invites the youngster to form a partnership with him. However his attitude displeases the Powers that Be and Arthur is sent to Naples to kill a mobster. Arthur finds a file about him in a drawer at Steve's house but he invites Steve to travel with him to Italy. Sooner they learn that someone wants them to see Naples and die.
"The Mechanic" is an engaging film by Michael Winner with another great performance of Charles Bronson in the role of a "mechanic", meaning a hired hit-man that kills his victims without leaving a trace. One of the best lines in this film is when he tells to Steve that murder is only killing without a license. Jan-Michael Vincent has one of his best performances in the role of a youngster that believe that he has learned how to lure an experienced man. My vote is seven.
Title (Brazil): "Assassino a Preço Fixo" ("Killer at a Fixed Price")
Bronson doing what he does best
The early seventies was a great period for Bronson. Having already reached fifty and a string of classics under his belt as a support player in the sixties, the seventies was his decade. His ice cool tough guy image and immaculate physique made up for his rugged leading man looks and put him more in line ahead of the Redfords and the Newman's for gritty urban thrillers. In Basic terms Bronson could play a ruthless good guy, he had played his fair share of Indians and Mexican Bandits, but never was he better cast than when he portrayed Arthur Bishop, professional hitman for the Mob, The Mechanic.
With great locations, exciting outbursts of action and a surprise twist, this is seventies action entertainment at it's best and it was the period where Director Michael Winner's collaboration with Bronson proved to be his best work to date. They went on to make another great urban crime thriller THE STONE KILLER and then DEATH WISH, Bronson's most famous movie.
It's a shame that both Bronson and Winner's films and reputations went down hill in the eighties but perhaps age went against the seventies icon, as for Winner he returned to Britain and went back to making dire comedies.
But the seventies saw Bronson in many roles that would categorise him as typecast but perhaps he knew his limitations and knew he was never gonna be a romantic lead. Although his late wife, Jill Ireland may have disagreed, she appeared alongside him several times over the space of twenties years, check out a movie entitled FROM NOON TIL THREE, a romantic western that people didn't want to see.
Audiences want to see Bronson as tough, cool, calculated and deadly that's why THE MECHANIC is the perfect vehicle for the screen legend.
With great locations, exciting outbursts of action and a surprise twist, this is seventies action entertainment at it's best and it was the period where Director Michael Winner's collaboration with Bronson proved to be his best work to date. They went on to make another great urban crime thriller THE STONE KILLER and then DEATH WISH, Bronson's most famous movie.
It's a shame that both Bronson and Winner's films and reputations went down hill in the eighties but perhaps age went against the seventies icon, as for Winner he returned to Britain and went back to making dire comedies.
But the seventies saw Bronson in many roles that would categorise him as typecast but perhaps he knew his limitations and knew he was never gonna be a romantic lead. Although his late wife, Jill Ireland may have disagreed, she appeared alongside him several times over the space of twenties years, check out a movie entitled FROM NOON TIL THREE, a romantic western that people didn't want to see.
Audiences want to see Bronson as tough, cool, calculated and deadly that's why THE MECHANIC is the perfect vehicle for the screen legend.
A classic! One of the greatest movie endings EVER!
Classic Charles Bronson. I've only recently really started getting more into his older films; I'm fluent with the Death Wish series. The Mechanic is one of his best, if not one of THE best action/thriller films I've seen. Very cleverly done, particularly his methods of killing. I also like the term used to describe assassins; that's new to me. The movie had me intrigued throughout, with Bronson playing the part very well; very few people could look as wrong as Bronson. But it's the ending that makes the movie that much better, because it's totally unexpected. I want to 'spoil' it so bad but I won't....although other user reviews here may have already. I'll just say that you'll be completely amped afterwards, your jaw will drop to the floor at how cool and unexpected it is. One of the true classic action films; the rating on here should be higher.
***1/2 out of **** stars.
***1/2 out of **** stars.
Did you know
- TriviaThis picture is notable for a motorcycle stunt where a motorbike rider, at the end of a long chase, rides his bike off a 200 foot cliff. Husqvarna motorcycles were specially adapted to film the chase hitting speeds of nearly 110 miles per hour while filming on location at Indian Dunes, Newhall, California.
- GoofsThe Fiat car used by the Mechanic in the case in Naples area is blown up. However the car is used again a few minutes later. Not only is the registration plate the same, it still has only one brake light working.
- Quotes
[last lines]
Arthur Bishop: [voiceover as Steve reads note] Steve, if you read this, it means I didn't make it back. It also means you've broken a filament controlling a 13-second delay trigger. End of game. Bang! You're dead.
- Alternate versionsThe 1988 UK Warner video release was cut by 7 secs by the BBFC to remove closeup shots of a lock picking. The cuts were restored in the 2004 MGM DVD.
- ConnectionsEdited into The Clock (2010)
- SoundtracksString Quartet Op.18 No.6 (2nd Movement)
Written by Ludwig van Beethoven
- How long is The Mechanic?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Killer of Killers
- Filming locations
- 1235 Sierra Alta Way, Los Angeles, California, USA(Arthur Bishop's house)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $10,000,000 (estimated)
Contribute to this page
Suggest an edit or add missing content







