Wife on Isle of Jersey, meets pilot, they become lovers. Flee to Scotland. While making love on beach, lighthouse keeper dies. Incident triggers further events.Wife on Isle of Jersey, meets pilot, they become lovers. Flee to Scotland. While making love on beach, lighthouse keeper dies. Incident triggers further events.Wife on Isle of Jersey, meets pilot, they become lovers. Flee to Scotland. While making love on beach, lighthouse keeper dies. Incident triggers further events.
Storyline
Did you know
- TriviaSome sources credit Anthony Booth as playing Delamare, but it is an entirely different actor.
- GoofsTowards the end of the film, the flowers Collie carries frequently change from being in bloom to not being in bloom.
- Quotes
George Dabernon: When does a man die? Who knows what happens in the moment of death? The soul doesn't die, simply leaves the body. But what if it didn't? If it went on living in a dead body? A prisoner, in a body decaying around it. Is it possible? What is possible?
Anna Robinson: Hugh was not dead.
George Dabernon: If it weren't for you, this would never have happened. He's possessed, isn't he? Possessed by you. You're a witch, trafficking with the Devil. You have conjured an evil spirit into his dead body.
Anna Robinson: My love for him has given him life.
George Dabernon: It's revolting. His flesh is cold. Dead. There is no pulse. No heartbeat. Hugh's body is rotting. It is disintegrating, hour by hour. And something must be done. Now!
Anna Robinson: Why don't you just go away, leave us alone?
George Dabernon: I'll prove it to you.
[he sets fire to Hugh's hand]
George Dabernon: He fears nothing. He feels nothing.
Anna Robinson: [On seeing Hugh's hand burning sensibly] Oh, God!
George Dabernon: [George extinguishes the flame] I tell you, he's dead.
George Dabernon: [Hugh approaches George] Anna!
Anna Robinson: Hugh! Sit down. Please. Just sit down.
George Dabernon: Unbelievable. Unbelievable. At the trumpet sound, the graves shall be opened, and the dead shall rise again. I know what we must do. We must take him to a priest.
Anna Robinson: A priest?
George Dabernon: Exorcism. Exorcism. This spirit must be exorcised.
Anna Robinson: And then?
George Dabernon: And then he can rest. He can be at peace.
Anna Robinson: He will die.
George Dabernon: Yes.
Anna Robinson: And then it will be over. Everything.
Hugh Dabernon: [overdub] It will be alright, Anna. Don't stop him.
[Hugh walks towards the door]
George Dabernon: You see? He wants it too. He wants to be free. We must go, Anna.
Anna Robinson: I can't go with you.
George Dabernon: Believe me, it's the best thing for all concerned. He died; up there on that beach in Scotland. He died.
- Crazy credits[epilogue] "Neither the sea nor the sand will kill their love, Nor the wind take it in envy from them...."
- Alternate versionsThe UK cinema version was cut by the BBFC to edit a sex scene between Hugh and Anna. The 2008 Odeon DVD is fully uncut.
Fred Burnley's "Neither the Sea Nor the Sand" is a somewhat successful romance/horror hybrid. It's a bit too heavy on the romance for my tastes, though the relationship between the two lead characters is always believable and never descends into complete schmaltz. I would rather watch something like this than, say, "Ghost," which may have been influenced by this or the novel on which it is based. Another film I thought of while watching this was Bob Clark's gem "Deathdream" (1974). George's restrained zombie/ghost is akin to Andy, with a blank stare in eyes and a deep pain in his voice. Fans of modern low-budget horror may also notice some similarities between this and "Zombie Honeymoon" (2004.)
The main strength of the film lies in the characterization of the likable lead and Hampshire's performance. She plays her complex role with grace and dignity. I never got the impression that she is being punished for her infidelity or newfound liberation, which some viewers might think as the story unfolds. The second thing I appreciated most is the lush cinematography, which brings life to the sea as if it is another character in the film. The biggest downside to the movie is the score. It's effectively chilling during scenes of horror and suspense, but for much of the film it wavers between gratingly lovey-dovey and happy-go-lucky (complete with "la la las" singing over it.)
The film is never frightening, though much of it is unsettling. It does have the tendency to drag in more than a few places, but overall it's an effectively tragic love story with a genre twist. I think most fans of 70s horror would find something they like in this. The recently released Image DVD features a decent transfer and good audio.
- ThrownMuse
- Mar 26, 2007
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Details
- Runtime1 hour 50 minutes
- Aspect ratio
- 1.85 : 1