Carry on Don't Lose Your Head

Misfiring Carry On (the 'Carry On' name was dropped during a spat with a distributor), with plenty of good moments that don't quite add up to a top-rank whole. The plot leans heavily on Barry K. Barnes' 1937 offering The Return of the Scarlet Pimpernel, with Sid James in the Barnes role, Jim Dale in Anthony Bushell's, Kenneth Williams in Francis Lister's, Joan Sims in Margaretta Scott's, Charles Hawtrey in O. B. Clarence's, and Dany Robin in Sophie Stewart's. Most of them have a great time, especially Williams, Sims and Hawtrey, while Sid James dominates the plot.

Jim Dale has a thankless unmemorable supporting role, and the wheeze of casting a sexy French actress (her career was drawing to a close at this point), like that of casting Phil Silvers in the previous entry Follow That Camel, was a mistake, failing to generate international interest while diluting the very English comedy. Like Silvers, Robin wanders through the film gamely with a strong sense that she has no idea what is really happening, but, hey, a job's a job.

Plenty of good moments and lines, usually delivered by Hawtrey or Sims ("Come my dear, shall we take a walk in the arbour?" "Oh, I 'ad no idea we were so close to the sea"), and lots of great character names and puns, while Williams' sharp intakes of breath get more and more exaggerated as the film goes on. Watch out for a good ad lib from Williams when Peter Butterworth accidentally knocks his hat off. There is a strong sense that the English may be less stylish and clever than the French, but they are more easygoing and fun, and generally better - in a strong tradition of lampoons of Napoleon and French centralisation that also reaches forward to the Brexit debate.

But the plot is quite tiresome, and the climax, with a huge sword fight in which various stuntmen gradually ruin Camembert's ill-gotten art collection is extraordinarily tedious. Moments stay in the memory, but the film as a whole does not.

CARRY ON DON'T LOSE YOUR HEAD was made at the peak of the popularity of the Carry On films, where they could afford to splash out on lavish sets, costumes and locations in movies set in various historical eras. It's a pretty typical entry in the film series, and not the most appealing one I've seen; by now, at least half of the jokes were feeling quite stale, to me, and not a patch on the CARRY ONs of seven, eight years before.

That being said, there's still much to enjoy here, and aficionados of the films will be in their element. A delightfully weaselly Kenneth Williams camps it up as Citizen Camembert, Robespierre's right-hand man whose job it is to outwit the Black Fingernail, a masked folk hero who keeps on freeing aristocrats from the guillotine.

Sid James bags the role of the Fingernail and appears to be in his element, with plenty of his trademark dirty laughter and energy to spare. He's supported by a virtually wasted Jim Dale, whose role seems to be entirely redundant, and Joan Sims in one of those nagging wife type roles she always seemed to occupy in later years. The best cast members are Charles Hawtrey as the fey Duc de Pommfrit and Peter Butterworth as the befuddled Citizen Bidet.

The gags set in and around the guillotine are by far my favourite parts of this movie, although there's a rousing and elaborate sword-fight at the climax to get your teeth into. CARRY ON DON'T LOSE YOUR HEAD also contains one of my favourite gags of all time: Hawtrey is brought a letter just as he's about to be beheaded, and he tells the messenger to drop it into the basket where he'll "read it later". Class stuff.

This probably ranks as one of the better carry ons certainly in the top 10 but not quite in the top 5. Its from the period when the team were making the historical/costume carry ons that yielded so many of the classic carry on's Cleo, Cowboy and of course Up The Khyber. This time its the turn of the Black Fingernail (Sid James) to ride to the rescue of the French Aristocracy able assisted by Lord Darcy Pugh (Jim Dale) opposed by Citizens Bidet (Petter Butterworth) and Cananbert (Kenneth Williams).

James is on top form and clearly relishes the chance to play the swash buckling hero much as he did in Cowboy he steals the show in this one as Williams isn't in the fine form he was in other historical carry ons such as Cleo and Kyhber. Dale provides able support as does Butterworth who began to become a more regular cast member through this period. Jaqueline Biset looks sumptuous as the love interest but some of the best lines go to the supporting characters of Joan Simms and Charles Hawtry.

If you love Carry On's you'll adore this if not this one probably wont be the one to convert you. Overall a good carry on not up there with Cleo and Up the Khyber etc but well worthy of a 7.5 out of 10.

Dandy fop Sir Rodney Effing has an alter ego, The Black Fingernail. A man, who along with his partner, Lord Darcy Pue, rescue French aristocrats from the clutches of the revolutionary police chief, Citizen Camembert.

Carry On producer Peter Rogers had severed his links with Anglo Amalgamated and swiftly signed up with Rank Organisation. Miffed at losing their number one cash franchise, and no doubt with a touch of petulance, Anglo's brass refused Rogers permission to using the "Carry On" prefix. Thus this picture was initially released as just "Don't Lose Your Head" in 1966. Eventually common sense prevailed, and this rightly became known as the 13th franchise entry as "Carry On Don't Lose Your Head" {tho the American release of it being called "Carry On Pimpernel" makes better sense one feels}.

Spoofing The Scarlet Pimpernel legacy with a ream of innuendo and double entendre's, the Carry On team deliver one of the better efforts from the series. This is in the main down to Talbot Rothwell's screenplay. Rothwell wrote the screenplay for 20 of the series efforts, he was someone who director and producer both trusted, and crucially that the cast also had faith in. Here his writing is excellent, if of course you be a fan of the saucy shenanigans that came with this particular part of British cinema that is? With characters called Citizen Camembert {refered to as the big cheese, get it?}, Duc de Pommfrit, Citizen Bidet and Sir Rodney Effing {yes that's two F's}, Rothwell lets loose with wave after wave of cheeky dialogue, all delivered with comic aplomb from the likes of Sid James, Joan Sims, Kenneth Williams, Charles Hawtrey, Jim Dale and the undervalued Peter Butterworth.

There's also a real good production from Rogers. Armed with £200,000, Rogers assembled a fine wardrobe of period costumes and hired out Clandon Hall, Cliveden House and Waddesdon Manor to give the story its 18th Century feel. It's also a film that asks of its stalwarts to do a little bit more than just say risqué lines and act the goat. Oh it's all still gaudy and simple in premise, for sure, but some nice swordplay and derring-do from the boys shouldn't go unnoticed. It of course is just like most of the others they made, a cheeky romp, but to me it's proof positive that the "Carry On" series had some crackers mixed in with the dregs. Sit back and romp with the rompers I say. 7.5/10

The plot should have made this one of the better Carry on films, especially when you hear the premise. Unfortunately, I found a lot of the jokes to be unsatisfactory and not very memorable along with the rather one dimensional characters who all seem the same. It was fun to see Sid James along with Kenneth Williams playing the baddie but apart from that it's only a below average film.

4/10: Could have been great, but isn't and it is dull.