An English cat burglar needs a Eurasian dancer's help to pull off the perfect heist, but even the most foolproof schemes have a way of backfiring.An English cat burglar needs a Eurasian dancer's help to pull off the perfect heist, but even the most foolproof schemes have a way of backfiring.An English cat burglar needs a Eurasian dancer's help to pull off the perfect heist, but even the most foolproof schemes have a way of backfiring.
- Nominated for 3 Oscars
- 7 nominations total
Joe Abdullah
- Restaurant Manager
- (uncredited)
Tommy Andre
- Bellhop
- (uncredited)
Jan Arvan
- Airport Official
- (uncredited)
Kanan Awni
- Arab on Telephone
- (uncredited)
Al Beaudine
- Commuter at Airport
- (uncredited)
Jack Berle
- Departing Airline Passenger
- (uncredited)
Nick Borgani
- Citizen
- (uncredited)
Paul Bradley
- Cafe Patron
- (uncredited)
John Breen
- Cafe Patron
- (uncredited)
John Burnside
- Cafe Patron
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe first draft of the screenplay was written by Bryan Forbes in 1960, when the story was designed as a vehicle for Cary Grant. He eventually dropped out of the project, which subsequently underwent many changes. It was eventually decided to make the girl the central character, and Shirley MacLaine was signed for the lead. After seeing The Ipcress File (1965), she suggested Michael Caine as her leading man, which led to still more re-writing to accommodate his working-class cockney persona.
- GoofsNicole tries to impress Shahbandar with her knowledge of art by questioning whether his Picasso 'Blue Period' painting was from 1906 (as he states) or 1907. However, Pablo Picasso's 'Blue Period' was between 1901 and 1904, so both of them are incorrect.
- ConnectionsFeatured in Michael Caine: Breaking the Mold (1994)
Featured review
I just watched this again, after a period of many years; I think that I must have seen it in its original release, and it would have seemed wildly glamorous and exotic at the time. Its always been a favorite of mine; I love it when MacLaine finally opens her mouth and starts talking, and the entire story tilts and veers off in an amusingly different direction.
So very many things could have gone wrong with this production, and MacLaine could have completely overwhelmed it. Miraculously, everything stays in harness and no scenery gets chewed (as opposed to, say, "Topkapi", which although fun goes completely over the top, and where Mercouri lustily devours everything in sight). Caine and MacLaine were both in their early 30's at the time, and MacLaine gets away with photographing much younger. Its one of the earliest of her films where she got top billing; she had been making a series of Hollywood big-budget bombs, and I suspect that this somewhat modest entry kind of redeemed her. Its great straight entertainment.
So very many things could have gone wrong with this production, and MacLaine could have completely overwhelmed it. Miraculously, everything stays in harness and no scenery gets chewed (as opposed to, say, "Topkapi", which although fun goes completely over the top, and where Mercouri lustily devours everything in sight). Caine and MacLaine were both in their early 30's at the time, and MacLaine gets away with photographing much younger. Its one of the earliest of her films where she got top billing; she had been making a series of Hollywood big-budget bombs, and I suspect that this somewhat modest entry kind of redeemed her. Its great straight entertainment.
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Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Ladrón burlado
- Filming locations
- Stearns Wharf, Santa Barbara, California, USA(Greg Hartley)
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 49 minutes
- Aspect ratio
- 2.35 : 1
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