User reviews

Sam Cooper, (Van Heflin) was a gold prospector all his life and he finally found a good gold mine and one of his partners decided to kill him in order to keep it all for himself. However, Sam Cooper manages to blow up the mine and bury his partner instead, meaning that Sam Cooper had to hide the gold because it was too heavy to carry back by horseback through a desert area. Sam Cooper gets back in town and gathers up a group of guys, some he did not care to tag along. One guy was Mason, (Gilbert Roland) who knew Sam Cooper in past years and Sam figured he could trust him. There is one gal who appears in the town named Anna, (Sarah Ross) who is a sexy bar girl who gives Sam and eye full of her female charm. Brent the Blonde, (Klaus Kinski) is dressed up like a preacher but is a human rattlesnake who will give you one look and blow you away the next second. This film is very much like the Humphrey Bogart film, "Treasure of Sierra Madre", but this film is full of cruel evil men lusting for gold and gold only.

Fair prospector named Sam Cooper (good lead from Van Heflin) in search of gold in West find treachery , suspicion and greed . Sam is a man who has struck a rich vain of gold. The problem is one man can't get enough out and back, he needs a partner. Circumstances conspire to land him with three. Sam calls his pupil who he raised as his son called Manolo Sanchez (George Hilton) who is accompanied by a rare person , a forth partner named Brent the Blonde (played by Werner Herzog's Best Fiend Klaus Kinski) . Old prospector Sam Cooper meet up with a grizzled gunslinger named Mason (Gilbert Roland), a man who holds a grudge against Sam believing he double crossed him some years earlier and decides to join with them in search of gold in the desert . They form a quartet of unlikely mining pals ; both of whom match wills and wits and fight outlaws , elements and ambition among them . Through enormous difficulties, they eventually succeed in finding gold, but also bandits , elements, and most especially greed threaten to turn their success into disaster . As they struggle among themselves to unearth a fortune in gold from a remote Southwestern mine without falling prey to each other's bullets.

Entertaining Spaghetti Western with shootouts , action ,violence and amusement . The story is similar to previous classic ¨The treasure of the Sierra Madre¨ but realized in Spaghetti style . The film contains action-Western , gun-play , fist-play and is pretty bemusing . Giorgio Capitani's spaghetti western, probably won't be making too many top ten lists, but its an agreeable flick . It's an exciting western that scrutinizes the greed and paranoia that afflicts a misfit group , including breathtaking showdown between protagonists and the enemies that stalk to them . The film blends violence , thrills , high body-count and it's fast moving and exciting . There is plenty of action in the movie , guaranteeing shootouts or stunts every few minutes , including a spectacular final confrontation . Although by many to be director Giorgio Capitani's finest film , this is a tale of fear , greed and murder , as four partners fall out over the gold they have clawed out of the inhospitable and bandit-ridden deserts and mountains . It also has probably the most brutal bar fight ever put on film along with Treasure of the Sierra Madre by John Huston . Overrated by some reviewers , but till interesting to watch . It above all things mostly also remains a real characters movie, in which the four main roles are the essentials. Their dynamic together is also great and is what mostly keeps this movie going. They are three totally different characters, which is the foremost reason why they work out so great together on film. Van Heflin is superbly believable and gives a nice portrait of an increasingly unhinged prospector , Gilbert Roland is very good as a cunning gunfighter and the strange couple formed by George Hilton and Klaus Kinski are pretty well . The musician Carlo Rustichelli composes a vibrant soundtrack and well conducted by Bruno Nicolai ; including a catching leitmotif and considered to be one of the best . Atmospheric scenario with barren outdoors , dirty landscapes under sunny exteriors and a glimmer sun and fine sets with striking cinematography by Sergio D'Offizi . The picture resulted to be shot entirely on location in Almeria , Spain , where in the 60s and 70s had been shot innumerable Ravioli/Paella Westerns .

The motion picture was well directed by Giorgio Capitani . Giorgio is an expert on all of type of genres such as comedy : ¨Lobster for breakfast¨ (1982) , ¨I hate blondes¨ (1983) , ¨Sex Pot¨ (1975) , Musclemen tales : ¨Samson and his mighty challenge¨ or Western like this ¨Sam Cooper's gold¨ also titled ¨Each man for himself¨, Every man for himself¨ or ¨Each one for himself¨ . Rating : above average Spaghetti , superior Western that will appeal to aficionados .

This is another good Spaghetti Western, one that even got a laudable appraisal in the "Leonard Maltin Film Guide"…not to mention the seal of approval of our own Michael Elliott! Actually, it's a character-driven piece – with the action spread neatly throughout yet proficiently executed. Besides, it's exceedingly well cast: ageing American star Van Heflin is excellent in one of his last roles; both Gilbert Roland (himself a Hollywood veteran) and especially George Hilton did their fair share of Spaghettis, but it's safe to assume that they were never better than here; Klaus Kinski, then, has a typically enigmatic role for which he sports numerous eccentric 'costumes' (from preacher's garb to shades to a raincoat over his head and even a makeshift turban!).

Unfortunately, as had been the case with THE SPECIALIST (1969), the copy I acquired (English-dubbed this time around) lapsed occasionally into a different language without the benefit of subtitles – but, whereas I could more or less make out what was being said in French with respect to the Sergio Corbucci film, here it's in German (even the print bears the title DAS GOLD VON SAM COOPER)! In any case, the narrative – bringing an old-fashioned situation up-to-date, stylistically speaking – deals with Heflin's striking gold and his attempt to find suitable partners (his previous one had already tried to double-cross him!) that would help him extract the precious element: what he ends up with is an interesting bunch – Hilton, the miner's former protégé (who's not as clean-cut as Heflin seems to think); the young man's domineering companion, Kinski (who's actually quite subdued here); and Roland, another old-timer (who, bearing Heflin a personal grudge, will no doubt look out for him from being 'jumped' by the others[!] – though he's ultimately revealed to have appointed a cowboy duo to shadow the 'expedition' before they think, erroneously, of cutting in on the deal). Carlo Rustichelli's score is, again, more traditional than most genre efforts but robust nonetheless; that said, it breaks into a semi-lounge piece more suited to a German "Krimi" during the scene in which Kinski drops some gear while ascending a mountain and has to be tied in order to go back down and retrieve it (given that this is one of the scenes presented exclusively in German, could it be that the music was changed in that country?)!

The film was co-scripted by Fernando Di Leo (a Spaghetti Western regular during this time but who never actually contributed to the genre after graduating to director!) and Augusto Caminito (who, as a film-maker in his own right, would make a couple of pictures with Kinski towards the end of the actor's life – including the little-seen GRANDI CACCIATORI [1988], which I have in my "To Watch" pile of obscure "Euro-Cult" titles recorded off Italian TV!). Curiously enough, co-producer Luciano Ercoli would also subsequently get to be a director – proving a notable exponent of the Giallo form.

Ruthless Four, The (1968)

*** (out of 4)

Spaghetti Western take on The Treasure of the Sierra Madre has Van Heffin playing an elderly gold digger who finally hits it big but is betrayed by his partner who he has to kill. After being robbed by some bandits, Heffin must leave his gold behind and head back to the city where he asks his stepson (George Hilton) to go back and get the gold with him. The stepson agrees to go but is forced into taking an ex partner (Klaus Kinski) and even Heffen is forced to bring along a man (Gilbert Roland) and soon all four are looking over their shoulders. This is far from a great film but it has a terrific cast and a very good story, which makes this a worthy addition to the good titles that this genre has given us. The music score really hurts the film as it sounds out of place but outside of this everything else works just fine. What works the best are the terrific performances with Heffen leading the way. Just take a look at the early scene when his character is dragging himself out of the desert and nearing death from lack of water. I'm not sure what Heffen did to "look" the part but it's rather amazing to watch him. Kinski, playing that mysterious silent man, is terrific as well and makes for a great villain. Roland also delivers a fine performance as the calmer bandit and Hilton is good, although can't really touch the other three men. There are a couple classic shoot outs in the film with an excellent one coming half way through the film. The direction is also nice throughout and there's some wonderful scenery as well.

It's Brokeback Mountain - The Western!

Four strong leads all out for the same gold make this a Western worth tracking down. George Hilton has basically confirmed in an interview that he and Kinski are supposed to be gay lovers in this film too, which lends a unique angle to the film.

Van Helfin plays Sam Cooper, a gold prospector who, after searching for decades, finally finds gold out in the middle of nowhere and is immediately double-crossed by his partner. One dead partner and a blasted mine entrance later, Cooper heads across the endless landscape and finally makes it back into town, where he sends for surrogate son and ex-partner Georgel Hilton.

Hilton worked with Cooper for years but gave up the search to go off and do something else. Cooper reckons that Hilton is the only guy he can trust, and while having a sauna together (more homoeroticism here as they spot two semi-naked blonde gunslingers), Cooper bumps into another ex-partner, Gilbert Roland, who has a major chip on his shoulder with regards to Cooper.

Stranger still is the blonde, milk drinking preacher who has started hanging around the place, staring at Hilton. It turns out that Hilton and Kinski have some sort of relationship but judging by the body language it's an intimate one, and not a fair balanced one as Hilton seems to be Kinski's 'b*tch'. Cooper isn't too happy to have this weirdo come along with him, but Hilton tells him a third pair of hands is better than two. Cooper then hires Gilbert to watch his back, saying that four pairs of hands are better than three. I'm detecting some trust issues here...

While basically a film where four guy stare at each other mistrustingly, the film is fascinating due to the actors involved. Van Heflin literally looks like someone's hung him to dry in the sun for several months, while Gilbert Roland alternates between being immaculately turned out to shivering with Malaria tremors, and gives us a little dance right before a gunfight that wouldn't be out of place in a Tarantino film! Kinski keeps himself restrained and that's what gives his character so much menace. He uses those crazy guy to glare at everyone without expression, but you know there's murderous thoughts going on in there. His understated, hinted relationship with Hilton just adds another layer to this outstanding film.

Nice cinematography too. I hadn't heard of this one until last week. How many other gems are out there?

Over the years I've developed a real appreciation for spaghetti westerns. But even with my growing respect for the genre, the non-Sergio Leone spaghetti westerns are hit and miss. "The Ruthless Four" is a good one. It's almost a really good one. The story and characters are interesting and the acting, for the most part, is quite good. The music isn't so hot and the movie does lose it's way once in a while but none of that is a deal breaker. It does feel a little longer than its running time but that's not a deal breaker either. I enjoyed "The Ruthless Four" a lot more than I expected. I plan on watching it again real soon.

Four blokes are on a journey to find a hidden mine full of gold. The group completely distrust one and other and, needless to say, it all ends in tears. This is another very good Italian western, with good pacing, gun battles and cast, with Klaus Kinski playing a killer dressed as a priest and George Hilton as the wimpiest member of the bunch (you can tell he's soft as he uses a brolly when it rains). A quality western, really.

So many of these Spaghetti westerns were made I wonder how many lost gems there might be that will never be seen again. This one is out of print but there are a few VHS still floating around.

This one has the benefit of a really tight script and excellent cast. Two old time hollywood veterans Van Heflin and Gilbert Roland. And two spaghetti stars Klaus Kinski and George Hilton. All are on top form but its Heflins movie and he turns in a good performance. Direction is assured and inventive. Exceptionally good shoot out in the middle at the mission. Kinski is also effective as a sunglass wearing killer dressed as a preacher, who may have a homosexual relationship with Hilton. It seems hinted at. Watch and decide for Yourself!

(1968) The Ruthless Four/ Ognuno per sé DUBBED SPAGHETTI WESTERN

It opens with Sam(Van Hefflin) promising his partner to come back to him with his share just as he sets out to leave for town, his partner feels greedy and decides to kill him for all of it. And after Sam succeeded into blowing up his partner, with dynamite left behind in a mine shaft, despite himself unarmed in hand, he is then trekking across the desert in hopes of finding some water. And by the time he found some, he then gets himself knocked unconscious by some bandits robbed him of his horse along with some of his belongings, oblivious to the bandits that some of those so-called bags the bandits had dropped to the ground were bagfuls of gold in it. So, before he walks into town, he decides to bury some of those bags and once he reaches there he collapses to the ground, before he was discovered by an old female acquaintance who works at a brothel. He tells her he is in search for a new partner, as his previous partner attempted to double cross or stab him in the back, this time he sends a telegraph for the son he has not seen in years. We find out his son's name is Manolo Sanchez (George Hilton) who lives in Denver Colorado. And upon Manolo's arrival, and they becomes accustomed with each other, the Klaus Kinski comes into town, viewers are oblivious what Manolo's connection is with him. Being slightly untrustworthy once Sam finds out that the Klaus Kinski character named Brent is coming along with him, Sam decides to bring with him an old rival named Mason ( Gilbert Roland)

It's nice to see long time movie veteran, Van Hefflin acting with an unique set up that is not involved a heck of a lot gun fights but about the characters.

RELEASED IN 1969 and directed by Giorgio Capitani (aka Holloway), "The Ruthless Four" is an Italian-German Western about an old prospector (Van Heflin) who discovers gold in the Nevada desert and only trusts his quasi-stepson (George Hilton) to apprehend it. Unfortunately for them, the latter is indebted to a shady man (Klaus Kinski) while the former is forced to enlist a bitter ex-comrade (Gilbert Roland).

My title blurb pretty much says it all. The acting is good and Sarah Ross is a highlight in a too-small role as a saloon babe, plus there are a couple of good elongated gunfights (in the middle and at the end). But the story is too one-note to be compelling, not to mention it's predictable. The average Jimmy Stewart Western of the 50s, like "Bend of the River" and "The Far Country," has more happening in 25 minutes than this film does in its entire runtime. Still, the music's good and there's some worthy Western cinematography.

The movie runs 106 minutes and was shot in Almeria, Andalusia, Spain. WRITERS: Fernando Di Leo & Augusto Caminito.

GRADE: C

I had been looking for a copy of this film for a long time and finally found one. I wasn't disappointed as it is a well-written and directed film.

Van Heflin stars as a down and out prospector who finally strikes it rich. After surviving a double-cross attempt by a partner, he decides to look up an old friend to help him retrieve the remainder of his fortune. Through various situations the group expands to four - Heflin, George Hilton (his old friend), Klaus Kinski (who has a strange hold over Hilton) and Gilbert Roland (hired by Heflin as insurance against future double crosses), and the four then begin the trek to retrieve the gold. What happens along the way will hold your interest as there are some unusual plot twists.

As for the performances, Heflin and Kinski are remarkable. Heflin looks like he sat in the hot desert sun for weeks to prepare for this role, and his craggy voice and features are perfectly suited for his character. As for Kinski, dressed mostly in black, he is evil incarnate, with his cold stare, flashing eyes and creepy voice. Roland is also excellent, as an old army buddy of Heflin's who suffers from malaria. Hilton is good, too, although his performance pales in comparison to the others.

The direction is some areas is inventive, with good use of scenery, and the music score is impressively spare with only acoustic guitars for much of it.

If you enjoy realistic Westerns that don't romanticize the Old West, this comes highly recommended.

Van Heflin and his partner have hit it big and are preparing to take their gold to town, when the partner decides to kill Heflin. Heflin does him in and starts to town with the dust, but bandits attack. They don't think the sand-looking gold dust is worth anything, so they leave him to carry it. He. Dumps it in a rover, then makes his way to town. He sends for foster son George Hilton. Hilton brings along his psycho friend , and Heflin starts to get scared. So he takes in Gilbert Roland as a fourth partner and they start off. But Roland has a grudge against Heflin.

Did I mention Klaus Kinski? Heflin looks puffy here, and scared, while Roland dominates this spaghetti western, dapper even when he's having an attack of malaria. There's plenty of tension in this movie, even in the battered faded print I saw. My one cavil is that the mine is in a desert with not a trees for days around. Where did they get the timbers to support the tunnel?

Like so many Van Heflin and Gilbert Roland hit the trail for Europe in search of roles in the 60s. This was a German made western so rather than call it a spaghetti western, maybe a weinerschnitzel western would be more appropriate.

Of course I have a prejudice toward any other country attempting the great American art form, but The Ruthless Four is not too bad for the genre. It concerns Van Heflin who already killed one partner trying to do him out of his half. But as he explains it's not the finding, it's the digging and the transportation if you make a big strike that you have to have help and maybe cut them in. But who can you trust when gold is involved?

The trouble is that Heflin, Roland, and George Hilton and Klaus Kinski the young guns who they get all don't trust each other. Not even Heflin and Roland who have history, both good and bad.

This was all done before in better American films like The Treasure Of The Sierra Madre and Lust For Gold. Still this one isn't too bad and Heflin and Roland are always worthwhile.

This is a very good western with an excellent story and a great cast.

Klaus Kinski, George Hilton, Gilbert Roland, and Van Heflin are all superb, as one would expect, in this film. Kinski is perfect for the part of "The Blond," a bizarre sadistic character who dresses like a preacher because he likes to- not because he's trying to pose as one. Nobody else in the film seems to think this is odd, although Hilton's character snickers a little when an old woman calls Kinski "Father." Odd characters like this are a big part of what makes Italian westerns so entertaining to me. It sure as hell ain't a John Wayne flick, and that's a good thing.

The score is OK, although it could have been better. It's good in a few parts when it sounds like it belongs in a spaghetti western, but too much of it sounds more Hollywood than Rome.

The plot is excellent, and keeps you engaged until the very end. It's not an epic, but it is a tight little story with all the grittiness and violence one expects from a Eurowestern made in the 1960's.

I recommend this one to all Eurowestern fans if you can find it.

Weather-tattered but hearty and belligerent gold-digger Sam Cooper hits the motherlode after twenty tired years of pickaxing the hills only to find his gold-digging partner gunning for his ass. Having taken care of his treacherous partner by means of exploding his own gold-mine, he returns to town through the desert, parched and terrible-looking, with plans of getting back to the goldmine and mining the gold with a partner he can trust, a hard enough prospect in a town full of greedy, backstabbing sons of bitches. For that purpose he sends word for a child he once took care of back in Denver, who arrives promptly in the slick and suave shape of George Hilton. Along the way and before they have even left town, two become four (the titular ruthless), and none has any more trust for the other three than he has for his own self getting out of this alive.

Thus begins a tale of greed and betrayal not unlike John Huston's gold-digging landmark TREASURE OF THE SIERRA MADRE, the impeccable characterization somewhat toned down in favor of gunfighting. Director George Holloway doesn't miss the occasional false note, such as the terribly ill-conceived oriental 'epic music' that accompanies the gaunt and exhausted quartette as they travel back from the goldmine through the deathly desert, music that would have been at home in a sword and sandal epic or a religious movie but not a gritty western; these guys aren't Moses crossing the Red Sea. For the most part however he retains a constant level of intensity and intrigue, the four protagonists characterized in broad strokes yet enough for them to have something to play on.

Giallo casanova George Hilton is the weak link in the cast, his overacting bound to elicit a smile or two, but Klaus Kinski fans will be pleased to know the eccentric German and his half-mad stare have plenty of screen time. Unlike the myriad walk-through cameos he's done in other spaghetti westerns, he's one of the main guys here – always a sneaky villain of course, here as the Blonde, a cut-throat, milk-drinking thug dressing like a reverend. The German print I saw was called The Gold of Sam Cooper and was not terribly pristine but overall this one's a must-see for spaghetti western fans.

Four men embark on a mission to unearth a fortune in gold from a mine.

The film is directed by Giorgio Capitani, who you have probably never heard of unless you're into obscure Italian films. It was produced by Luciano Ercoli who is a bit better known. And written by Fernando DiLeo (Slaughter Hotel), who is probably the best-known of the three. Really, the only reason to watch this is for Klaus Kinski, and even there it falls short because the dubbing just makes him sound silly.

The copy I saw (on a double-disc with "Border Shootout") was pretty rough. If a negative could be found, I could see the film getting a nice polish and being a better western under all the dust. Sadly, if it was recorded the way many Italian films were, there is no original audio, so the way it is now is probably the way it always will be.

After killing his treacherous partner and having his horses stolen, Van Heflin contacts his adoptive son George Hilton, asking him to come to the desert and help mine a rich gold-strike.

However, things are complicated when Heflin realizes that Hilton's sinister partner (Klaus Kinski, dressed like a priest!) has followed him from Denver and is inserting himself in the mix, forcing Heflin to enlist the help of old "pal" (and former Cisco Kid) Gilbert Roland as a way of protecting his interests. The result of this uneasy alliance provides mucho suspense and excitement.

Speaking of Hilton and Kinski's partnership, there's definitely something weird going on between these two that I can't quite put my finger on. (gay?) Even after demonstrating what a detestable person he is, Kinski still seems to have a very strange hold on him!

One particularly enjoyable scene occurs at the burned down mission where a tense Roland (who's great in this) does a short flamenco dance, anticipating a heated gun battle.

I would have loved to have been a fly on the wall during the making of this movie to witness the interaction between the raving madman Klaus Kinski and old Hollywood guys Heflin and Roland!

Though I love spaghetti westerns enough that I can often tolerate seeing the same plots and characters over and over, I do like it when I come across one that is quite different - which "The Ruthless Four" is. One surprise is that in some aspects it seems to be trying to be more American than European, such as the musical score and the fact that there's a lot less action and more character development than many other spaghetti westerns. It's also a lot more leisurely paced, often taking its time when even an American western would have sooner gone to serious business. But the movie is never dull even during the slower moments. It gets you wondering just how it's going to end up, and that leads to a lot of tension and suspense. You can also feel the agony the characters go through at various points in the movie. While you shouldn't watch this spaghetti western if you are in the mood for action, it is a fine choice when you are in the mood for something quite different.

This is not an ordinary cheap spaghetti western. I have seen Gilbert Roland in an excellent film directed by Serge Bourguignon, "The Reward" (1965), in "Cheyenne Autumn" (1964) and others. Good convincing actor. Klaus Kinski does not need any presentation or comment, he's on duty, as usual, in his characteristic style of unscrupulous villain. George Hilton is not bad. Sarah Ross looks delicious, she is credible and convincing, but she appears too little, it's a film about men, with almost only men. The revelation of the film is the lead man, Van Heflin, whom I have seen in other films such as "Shane" (1953), "3:10 to Yuma" (1957), "Once a Thief" (1965), "Airport" (1970), all very good films. Here he does an exceptional role, he's the best and most natural. This time, Giorgio Capitani, the director, did a very good job.