A hapless loser sells his soul to the Devil in exchange for seven wishes, but has trouble winning over the girl of his dreams.A hapless loser sells his soul to the Devil in exchange for seven wishes, but has trouble winning over the girl of his dreams.A hapless loser sells his soul to the Devil in exchange for seven wishes, but has trouble winning over the girl of his dreams.
Danièle Noël
- Avarice
- (as Daniele Noel)
Featured reviews
Bedazzled just gets better as the years go by, and especially after the fiasco of the Liz Hurley remake. This version was written by and stars Pete 'n' Dud, with Eleanor Bron as the soppy Margaret Spencer, waitress at Wimpy's, Barry Humphries (otherwise known as Dame Edna) as Envy, Raquel Welch as Lilian Lust ... through its segments relating to Stanley's wishes (the 'sophistate', the millionaire, the pop star, the fly on the wall, the leaping nun ...) it scores points on every level, as well as reflecting the time - the pop star segment is very Ready, Steady, Go, George Spiggott's club (like Cook's in real life but hopefully the real one was less sleazy), and of course, the depressing town street burger bar. It is a very funny film and a good vehicle for the leads (their other teaming in Hound of the Baskervilles misfired badly). And it is directed by Stanley Donen, who was partly responsible for a string of MGM movie musicals with Gene Kelly in the 1950s.
"Bedazzled", mainly because it's not available on DVD (and even VHS in the UK), has become something of a cult in recent years. This is also due to the simple fact that its a very good film, a very mannered and well-crafted high concept flick.
Dudley Moore and Peter Cook were still friends in 1967. They were two of British TV's most feted stars, and had also enthusiastically appeared together in a few ensemble comedy films. They were no slouches when it came to their first feature either. Stanley Donen was brought in a director, Cook toiled over the witty script, Moore did the perky score.
"Bedazzled" is slightly dated and is quite an uncommercial product overall, but its still a clever and interesting film. It doesnt deliver bellylaughs, but it is pretty thought-provoking and intelligent. There's funny one-liners ("Yes, Irving Moses-the fruitier etc), totally original ideas (the animated fly sequence, Raquel Welsh as Lust), slapstick stuff and a top pop parody with Cook as the indifferent "Drimble Wedge".
The pathos and sadness underpinning the movie is perhaps best summed up with the conned old lady's "Goodbye" as the Eyewash men leave. "Bedazzled" is very British and very 60s, but it still a well-made and well-acted fantasy, much better than the silly 2000 remake.
Dudley Moore and Peter Cook were still friends in 1967. They were two of British TV's most feted stars, and had also enthusiastically appeared together in a few ensemble comedy films. They were no slouches when it came to their first feature either. Stanley Donen was brought in a director, Cook toiled over the witty script, Moore did the perky score.
"Bedazzled" is slightly dated and is quite an uncommercial product overall, but its still a clever and interesting film. It doesnt deliver bellylaughs, but it is pretty thought-provoking and intelligent. There's funny one-liners ("Yes, Irving Moses-the fruitier etc), totally original ideas (the animated fly sequence, Raquel Welsh as Lust), slapstick stuff and a top pop parody with Cook as the indifferent "Drimble Wedge".
The pathos and sadness underpinning the movie is perhaps best summed up with the conned old lady's "Goodbye" as the Eyewash men leave. "Bedazzled" is very British and very 60s, but it still a well-made and well-acted fantasy, much better than the silly 2000 remake.
This is one of my personal favorites. Stanley Moon (Dudley Moore), a down-and-out Londoner who has a miserable job at the local Wimpy Burgers and has the hots for a beautiful waitress named Margaret Spencer, tries to hang himself, but then the Devil has to come in and save him. The Devil (played by Peter Cook) isn't all red and horned, but dressed in a nice tuxedo and wears Ray-Bans. He is interested in Stanley for the sole fact that George (the name he goes by) made a deal with God to get a hundred billion souls first before the other. In exchange for his soul, Stanley gets seven wishes, and of course George has to twist them all into nightmares, just for a cheap laugh. ("You just left me one little loophole. I had to take advantage of it, doctor's orders!") One of my favorite scenes is where Stanley and George are passing by as police officers, and with the snap of George's fingers parking meters expire, old ladies' grocery bags tear apart, and fires start in trash bins. Definitely a good movie if it's rainy outside, and you're all depressed -- it'll lift you up in no time!
Just watched it again and this time I get it. Thirty-four years ago the script was over my head and I missed most of the double entendres. 1967 was a great
year for them as censorship had just been slackened. The pop star sequence is in fuzzy black and white because it's supposed to be on TV - yes, that's what it used to look like. (Did people really dance like that?)
The script is brilliant but sometimes the delivery is so throw-away the jokes are missed. Maybe as Peter Cook wrote them he didn't think they needed
underlining. For example, when Stanley borrows George's red nightshirt and
says something like "Does it really suit me? Red's not my colour, I'm usually more conservative." Red for socialism, blue for the conservative party. George's red socks were sported by Labour voters well into the conservative 70s and
80s.
Little things you may not know: Victorian nightshirts and long-legged bathing suits were a fad in 1967. George and Stanley when being themselves speak in
working class accents (unlike God). Dudley really was working class, unlike
Peter Cook.
RIP to both. Let's eat a bowl of raspberries and cream in their memories. xxxxxxxxxxx
year for them as censorship had just been slackened. The pop star sequence is in fuzzy black and white because it's supposed to be on TV - yes, that's what it used to look like. (Did people really dance like that?)
The script is brilliant but sometimes the delivery is so throw-away the jokes are missed. Maybe as Peter Cook wrote them he didn't think they needed
underlining. For example, when Stanley borrows George's red nightshirt and
says something like "Does it really suit me? Red's not my colour, I'm usually more conservative." Red for socialism, blue for the conservative party. George's red socks were sported by Labour voters well into the conservative 70s and
80s.
Little things you may not know: Victorian nightshirts and long-legged bathing suits were a fad in 1967. George and Stanley when being themselves speak in
working class accents (unlike God). Dudley really was working class, unlike
Peter Cook.
RIP to both. Let's eat a bowl of raspberries and cream in their memories. xxxxxxxxxxx
Not even going to discuss the movie at length - it's brilliantly funny; see it. I'll admit I DID have an additional comment or two to make, but then I read these IMDb reviews and sank into depression.
Do the people who "critique" 30, 40, 50-year-old movies by pointing out that "duhh, it's DATED!" imagine they're applying some kind of rigorous critical standard? Why not simply save valuable time, and pixels, by submitting a "review" stating, "This film cannot overcome the handicap of not taking place in 2003. Where are the SUVs? Where are the cell phones? And why wasn't it shot on the street where I live?"
And I'm fairly sure the guy who complained of the "snotty English accents" that ruined his BEDAZZLED viewing experience is the same fellow who lives in the White House and coined "strategery".
Do the people who "critique" 30, 40, 50-year-old movies by pointing out that "duhh, it's DATED!" imagine they're applying some kind of rigorous critical standard? Why not simply save valuable time, and pixels, by submitting a "review" stating, "This film cannot overcome the handicap of not taking place in 2003. Where are the SUVs? Where are the cell phones? And why wasn't it shot on the street where I live?"
And I'm fairly sure the guy who complained of the "snotty English accents" that ruined his BEDAZZLED viewing experience is the same fellow who lives in the White House and coined "strategery".
Did you know
- TriviaAlthough Raquel Welch is featured in most of the promotional material for this movie, she is on-screen for only roughly seven minutes.
- Goofs(at around 55 mins) During Dudley Moore's song "Love Me", which he sings in character as Stanley Moon, the woman to the right of the screen seems to say repeatedly "Oh, Dudley" instead of calling him by his character's name, "Stanley".
- Quotes
George Spiggott: Everything I've ever told you has been a lie. Including that.
Stanley Moon: Including what?
George Spiggott: That everything I've ever told has been a lie. That's not true.
Stanley Moon: I don't know WHAT to believe.
George Spiggott: Not me, Stanley, believe me!
- ConnectionsFeatured in Film Review: Peter Cook, Dudley Moore & Stanley Donen (1967)
- How long is Bedazzled?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Un Fausto moderno
- Filming locations
- High Street, Borehamwood, Hertfordshire, England, UK(Wimpy bar scenes)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $600,000 (estimated)
- Runtime1 hour 43 minutes
- Color
- Aspect ratio
- 2.35 : 1
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