User reviews

The story occurs in 1876 , Chuka (Rod Taylor) is a grizzled gunfighter who helps an unexperienced though honorable cavalry officer to appease renegade soldiers and hold a tribe of Arapahoe Indians . When the main characters arrive at the fort a soldier being flogged for desertion (though whipping had been prohibited by the U. S. Army as of 5 August 1861) . There Cavalry commandant (John Mills) is saddled not only problems with the American Natives but also the irritability among his own troops (Louis Hayward) . Chuka eventually puts the bridle on tight and protects a pair of damsels (gorgeous Luciana Paluzzi and Angela Dorian or Victoria Vetri , famous Miss Playboy) in distress . Meantime , the violent Indians are out on a rampage of killing , vengeance against the white intruders and with the aim for getting food .

This is an unusually brutal tale of a hard-bitten gunslinger assembling a detail of misfit cavalrymen to hold-off rampaging Indians . Rod Taylor and an expert all-star-cast shine in this gripping story about a surrounded garrison and director takes a fine penned screenplay creating a cavalry vs. Indians tale that is far from ordinary , exploring the anguish and desperation of the stressed soldiers . It's the habitual theme about an unit stranded by enemies and their grueling efforts to break the siege , issue imitated many other times . The picture contains nice moments but partially unsatisfying for the reason of the claustrophobic environment . Produced by Rod Taylor , this Western is predictable and conventional but entertaining enough . It displays a colorful and adequate cinematography by Harold E. Stine . In addition , atmospheric as well as evocative musical score by Leith Stevens .

The motion picture was professionally directed by Gordon Douglas . He was an expert on adventures genre , such as ¨Black arrow¨ , ¨Fortunes of Captain Blood¨ , both starred by Louis Hayward and Western genre , as he proved in the enjoyable films starred by Clint Walker such as ¨Fort Dobbs¨, ¨Yellowstone Kelly¨ , ¨Gold of seven Saints¨ , Gregory Peck as ¨Only the valiant¨ in similar plot to ¨Chuka¨ , Richard Boone as ¨Rio Conchos¨ considered the best , and others concerning legendary bandits as ¨Doolins of Oklahoma¨ , ¨Great Missouri raid¨, and anything else . Rating Chuka : 6/10 . Acceptable and decent Cavalry/Indian Western . Well worth watching.

Just recently I found a video store in New Haven County where fine old westerns can be had on VHS. One of the ones I had long wanted to see was "CHUKA" or Chuka: the Gunfighter, from 1967.

The video transfer was high quality and so watching this movie on tape was an enjoyable experience. Luciana Paluzzi is stunningly beautiful.

Indeed, Chuka is something of a Hollywood fantasy but the tone and the settings of the story are fairly well done.

Both Paluzzi and her niece, played by Victoria Vetri ( as Angela Dorian ), do very well in this western oddity. Ernest Borgnine is good as ever, at being Ernest Borgnine. Rod Taylor was also very good and very believable as the cowpuncher turned hardened hired killer.

The most interesting part of the story was about how Fort Clendennon became a dumping ground for misfits, rejects, and bad officers. This is a well-known but seldom portrayed part of the truth of how the U.S. Army operated in the late 1870's. It is true that in this fiction, many of the soldiers and civilians seem to be just a little too clean for that day and age, but it doesn't really detract from the rapid pace of the events in this drama.

Additionally, the extreme deprivation imposed on the Arapaho tribal nation by the Army at this time is another important element. The "injuns" are rather cartoonish in their depictions but at least some aspects of their true grievances are relayed in the plot.

Perhaps this Chuka -- pronounced Chuck-Uh -- is a lot more savvy than circumstances in that day and age might have permitted, but Rod Taylor does really well at being fast-as-lightning and very tough.

This film gets a vote of 7 from me, which was really a six with a kicker for the beautiful Vetri and the beautiful Paluzzi.

Many of the better westerns have been good about presenting the Mexican culture of that time in a favorable light, and this is one of them, and neither Vetri nor Paluzzi appear as simply being "eye candy" for a rough-and-tumble western. The dinner sequence where Colonel Valois rakes his officers over the coals and embarrasses them all is a piece-de-resistance in western drama. Other elements are not so convincing but this is fun way to see a good western drama from a by-gone era of movie making.

Chuka derives its power from the high quality of the story on which it is based. I can recommend it heartily for western fans, for Victoria Vetri fans, and for Rod Taylor's excellent, dynamic performance.

This is a strange western that I think owes some inspiration from John Ford's classic Cheyenne Autumn. Like the Ford movie it's concerning starving Indians on the reservation, in this case Arapahoe who resolve not to starve any longer.

Especially when post commander John Mills has plenty of army supplies in his fort and won't feed the Arapahoe or give them guns to hunt. His fort is a last chance outpost where apparently the army sends all its misfits from the commander on down. Holding some kind of discipline together is Sergeant Ernest Borgnine.

Into the mix rides gunfighter Rod Taylor in the title role together with Luciana Paluzzi and her niece Victoria Vetri. Paluzzi and Taylor had a little something something going back in the day.

In any event the Arapahoes have them boxed in with a massacre impending. Our sympathies are completely with the Indians on this one. This post contains some of the worst specimens of human being ever gathered together in one spot. Mills is a frightening spectacle with Borgnine enforcing his edicts on an unruly post. Of course there's a reason he's a drunken shell of a man which we learn near the end of the film.

Chuka misses being a classic because of the pedestrian direction it got from Gordon Douglas. Someone like Delmar Daves or John Huston could have made it a classic. The cast is a good one.

John Ford would never have directed it though, no way he would have portrayed his beloved United States Cavalry like this.

Among the films of Rod Taylor, one is hard pressed to single any which stand out as wrong for him. This particular film called " Chuka " is right up his alley. The rugged, good looking rough and tumble action hero is right at home in a run down Army post surrounded by frigid miles of empty winter desert. The year is 1876, the place Fort Clandenen, home to an odd collection of misfit soldiers, deserters and questionable officers. The post is commanded by an aging Ex-British Colonel called Stuart Valois. Although disliked by his small command, only one has respect for him. That man is professional soldier Sgt. Otto Kahnsbach. (Ernest Borgnine) Into the shabby excuse of an outpost, looking for a bed is an experienced gunfighter called Chuka. (Rod Taylor) Accompanying him is the overland stage with two Beautiful Spanish women. Senora Veronica Kleitz (Luciana Paluzzi) and (Angela Dorian). With a gathering and ever encircling force of Arapahoes, led by Hanu ( Marco Lopez) a young warrior Chief, his people, ill fed and starving, need the supplies of the fort. The action in the movie is convincing as are the supporting cast. Seasoned actors James Whitmore who plays Lou Trent, the Chief scout, Louis Hayward and Lucky Carson all give fine performances. Despite the interesting stories of the characters, it is Rod Taylor who warrants most of the attention on the screen. Although lacking in cinematic promotion, this story earns the status of Classic western and is therefore recommended viewing. ****

I will always look back on CHUKA as a B movie with a stellar cast, including Oscar winners Borgnine and Mills. The latter, and lead Taylor (not to mention beautiful Paluzzi) were not known doing Westerns, and all look rather uncomfortable, even if Taylor looks physically fit and does his best to make the most of a not particularly desirable role.

Direction is unimaginative and unable to extract anything close to the best from the cast. One of the highlights of the movie, the fight between Borgnine and Taylor, is unconvincing, with poor stunts.

The script is limited, and predictable in its attempts to shock the viewer with revelations about the characters' dark sides. I kept thinking that I was watching a British production with Indians for color and atmosphere which, surely, was not what Director Douglas intended.

Photography is in keeping with the low budget and the ultimate pointlessness of the entire project.

Confronted with impending starvation and death "Chief Hanu" (Marco Lopez) of the Arapaho tribe mulls attacking a nearby United States Army outpost to acquire food and weapons. Although the commanding officer of the fort "Colonel Stuart Valois" (John Mills) fully understands the plight of the Arapaho, his superiors don't believe an attack is imminent and have forbidden him to help them out. Adding to his concern is the fact that the soldiers he has under his command are extremely undisciplined and a search party he has recently sent out has yet to return. Along with that a stagecoach carrying two female passengers and a gunslinger has arrived and with them the driver brings even more ominous news. Now rather than reveal any more I will just say that this film turned out to be a solid, no frills western for the most part. Admittedly, some of the action scenes were a bit too far-fetched with the gunslinger "Chuka" (Rod Taylor) being much too fast and accurate with his pistol to be believed. Even so, I liked the way the story progressed and I thought that Luciana Paluzzi was perfectly cast as "Senora Veronica Kleitz". Be that as it may, I enjoyed this movie and because of that I have rated it accordingly. Slightly above average.

This may be one of the strangest A-List movies ever made. It has a superb international cast (U.S., Great Britain, Australia, Italy), but the story is unbearably childish, intolerably boring, and riddled with errors and plot missteps that defy belief. Just a very few: no cashiered foreign officer could possibly get a commission in the U.S. Army, much less rise to the rank of Colonel; no Colonel wears major's leaves as his rank insignia; no Colonel ever commanded a fort consisting of what appears to be no more than a squad of soldiers (not to mention that no frontier fort was ever held by a mere squad); no Americans served in the British Army's Sudan Campaign; Chuka NEVER misses his shots at the rapidly moving Indians, regardless the range and the fact that, rather than aiming, he lunges, throws out, his pistol when firing, which absolutely GUARANTEES a miss; poor Louis Hayward (at the end of his career) agrees to lead a mutiny, which no officer in the U.S. Armed Forces has ever done; there was no concept, ever, of a fort to which were banished incompetent, criminal officers and cast-off, second-rate men (where do they GET ideas like that?)---this could go on forever. Given the idiocies of the plot and parade of one moronic scene after another (e.g., the Commanding Officer going around the dinner table and grievously insulting every single officer in his command), it must be admitted that the highly professional cast did its very best with the hopeless script (written by someone with no knowledge of the military or the American West)---but that was like trying to breathe life into the first 500 pages of the Manhattan telephone directory. Years from now this film---given its stellar cast---will be pondered upon as one of the great mysteries in Hollywood production and film-making.

Chuka was co-produced by Rod Taylor's Company Rodlor he had all control of this fine picture, since The Time Machine the Australian Rod Taylor became one of my favorite actor, on greats movies as The Birds and The Mercenaries, he made few westerns, Chuka quite sure is the best, here in Brazil according my old fellows moviegoers, have been said the same, Chuka is great, Rod Taylor recently was presented by Tarantino as one his great hero in his childhood.

Supported by a strong casting the plot orbit around of the odd members of Fort Clendennon, where gathered the scum of the US's Army, surrounded by hungry Indian of the great nation Arapahoe in middle of the desert, Chuka arrives at Fort facing his destiny where his former girlfriend Veronica (Luciana Paluzzi) and his niece Helena (the beauty Victoria Vetri) whom find a safe shelter, there are multiples colorful characters, as the British Colonel Stuart (John Mills) who was spelled by British Army due he is a drunker.

The Major Benson (Louis Hayward) for a cheater gambler, the rough Sgt. Hahnsbach (Ernest Borginine) follows the strict orders of Col. Stuart by personal reasons, anyway all them were there as a punishment impose by the US's Army, the highlight come up with the fight between Chuka and Hahnsbach that surprisingly ends up in a draw, the final Arapahoe attack on the fort is inexorable, but stays a feasible doubt at the end, great western, too much underrated by IMDB's members!!

Resume:

First watch: 1988 / How many: 4 / Source: TV-DVD / Rating: 8.

With the star power and storyline, I guess I expected more. Plus my mother always raved about it. Unfortunately, it is staged and shot like a Sixties TV western, such as Bonanza or Gunsmoke.

Rod Taylor is charismatic though, and I'm usually impressed by Ernie Borg nine. I just wish there was more action.

There is also the problematic subplot with the Indian conflict which somewhat dates the film. I fear a lot of Westerns will go the way of the Dodo due to this issue, and perhaps rightly so. Still, a lot of my favourite moments in Cinema do not hold up to scrutiny today.

This was included in a boxset of Westerns I purchased, and didn't really stand up to the others included. Worth watching, but hardly representative of the best of the genre.

Chuka is an unusual and unsatisfying Western with a plot that several times reminds one of Beau Geste. It starts with the US Cavalry retrieving their comrades' bodies at a fort that has been overwhelmed by Indians and then flashes back to portray the events that led up to the massacre.

John Mills usually plays a sympathetic character but as Colonel Valois he has no redeeming feature at all, even at the end he stands apparently helpless as his ragtag soldiers fight off the Indian attack. (One wonders why a colonel has such a small command, which seems to total barely 40 men, and the fort itself is small enough to fit conveniently into a studio.) It is hard to find much to like about most of the cast, but then the members are playing unlikeable people. Rod Taylor as the gunslinger Chaka shows his good side in the opening scenes when he offers his food to starving Indians but drives a hard bargain when his scouting expertise is needed. Louis Hayward, looking a bit like the British character actor Terry-Thomas, pays for the services of an Indian girl. Only Ernest Borgnine, appearing larger than one usually visualises him, makes much of a screen impact, and his character is one of the few who seems not to have an unfortunate past.

The two Mexican ladies marooned at the post after rashly travelling across country in a stagecoach are an intrusion into the plot (but then I often groan at the contrived introduction of glamorous women into an environment that in real life would be all-male).

All in all, a disappointing oddity.

That's for me one of the best Gordon Douglas' western, besides RIO CONCHOS of course. And Rod Taylor is purely magnificent in this awesome role, as excellent as in THE MERCENARIES, which he made the same year. It is a superb story, adapted from a novel by Richard Jessup that I have not read. It is action packed, moving, poignant concerning characters relationships, even the sub characters are terrific. John Mills, the British famous actor, gives here one of his most brilliant performances. It is an Indian wars, military western, not an outlaw one, a fort under siege scheme, an underrated film for my taste, but I repeat, an excellent one. And an unforgettable ending which may leave you unsatisfied. But that's a matter of opinion.

When "Chuka" was released back in 1967, who knew it'd be one of the last of those westerns which used to come out of the studio system with annual regularity? As an example of the genre it's quite competent and it benefits from a better than average cast -- including Oscar winners John Mills and Ernest Borgnine -- but the market for this kind of movie was drying up in the late 1960s and has never really recovered. Look for a sweaty Michael Cole, (soon to achieve fame on TV's "Mod Squad), getting a flogging as the stagecoach rolls into the fort. This flogging ranks 15th in the book, "Lash! The Hundred Great Scenes of Men Being Whipped in the Movies." Also look for the scene near the end when a freshly-dug grave is mentioned. Opinions may differ as to just who is occupying this grave.

I'd love to have given this a higher vote than 6 but there are just enough corny, well okay bad scenes, that meant I just couldn't bring myself to do it.

Fact is though that all the problems with the film for me were washed away with that one moment at the end of the film that brought it back from being below average to being rather satisfying.

I don't really care so much about historical accuracy. I doubt many people would watch this film with the idea that they are being educated about life in the west 150 years ago. The story is the key and I was quite able to accept most of it. The jarring moments are the ones where Rod Stewart can't carry off some really poor dialogue and some really bad, well, let me say, childish stuff where his character is putting across the tough guy persona that misses by a long way.

The vast majority of westerns that were made were pretty poor. They were churned out as fast as Zane Grey could write them. No wonder then that the really good ones made such an impact since they were such a shock compared to the usual dross.

I haven't actually watched this film for, oh 20 years or so, but I have never forgotten it and have thought on it often. It is a personal favorite in that way and if I can get a copy I will buy it.

It isn't a great film. It has many flaws. But ... I enjoyed it and would gladly watch it again.

I caught this film on a cable channel specialising in older films from the 'Golden Age of Hollywood'. It shows a wide range films from famous classics to well made but dated "B" features and, frankly, some weird and eccentric efforts ("Fire Maidens From Outer Space" being an example!). There is however an advantage in this policy for we film buffs as a wider range of films can be seen than are to be found on the regular mainstream entertainment channels. So it was that I decided to watch Chuka on the strength of the big names in the cast.

It is worth seeing this film to just experience how strange it is. As others have said it is a Western version of Beau Geste, which I did not mind.

The first oddity of this film for me was some contrived and intense scenes squeezed in between longer periods of boredom. The cast are excellent and the acting is on form but I could not help but be reminded of some of the actors past performance successes. I am thinking here of John Mills as the highly strung Colonel in "Tunes of Glory", and Ernest Borgnine reprising his fighting menace as in "From Here to Eternity".

However the biggest problem with this film is that this it is almost entirely studio bound. For modern eyes, used to CGI and subtle and realistic lighting, it is glaringly obvious. Whether it is day or night, the characters all walk around with four shadows and implausible up-lighting. Sadly the matte effects even look amateurish and cheap. There are only a couple of outdoor scenes that appear to be realistic and are probably actually second unit work.

In conclusion, its not bad - just odd. The last gasp of Hollywood Westerns let down by its pervading TV movie atmosphere.

Chuka is directed by Gordon Douglas and adapted to screenplay by Richard Jessup from his own novel. It stars Rod Taylor, John Mills, Ernest Borgnine, Luciana Paluzzi, James Whimore, Louis Hayward and Victoria Vetri. Music is by Leith Stevens and Pthe Color photography by Harold E. Stine.

1876 and Fort Clendenon is host to a bunch of army misfits and a lovelorn gunslinger, hardly a group capable of defending the Fort against an impending Arapaho attack...

A super cast and a rather gorgeous colour print can't avert this being a distinctly average Siege Oater. Prodution wise it's a hodgepodge, an uneasy blend of stuffy looking studio bound sequences, matte paintings and airy locales, while the acting, sparse characterisations and general reliance on non meaty chatty filler scenes, all make it an odd viewing experience.

The chat angle is most frustrating, not so much because there is so much of it so as to make this a 90% talky piece, but in that there are moments of great dialogue, where interesting character arcs are dangled, but alas they are threads that are never pulled to the benefit of all. Action is sparse but what there is is competently staged, with the siege itself - while not worth the wait - has enough moments of excitement and intelligence so as to not annoy.

A very good and intriguing ending further adds to the strange mix of poor and good of it all, but ultimately it's average and hardly essential for fans of Westerns and the stars involved. 5/10

Sorry i could not resist the headline.This Western must have been made on the very cheap because everything seems to be made of balsa wood.Rod Taylor seems to have a six shooter which is as accurate as a snipers rifle and which fires 12 shots for every 6 rounds loaded.John Mills has a look which says"this will pay next years tax bill".What about poor Louis Hayward,i didn't even recognise him.It is little wonder that Westerns were on their way out with efforts like this.It has to be another in the pantheon of those films that are so bad that they are actually very enjoyable.So if it comes your way and you want a good laugh then watch this film

Pretty good western about the evil injun attacking the beleaguered Army outpost. What I didn't like about the film was that everything was so CLEAN. All these soldiers, drifters, and scouts always looked so nice and tidy; they should have looked like something the cat dragged in. Also, the fight scene between Chuka and the top kick was so phoney I nearly gagged. That seemed to be the way western fights went during this time span - lots of haymakers, stumbling into horses, falling through corrals, and rolling around in the hay. Fortunately, there was only hay on the barn floor, don't know where all the dung went. Ok, the show was corny, but it still had lots of gunplay and action. I feel that those of us who love old westerns will get a bang out of this flic.