User reviews

The opening prologue states : June 1942, as general Erwin Rommel swept toward the Nile , the fall of Egypt and the capture of the Suez canal seems inevitable . Italian and German advance units raced toward Alejandria . Mussolini had given explicit orders : The Italians must arrive first ! . In this one , the Italians and Germans, united in a difficult Alliance , fight the British in the North Afican desert . The Italians are the good guys and the British are the bad guys , including a point blank execution of prisoners . The protagonists are two brothers , a tough lieutenant (Frederick Stafford) and a sergeant (Enrico Maria Salerno) fighting the British military . Furthermore, a brave English lieutenant (George Hilton) and , of course , Erwin Rommel (Robert Hossein) and General Montgomery (Michael Wilding) . Montgomery's Iron Back 8th Army ... Rommel's Crack Africa Korps ... they met head on and tore the earth apart !'

This movie gets lots of action , crossfire , gunplay and explosion . All-star-cast formed by known European actors give decent interpretations . It displays several extras and tanks , in fact , the production wishes thanks the Italian Ministry of defense and the Italian Army general staff for their collaboration in making this film .

The picture is based on the real battles , the true events were the following : Alamein in WWII are two decisive battles in the western desert , north Egypt , in 1942 resulting in British victory over Axis forces under Field Marshal Erwin Rommel : 1- 27 July 1942 the British 8th Army under General Sir Claude Auchinleck held off the German and Italian forces . Neither side can be said to have won , but the British had the strategic advantage of short supply lines and so could reinforce faster than Germans . 23 Oct-4 Nov 1942 General Bernard Montgomery launched a diversionary British attack in the south , aiming to draw Axis forces into the area so that the main attack in the north could cut two corridors through the extensive minefields , enabling British armoured divisions to pass through and exploit the gaps . Progress was slow however and Montgomery decided to change tactics to fight what he called a 'crumbling battle' constantly switching the main emphasis to chip away at Rommel's front line and keep him guessing. Australian Division attacked along the coastal road , drawing the Axis forces toward them . Montgomery promptly launched a fresh attack further south, forcing the German armour to react in what became a major tank battle . By 3 Nov Rommel had only 30 serviceable tanks in action and on the next day began organizing his withdrawal. He was able to disengage and escape as the British were hampered by heavy rain and shortage fuel .

This isn't a bad WWII adventure, in fact a fair imitation of the big-budget Hollywood films from that vintage; the international cast is second-rate but both Michael Rennie and Robert Hossein cut a serviceable figure as General Montgomery and Field Marshall Rommel respectively - and there's a good performance by Enrico Mario Salerno as an Italian officer of the Bersaglieri.

The film deals with Rommel's famous North African campaign, in which the Nazis were 'aided' by the Italian forces (more precisely, the latter served as a shield to the former, with their largely disheveled armies being deemed disposable). Interestingly, but unsurprisingly, the Fascists are the heroes here (though Frederick Stafford is portrayed as a martinet) while the Allies, i.e. the British, are the villains (at one point, they're even shown massacring a group of unarmed Germans in cold blood) - but, at least, there's one sympathetic member in George Hilton; the Germans stand somewhere in the middle: Rommel is treated as a level-headed strategist who, however, is extremely critical of the Fuehrer's unrealistic orders (and, even if the film is clearly set in 1942, is already seen to be a willing participant in what eventually became the July 1944 plot to assassinate Hitler). The cast also includes Gerard Herter (who, memorably, had been the aristocratic sharpshooter and Lee Van Cleef's alter-ego in THE BIG GUNDOWN [1966]) as a German officer who doesn't see eye to eye with Rommel.

The action is frequent and well-handled, and there's even a healthy dose of comedy - at least among the Italian lines (which may well have been lost in the English translation!); besides, Carlo Rustichelli's upbeat score is a major asset...and surprisingly - but satisfactorily - the film provides a downbeat ending! I'll be following this with two other Italian war films - Enzo G. Castellari's EAGLES OVER London (1969), also with Stafford, and Sergio Martino's CASABLANCA EXPRESS (1989)...

One of these days the Battles of El Alamein, first and second, will get an epic film like The Longest Day, worthy of the sacrifice of the men who fought it. La Battaglia di El Alamein concentrates on the second battle which comes after Claude Auchinleck was replaced as Eighth Army Commander by Bernard Law Montgomery. English actor Michael Rennie whom I never would have chosen to play Montgomery is the only name the English speaking world will recognize from this cast. Funny thing is that a year earlier Rennie played American Fifth Army commander Mark Clark in The Devil's Brigade and Rennie actually even looks a bit like Clark. In fact I'm not sure his voice was used for Montgomery, it didn't sound like him.

The film is thrown together with some stock footage of other and better war films and it tells the story of El Alamein from the Italian point of view. Poor dubbing doesn't help matters either.

The Italians were there at El Alamein, but it seems as though Mussolini sent his troops in without any armored transport, so when Erwin Rommel orders the retreat of the Axis forces, the Italians had no way to get out of harm's way. Not that the Germans really cared because if that was the case they could fight a rear guard action. Some did and some didn't and this story centers on a small group of soldiers who did not.

As a historical side note La Battaglia di El Alamein does serve a useful purpose. But the film is hardly worthy of the story it tells let alone of the scope of the battle itself.

Italy, along with much of the rest of the world, was into producing lots of cheapo war movies (mostly WW2) during the late-60's. The trend died out with the disillusionment caused by the Vietnam war, as did the popularity of these "gung-ho" war films.

Battle of El Alamein isn't such a film. It's probably the most objective and anti-war film made since ALL QUIET ON THE WESTERN FRONT. While the battle sequences are big and exciting, there's nothing glamorous about fighting this kind of war. The soldiers are all shown as equally miserable, barely eeking out an existence in a network of trenches on the sunbaked deserts of North Africa. While it primarily focuses on the heroics of an Italian division (the real-life Italian army was best known as one of the most poorly-led and low-morale armies at the time), the film doesn't get too preachy and while it villifies no one, only showing how some generals (especially the fictional Schwartz) inevitably swung the battle in their enemy's favor due to their impatience and misguided ideals.

THE BATTLE OF EL ALAMEIN also does a great job of blending fictional characters with nonfictional ones (like Rommel, Montgomery, Von Thoma, and Stumme) in a nonfictional setting. While the battle itself is abridged and perhaps over-simplified to focus on the Italian division, that's perhaps best for the sake of narrative, character development, and making the emotional impact as strong as possible.

Stylistically, the film is done fairly well in late-60's style, with plenty of zoom-lens technique, close-ups, etc. It does drag in spots but only due to the predictability because we KNOW that the axis is gonna lose, but it does a good job keeping the suspense high by showing the Italians taking heavy losses in every engagement. We never know which characters are gonna make it through and which ones aren't.

Despite it's flaws, I doubt a better, larger, or more compelling depiction of the battle of El Alamein shall ever be made.

Oh dear an Italian war film . I had visions that I was going to be watching either a remake of THE DIRTY DOZEN or 90 minutes of hunky Mediterrians waving a white flag shouting " We surrender " in 97 different languages . Sorry if I'm playing up to either cinematic or historical stereotypes but unlike Mussolini I didn't have high hopes . Michael Rennie as Monty ? Well I doubt if this would be getting broadcast on The History Channel . Or indeed anywhere else in Britain

The film did defeat my prejudices , but only in the first half , and it turned out to be a Pyrrhic victory and before the film reached its end titles the victory the film had over me and turned in to a defeat on the scale of Stalingrad . It is undoubtedly intriguing watching a war film from the other side . ALAMEIN isn't unforgettable human cinema in the way DAS BOOT was but does portray all sides in the conflict as being people who have families at home and it's this that is important to the characters rather than the wider politics of the conflict . Okay maybe the " War is hell " statements are overdone but it's possibly in keeping with the Italian mindset during this era . The Italians were badly equipped with obsolete equipment , very badly led and Italy would traditionally through the last couple of centuries side with the British and French often against Germany so Mussolini's pact with Nazi Germany despite being logical from a political point of view goes against the historical grain . Add to this the fact political and military leaders were quickly promoted due only to their loyalty to the Italian Fascist party and you can see why the average Italian conscript might not be too happy getting killed fighting against a democracy , especially if he knows he's probably going to be better fed in an allied POW camp than in his own army . As a battle hardened NCO realises his section is going to be led by a glory seeking officer we have all the makings of a good melodrama

The film then proceeds to blow it by going out of its way to ruin the early potential . Little things such as the anachronistic Italian helmets with their 1960s camouflage patterns you can overlook if the bigger picture is impressive but it's not . The story soon loses its early focus and instead jumps from one half baked thread to another . Rommel starts getting involved in a plot that would lead to the July 1944 bomb plot . Common myth but Rommel had nothing to do with that . British equipment includes 1960s era American APCs and 1950s era tanks and march in to battle playing bagpipes which sound nothing like bagpipes . It's interesting that the film in its early stages portrays all sides as being intelligent but then in the latter stages British tank crews don't notice Italian soldiers as they nonchalantly wander around the battlefield sticking bundles of dynamites on tanks . Tanks that conveniently have straps that you can attach bundles of dynamite to . The macho heroics jars in comparison with the first half of the film that does have an anti-war feeling to it and by this stage it has become a different and much inferior movie

British forces are seen attacking with armored personnel carriers developed after the war. The M113 APCs were first fielded by the US in 1960 and were adopted by many other armies in the Free World. The boxy shapes of their aluminum hulls are unmistakable to any G.I. like me who served in Vietnam. By this time in the war, the British were well aware of the need to have their infantry attack with their armor to keep enemy infantry from doing what the Italian soldiers are shown doing in the last battle: swarming over the tanks and taking them out with anti-tank mines and Molotov cocktails. Still this is a fairly good movie, one worth watching.

This could have been interesting, because it takes the perspective of the Italian troops charged by Mussolini with the capture of Alexandria in the 1942 North African campaign. It has a stab at drafting in an internationally recognised cast - Michael Rennie is Field Marshal Montgomery, and Robert Hossein features sparingly as Rommel, but for the most part this consists of a mediocre cast that I found made it quite difficult to distinguish between who was who, and on whose side! The dubbing didn't help, either, with the accents all but indistinguishable from each other and the quality of the production offered us visuals that are frequently just as confusing. There are plenty of pyrotechnics, and some quite well staged battles - especially with the foxholes and tanks towards the end, but the narrative is weak suggesting a disorganised and haphazard strategy from the Axis powers that did nobody any justice, historically. Sure, it doesn't help either that we all know what actually happened but I felt this could, with a bit more focus from the writing (and some quality talent in the dubbing suite), have offered us an interesting counter-balance to the accepted cinematic versions from this exciting and perilous theatre of WWII.

(1968) Battle Of El Alamein/ aka La battaglia di El Alamein DUBBED SPAGHETTI WAR

Fictional account depicting a particular time during WWII centering on Mussolini's Italian troops allying with Rommel's German troops joining forces against the British army somewhere in Africa. The film makes the Italian soldiers more sympathetic than the German soldiers which is hard for viewers to do since the general audience do not care for Mussolini's sympathizers. Dubbing is atrocious as always which if a person were to look at the screen enough would eventually realize that the sandy areas were being reused over and over again meaning that producers didn't have enough money to film on other sandy locations. Obvious fake model tanks were used along with some fake looking explosions, and their were times it looked as if the actors were playing soldiers rather than convincing the audience that they were really are soldiers, and sometimes you can't even tell if their were Germans or Americans since they're also being played by Italians.

"The Battle of El Alamein" is to the Italian film industry what "The Longest Day" was to Hollywood – a historically accurate portrayal of a real military action. This Italian-French co-production was filmed with the full cooperation of the Italian Army, and features a star-studded international cast.

Director Giorgio Ferroni spends some time focusing on the officers running the battle to outline the big picture and lend historical credence to his focus, a fictional story of a front-line Italian infantry company which becomes entangled in the campaign. When his Captain (Ettore Manni, "Heroes in Hell") is killed, Lt. Giorgio Borri (Frederick Stafford, "Eagles over London") is forced to take over command of his company. Borri is an inexperienced young officer with a lust for adventure, even if it means putting his men in harm's way. Stafford is never less than totally convincing, the contempt his men feel for him can be shared by the audience. He's a true jerk who learns the hard way what war is all about. Enrico Maria Salerno is his brother, a veteran Sergeant-Major, who shows up unexpectedly and question's the Lieutenant's decisions every step of the way. Rounding out the platoon are several familiar Italian actors, including Sal Borgese, Ricardo Pizzuti, Massimo Righi and Nello Pazzafini.

To add credibility to his story, Ferroni also spends a great deal of time focusing on the situations within both the British and German High Commands. Michael Rennie ("The Devil's Brigade") plays Field Marshal Montgomery with gusto and arrogance, just as well and as memorably as Michael Bates would in "Patton" less than two years later. Also on the British side is the humanitarian Lt. Graham Lt. Graham (George Hilton, "The Liberators"), who protests the massacre of innocent German prisoners in one moving, dramatic scene and winds up volunteering for a suicide mission. He also has a face-to-face encounter with Lt. Borri, which breaks down the barrier between opposing sides in wartime. The men on the front lines are just grunts, there to do their job – the officers, even those on your own side, don't care about you and your welfare; you're just another rifleman.

Finally, Ferroni focuses on the German situation and these may be the finest scenes in the film. Most of the scenes take place in an underground command bunker, a set which has never been so well-captured and looked more realistic. Field Marshal Rommel is played brilliantly by Robert Hossein ("Desert Assault"), who makes Rommel a true skeptic of Hitler with his stern and loud opinions. Rommel was a true soldier, fighting to get the job done, and Hossein's performance is on-target. The supporting German characters are all excellent, too: Gerard Herter ("Battle of the Commandos") is especially good as a dedicated Nazi General; Tom Felleghy ("Kill Rommel!") plays Gen. von Thoma, a skeptic of just about everything, loyal only to Rommel; and Giuseppe Addobbati ("Hell's Brigade") is an incompetent General, who makes a poor tactical error, resulting the destruction of half of the Afrika Korps.

The action sequences are all the more believable and gripping because of the characters embroiled in them. The film's opening is a sequence depicting the ambush of an Italian artillery company, in which Ferroni makes the most of his camera. This sequence is filled with pans, zooms and quick cutting. Machine-gun fire kicks up puffs of dirt everywhere and several soldiers die. The later battle scenes are shot with the same dedication to detail, and for the third act Ferroni brings in dozens of tanks and lots of big explosions. There is one really bad-looking night scene involving some miniature tanks, but that can be virtually ignored because everything else outweighs it. Despite the epic proportions of the action, the well-established characters give them a deeply personal significance.

From the start of the film, Ferroni establishes a mood and feel of intensity and hopelessness. None of the characters are clean-shaven; they are all sweltering in the intense desert sun. One scene in which Lt. Borri must trek through the desert alone without water was especially well-acted. This film takes the story of the heroic grunts in the field and makes us feel for them – feel their thirst, feel their joy when supplies arrive, feel their longing for home when one soldier fondles a picture of his newborn son at home. Carlo Rustichelli's mournful score only adds to the proceedings.

Tie a great cast, epic battle sequences and fine editing and flavor and one has a strong, entertaining war film. This ranks with the classics. Not be missed!

The Battle for El Alamein is a cut above the other Italian WWII movies I've seen. It does have it's flaws though. Poor editing - as our heroic Italian warriors are being overrun by the Brits, everyone is getting ready to die. One guy tenderly caresses a photo of his son and laments that his son will never get to see his father. BOOM BOOM BOOM of explosions and cut to Montgomery casually leaning on on an armored personnel carrier. Only to come back later and find out that they weren't wiped out. What Happened?! There are other annoying cuts but that was the worst.

The APCs are indeed M113s but the British did have something called the universal carrier which looks like an open top, cut down version of a 113. I'm willing to give that a pass.

At one point we are in the British camp and they have real Sherman tanks, long barreled ones but they are Shermans. The Germans have M48s, I think they are. Both sides are painted tan. But in the final battle we have a line of M48s lined up on the ridge. It wasn't until the Italians said they were being attacked that I realized these were supposed to be British tanks. Most confusing.

At any rate, this movie is a cut above the usual Italian war movie and is good enough for a watch. It's something different in that the roles are reversed and the Italians are the heroes and good soldiers and the allies are the faceless mob getting mowed down by the ton. Not that that is a good thing but it's a change of pace.

From the British bulletin:

The opposite resistance from the "Divisione Paracadutisti Folgore" is indeed admirable. The rests of the Italian division Folgore have resisted beyond every limit of the human possibilities.

6450 paratroops, at the end of the battle only 340 survived. Some tanks on this movie looks like after war tanks. 25,000 Germans and Italians had been killed or wounded in the battle and 13,000 Allied troops in the Eighth Army. The glorious Division was destroyed during the 2nd El Alamein Battle. During this episode the V an VI Semoventi 75/18 Groups, and the DI Semoventi 90/53 Group operated under the 'Ariete' Division Command.

Between the boom phases for spaghetti westerns (until around 1968) and for poliziotteschi crime films (from around 1972), the Roman CINECITTA switched to producing war films, known under the lovely term MAKKARONI KOMBAT. Since war films per se have to be a bit more expensive and elaborate, fewer of them were produced overall than the abundance of westerns and crime films from Italian production.

LA BATTAGLIA DI EL ALAMEIN (the more appropriate Italian original title) is a very interesting representative of the genre, which is not entirely convincing, but still offers passable genre entertainment. It tells the story of the second battle for El Alamein, which determined the further course of the Second World War in North Africa in the autumn of 1942. With General Montgomery (Michael RENNIE) and Field Marshal Rommel (Robert HOSSEIN), the important figures of the historical events are also represented. Above all, the events are told from the perspective of an Italian unit led by Lieutenant Giorgio Borri (Frederick STAFFORD), who is engaged in a kind of war duel with Lieutenant Graham (George HILTON) on the British side. The film by Giorgio FERRONI (WHO BREAKS...PAYS (1975) with Brad HARRIS and Giancarlo PRETE) offers elaborate action scenes and a passable insight into the actual events surrounding the second battle of El Alamein. Ettore MANNI, Gerard HERTER, Ira von FÜRSTENBERG and Enrico Maria SALERNO also appear in roles.

The film was shown in West German cinemas from January 1970. There it reached more than 1.2 million visitors (source: InsideKino) and achieved a box office equivalent of more than 2 million EURO.

OK I know, it's a cheesy flick with a low budget, but I really enjoyed it. The Italian tanks coming into the battle was awesome! I always play this game called Panzer General and my favorite moves are trying to amass Italian troops against the Allies just to test my ability. I'm glad the Italians were run by very VERY incompetent Officers because they could have been a real asset (more so) to the Germans. This is the story of an elite Italian Infantry unit (the Bersaglieri). In all, six of the 12 total Bersaglieri regiments fought in North Africa, compiling an excellent combat record. More than once, Bersaglieri units fought to the last man to hold a position while German units ran away. This movie tells of one of those engagements, and the first time I saw it and what armament they had to face a dozen tanks, I was really entertained and so will you! Try to get a decent print though because I was so desperate to see this one time that I bought it on tape and it was horrible, the DVD was really bad but at least it was watchable. It's the only one of it's kind that I've seen although I loved movies like Stalingrad (the BW version) that showed some of the Romanian army's in action. Interesting for war film buffs and recommended.

Usually Italian films of the 60's, 70's, and 80's are considered sub par products primarily made for export to foreign markets. In many cases the WWII film followed the same formula. Take the plot of The Dirty Dozen, recycle it, add a trampoline and you have an entirely new and exportable film! (Yes, this is a dig at Cinque per l'inferno aka Five for Hell)

La Battaglia di El Alamein struck me as different in that it focuses on the Italian army rather than German or American as usual for Italian war cinema of the time. The movie shows the Italian forces in a patriotic light. Some may balk at this portrayal as the Italian forces are generally characterized historically as inefficient units dogged by low morale. The movie has a generality of historical accuracy, embellished for cinematic reasons. The British are characterized as cold unfeeling soldiers, no worse than American directors portray Axis forces, though. Perhaps Battle of El Alamein portrays the Italian as a little too brave and heroic but this is the same heavy-handed treatment heroes in American films were given up until recently. The film stands out as an Italian production made for Italy's own populace. In this light any shortcomings can be overlooked. Yes, even miniature remote controlled model tanks that rumble across the desert can be overlooked. An Italian production heads and shoulders above many b-grade counterparts of this time period.

It is so unusual to watch an Italian war film, and I talk of a large audience, popular audiences war film I mean, speaking not of the British or American side, as we usually see, but of the Axis side, and focusing on the Italian army. Every war epic goer, or even anyone interested in WW2, knows that Italian army was not particularly brilliant in North Africa, compare to the Afrika Korps I mean. It was not the fault of poor soldiers, under fed and equipped, who were considered as under soldiers by their officers, more busy chasing local Arab women and living, eating, sleeping in luxury, using silver plates and drinking Champagne and eating caviar for dinner, those jerks, YES JERKS, who had nothing to do with a master commander as Rommel was. A true soldier, fighting besides his men sharing everything with them. Italians, however, fought bravely in Russia, because they were mainly under German commandment. Yes, I love this film showing the italien side for once !!!! Even if it not exactly the accurate truth in the technicalities, it shows the real human side of this war, no good vs evil ones, the true position of the German and Italian armies - lacking men, fuel, tanks and ammo - compared to the Eighth one, lead by Monty, splendidly played by Mike Rennie, whose resemblance with Montgomery was astounding. Robert Hossein however doesn't look like Rommel at all, but his characterization, despite this, is more than OK. The main strength of this film is that it avoids the usual clichés, and also shows so anti war matters, very rare in the war spaghetti features. They glorify war and heroism in most cases. The action scenes are usual, nothing exceptional. I put this film among my all times war favorites, despite it i not a great film.

A good Italian war production, far superior to the average of this genre produced in Italy. Impressive war scenes with well-executed movements of heavy vehicles that make you overlook some inaccuracies regarding tanks from a later period not yet used during World War II. An interesting historical perspective on a crucial battle for the subsequent development of the war, usually depicted by Anglo-American productions with a propagandistic slant. It provides an intriguing history lesson that reevaluates the value of Italian soldiers, who are often portrayed as lacking courage and ability.

"The soft underbelly of Europe," as Italy was once described, in a moment of clarity between one drink and another, was, in reality, on a human level, as capable as the other armies involved in the conflict. The British and the Allies, through post-war film propaganda, have been successful in obscuring their ferocity and, in many cases, lack of chivalry in their military actions. This film somewhat redresses this unjust reputation, at least on the celluloid screen.