Metacritic reviews

the Norman Jewison film tells a crackerjack story, well-tooled, professionally crafted and fashioned with obvious meticulous care. McQueen is neatly cast as the likeable, but lonely heavy. Dunaway makes an excellent detective who gradually develops a conflict of interests regarding her prey. The only message in this film is: enjoy it.

It is a flashy, undemanding technical achievement, enhanced by the marquee power of Steve McQueen and Faye Dunaway.

An ordinary, not wonderful, but highly enjoyable movie.

What gives this trash a life, what makes it entertaining is clearly that the director, Norman Jewison, and some of those involved, knowing of course that they were working on a silly, shallow script used the chance to have a good time with it.

Possibly the most under-plotted, underwritten, over-photographed film of the year. Which is not to say it isn't great to look at. It is.

A very expensive caper picture that drowns in its own artiness, using multi-images, cinematic tricks, and other pretentious film gimmicks--all of which detract from the story.

Slick, silly romantic thriller, with Dunaway as an insurance investigator falling for McQueen, the property developer led to commit a bank robbery through boredom. Much obvious 'significance' (the pair playing chess; symbolic, see?), much glossy imagery (courtesy of Haskell Wexler) fashionably fragmented into interminable split-screen nonsense, and little of any real interest.