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6.2/10
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In 1909 Arizona, retired lawman Sam Burgade's life is turned upside-down when his old enemy Zach Provo and six other convicts escape a chain-gang in the Yuma Territorial Prison and come gunn... Read allIn 1909 Arizona, retired lawman Sam Burgade's life is turned upside-down when his old enemy Zach Provo and six other convicts escape a chain-gang in the Yuma Territorial Prison and come gunning for him.In 1909 Arizona, retired lawman Sam Burgade's life is turned upside-down when his old enemy Zach Provo and six other convicts escape a chain-gang in the Yuma Territorial Prison and come gunning for him.
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- TriviaAfter award-winning composer Leonard Rosenman recorded a score for the film, which he personally didn't care for but was given freedom to be experimentally creative, the score was rejected. While Jerry Goldsmith is credited with "Music" on the film's credits, the credit is misleading as he composed no original score for the film, instead it was tracked with cues from four other films he scored: 100 Rifles (1969); Rio Conchos (1964); Morituri (1965) and Stagecoach (1966) . Which is why he did not receive a credit like "Original Music composed & Conducted by".
- GoofsJames Coburn is using an Army Colt M1911 .45 caliber automatic pistol that, as its name indicates, was produced in 1911, but the story takes place in 1909.
- Quotes
Zach Provo: You don't die for women. You kill for them.
- ConnectionsReferenced in Minty Comedic Arts: 10 Things You Didn't Know About Omega Man (2022)
Featured review
Fans of Andrew V. McLaglen movies (McLintock!, Chisum, and The Wild Geese come to mind) won't mind the dark, nasty, gory The Last Hard Men with James Coburn and Charlton Heston. It's standard revenge stuff until you notice that it's way more violent and sociopathological than something fluffy like McLintock! or the all- purpose, crowd-pleasing Chisum.
What the six years from Chisum to The Last Hard Men wrought. McLaglen had no trouble dabbling in a bit of gore here and a skosh of savagery there, but The Undefeated and Chisum were rated G. TLHM brings you lots of close-up impalings and incinerations and splashy gunshot wounds, sometimes in slow-mo! It seems that ol' Andy McLaglen was watching a lot of Sam Peckinpah and Sergio Leone in the early 70s!
The biggest change might be McLaglen's treatment of women. In McLintock!, John Wayne woos Maureen O'Hara by stripping her to her undies, dragging her through molasses, showering her with feathers, spanking her with a stove shovel, and boinking her as the lights come up.
To quote Judith Crist, "What girl could resist?"
In The Last Hard Men, Barbara Hershey, a woman I find much more real and appealing than the actressy O'Hara, gets pummeled by Coburn, leaving her gasping on the floor of Heston's home, with a sprig of hair across her face, daring not to brush it away for fear of getting hit again.
Jump to Coburn releasing two of his henchmen to chase down Hershey, as her dad, Heston, watches from a distance. They catch her and rape her while Coburn taunts Heston with "They're xxxxxxx your daughter!"
The switch from chauvinism to sadism, from the early 60s to the mid- 70s, couldn't be a pleasant one for the likes of Hershey's character.
With that said, I sat engrossed in The Last Hard Men when I saw it as the lead up to The Enforcer in December, 1976. It was just the sort of intense, brutal movie that I grooved on in my late teens. I learned to really like Charlton Heston and James Coburn, so much so that I have searched out movies with these two actors, long before I really noticed them.
I got my prurient kicks some years later seeing Barbara Hershey nekkid in the imbecilic The Entity, but the more I think about it, I realize she was more appealing, sexier when she was fighting back against the thugs in the western.
Cripes, where am I going with this?
I miss Heston and Coburn. I miss Wayne (and the PC police in California can pound sand with their complaining about John Wayne being a hater).
I think I liked The Last Hard Men not in spite of its sadism, but because of it. Kind of like The Professionals and The Dirty Dozen.
Does that make any sense?
What the six years from Chisum to The Last Hard Men wrought. McLaglen had no trouble dabbling in a bit of gore here and a skosh of savagery there, but The Undefeated and Chisum were rated G. TLHM brings you lots of close-up impalings and incinerations and splashy gunshot wounds, sometimes in slow-mo! It seems that ol' Andy McLaglen was watching a lot of Sam Peckinpah and Sergio Leone in the early 70s!
The biggest change might be McLaglen's treatment of women. In McLintock!, John Wayne woos Maureen O'Hara by stripping her to her undies, dragging her through molasses, showering her with feathers, spanking her with a stove shovel, and boinking her as the lights come up.
To quote Judith Crist, "What girl could resist?"
In The Last Hard Men, Barbara Hershey, a woman I find much more real and appealing than the actressy O'Hara, gets pummeled by Coburn, leaving her gasping on the floor of Heston's home, with a sprig of hair across her face, daring not to brush it away for fear of getting hit again.
Jump to Coburn releasing two of his henchmen to chase down Hershey, as her dad, Heston, watches from a distance. They catch her and rape her while Coburn taunts Heston with "They're xxxxxxx your daughter!"
The switch from chauvinism to sadism, from the early 60s to the mid- 70s, couldn't be a pleasant one for the likes of Hershey's character.
With that said, I sat engrossed in The Last Hard Men when I saw it as the lead up to The Enforcer in December, 1976. It was just the sort of intense, brutal movie that I grooved on in my late teens. I learned to really like Charlton Heston and James Coburn, so much so that I have searched out movies with these two actors, long before I really noticed them.
I got my prurient kicks some years later seeing Barbara Hershey nekkid in the imbecilic The Entity, but the more I think about it, I realize she was more appealing, sexier when she was fighting back against the thugs in the western.
Cripes, where am I going with this?
I miss Heston and Coburn. I miss Wayne (and the PC police in California can pound sand with their complaining about John Wayne being a hater).
I think I liked The Last Hard Men not in spite of its sadism, but because of it. Kind of like The Professionals and The Dirty Dozen.
Does that make any sense?
- inspectors71
- May 14, 2016
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- How long is The Last Hard Men?Powered by Alexa
Details
- Runtime1 hour 38 minutes
- Color
- Aspect ratio
- 2.35 : 1
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