A bureaucrat rents a Paris apartment where he finds himself drawn into a rabbit hole of dangerous paranoia.A bureaucrat rents a Paris apartment where he finds himself drawn into a rabbit hole of dangerous paranoia.A bureaucrat rents a Paris apartment where he finds himself drawn into a rabbit hole of dangerous paranoia.
- Awards
- 2 nominations
Claude Piéplu
- Neighbor
- (as Claude Pieplu)
Louba Guertchikoff
- Wife at accident
- (as Louba Chazel)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAlong with Repulsion (1965) and Rosemary's Baby (1968) this film is part of a loose trilogy by Roman Polanski dealing with the horrors faced by apartment and city dwellers.
- GoofsWhen Trelkovsky is unpacking as he moves into the apartment, a crew member is reflected in the small mirror adjacent to the kitchen sink. Two crew members are then reflected in the armoire's mirror as Trelkovsky opens it.
- Quotes
Trelkovsky: [while looking at himself in the mirror] Beautiful. Adorable. Goddess. Divine. Divine! I think I'm pregnant.
- Crazy creditsThe film has no end credits; only the Paramount logo.
- Alternate versionsAlthough the UK cinema version was complete the 1986 CIC video was cut by 6 secs by the BBFC to remove a brief extract of the banned nunchaku scene from Enter the Dragon (1973) (seen by Trelkovsky and Stella during a cinema visit). The cuts were fully waived in the 2004 Paramount DVD.
- ConnectionsFeatured in Revanche (1983)
- SoundtracksCour D'Immeuble
Written and Performed by Philippe Sarde Et Orchestre
Featured review
ah...feel the alienation
I once lived with a roommate who attempted suicide, and our apartment was in a building where you could get a fifty dollar noise violation for sneezing after midnight - so, needless to say, I can easily relate to Polanski's "The Tenant."
But I also enjoy the film for other reasons. I'm not sure that it works, on the whole - the Polanski character's descent into paranoia and madness, which takes up the final half hour or so, seems rather jarring and bizarre. Ebert, for one, was totally unconvinced, and he slapped the movie with a vicious one-star review. But I think that individual scenes and moments work beautifully, so even though I don't quite understand the whole film - what does Egyptology have to do with it, for example? - I still have an overall positive impression of it.
I love the obnoxious friend portrayed by Bernard Fresson, for example. God, how many times have I settled for having stupid friends like that instead of no friends at all! I love the movie theater scene - the funniest "making out" moment in the history of film, I'd say. And boy, do I love Isabelle Adjani - she's so foxy in this movie, it's almost unbelievable. And she gives a great performance, as always.
Polanski is a good actor, too; I don't agree with the occasional disparaging remarks made about his performance here. His character is supposed to be low-key and thoughtful, so his low-key performance fits. I, for one, found him perfectly sympathetic - though he did lose me a bit when he started dressed in drag for no clearly discernible reason.
Yes, the movie's obscure. And slow. But it captures the alienating qualities of apartment living - something I've done entirely too much of - so I dig it. It's funny how all you need is a common reference point, and suddenly a weirdo movie like this becomes deeply significant! Definitely worth picking up for pocket change on DVD.
But I also enjoy the film for other reasons. I'm not sure that it works, on the whole - the Polanski character's descent into paranoia and madness, which takes up the final half hour or so, seems rather jarring and bizarre. Ebert, for one, was totally unconvinced, and he slapped the movie with a vicious one-star review. But I think that individual scenes and moments work beautifully, so even though I don't quite understand the whole film - what does Egyptology have to do with it, for example? - I still have an overall positive impression of it.
I love the obnoxious friend portrayed by Bernard Fresson, for example. God, how many times have I settled for having stupid friends like that instead of no friends at all! I love the movie theater scene - the funniest "making out" moment in the history of film, I'd say. And boy, do I love Isabelle Adjani - she's so foxy in this movie, it's almost unbelievable. And she gives a great performance, as always.
Polanski is a good actor, too; I don't agree with the occasional disparaging remarks made about his performance here. His character is supposed to be low-key and thoughtful, so his low-key performance fits. I, for one, found him perfectly sympathetic - though he did lose me a bit when he started dressed in drag for no clearly discernible reason.
Yes, the movie's obscure. And slow. But it captures the alienating qualities of apartment living - something I've done entirely too much of - so I dig it. It's funny how all you need is a common reference point, and suddenly a weirdo movie like this becomes deeply significant! Definitely worth picking up for pocket change on DVD.
- dr_foreman
- Jan 16, 2005
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Details
- Release date
- Country of origin
- Languages
- Also known as
- Stanar
- Filming locations
- Rue la Bruyère, Paris 9, Paris, France(apartment building at N°39)
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $1,924,733
- Gross worldwide
- $1,924,733
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