A police officer in the future uncovers the deadly secret behind a society that worships youth.A police officer in the future uncovers the deadly secret behind a society that worships youth.A police officer in the future uncovers the deadly secret behind a society that worships youth.
- Nominated for 2 Oscars
- 7 wins & 5 nominations total
Farrah Fawcett
- Holly
- (as Farrah Fawcett-Majors)
Greg Lewis
- Cub
- (as Gregg Lewis)
Glenn R. Wilder
- Runner
- (as Glen Wilder)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaIn the original novel, the colors of the Life Clock change every seven years: yellow (birth-6), blue (7-13), red (14-20), red and black on Lastday, and black at 21. According to the audio commentary, the movie changed it to 30 because it wasn't realistic to have a cast with all of the characters under 21.
- GoofsWhen Francis jumps down from the balcony, he is obviously headed for a spot at least ten feet from where Logan is standing, but when the shot changes we see him landing directly on Logan.
- Alternate versionsScenes edited out:
- The Francis Hunt: The original opening scene had Francis 7 hunting a runner and shooting him backwards into a water fountain to applause from the onlookers. this was because it was deemed too violent for PG and would have got a R Rating in the US and either a AA (14 and over)/2021 15 or X (18 and over)/2021 18 in the UK
- Box carving an ice sculpture of Logan and Jessica. This was removed as they were fondling each other in a lovers' embrace and this would have meant an R rating in the USA and possibly a AA (14 and over)/ 2021 15 or even a X certificate/ 2021 18 ( Adults Only 18 and over) in the UK
- Francis and Logan meeting a woman on Lastday. They casually chat about it and this illustrates the society's indifference to death.
- Longer, racier version of sequence involving characters passing through an orgy shop. again this would have been R rated in the US and AA (14 and over)/2021 15 or X (Adults Only 18 and over)/2021 18 in the UK
- ConnectionsEdited from The Wreck of the Mary Deare (1959)
Featured review
I was twelve when Logan's Run came out and I thought that it was the best thing since sliced bread. It blew me away. So when I picked it up recently on DVD and watched it for the first time in twenty-eight years I was wondering how it would fare after all this time.
Well, not too badly. Many of the IMDb reviewers of Logan's Run hit the nail on the head when they say that this film is definitely a product of its time. Yes, the special effects are sort of laughable now (the teeny tiny maze cars zipping through the a model of the city that looks about six inches tall), but you have to judge those sorts of things in the context of the time they were made. As strange as it may seem to people who now expect Lord of the Rings-quality special effects, Logan's Run was cutting edge in its day. And a few of the special effects still stand up fairly well. The light envelope that comes down over the Carousel or the matte shots of Washington. Not great for twenty-first century film-making, but a minor miracle for 1976.
The story has more holes than a piece of swiss cheese and the acting is a bit touch and go, but that doesn't get in the way of a fairly entertaining movie. Seeing the movie all these years later I suppose the few moments of bad acting hit me more than anything else. As a kid I thought that Peter Ustinov's old man was brilliant, but now it just seems like awkward overacting. Which isn't to say that his character isn't somewhat endearing.
Michael York, a really wonderful actor, misses the mark a few times, but generally he and Jenny Agutter do a fine job.
Listen, this isn't a brilliant movie, but it does have its moments. Most science fiction movies made in the 1970s haven't endured the test of time especially well. With the purple mascara, pastel-coloured costumes and hair feathered like a great phoenix. But all in all I still found Logan's Run to be an entertaining and enjoyable trip back to the strange world of 1976.
Well, not too badly. Many of the IMDb reviewers of Logan's Run hit the nail on the head when they say that this film is definitely a product of its time. Yes, the special effects are sort of laughable now (the teeny tiny maze cars zipping through the a model of the city that looks about six inches tall), but you have to judge those sorts of things in the context of the time they were made. As strange as it may seem to people who now expect Lord of the Rings-quality special effects, Logan's Run was cutting edge in its day. And a few of the special effects still stand up fairly well. The light envelope that comes down over the Carousel or the matte shots of Washington. Not great for twenty-first century film-making, but a minor miracle for 1976.
The story has more holes than a piece of swiss cheese and the acting is a bit touch and go, but that doesn't get in the way of a fairly entertaining movie. Seeing the movie all these years later I suppose the few moments of bad acting hit me more than anything else. As a kid I thought that Peter Ustinov's old man was brilliant, but now it just seems like awkward overacting. Which isn't to say that his character isn't somewhat endearing.
Michael York, a really wonderful actor, misses the mark a few times, but generally he and Jenny Agutter do a fine job.
Listen, this isn't a brilliant movie, but it does have its moments. Most science fiction movies made in the 1970s haven't endured the test of time especially well. With the purple mascara, pastel-coloured costumes and hair feathered like a great phoenix. But all in all I still found Logan's Run to be an entertaining and enjoyable trip back to the strange world of 1976.
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Fuga en el siglo 23
- Filming locations
- Houston & West Lancaster Streets, Fort Worth, Texas, USA(Water Gardens; the place with lotsa cats)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $9,000,000 (estimated)
- Runtime1 hour 59 minutes
- Sound mix
- Aspect ratio
- 2.39 : 1
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