Art thieves hijack a 747, hit fog and crash into the ocean, trapping them and the passengers under one hundred feet of water.Art thieves hijack a 747, hit fog and crash into the ocean, trapping them and the passengers under one hundred feet of water.Art thieves hijack a 747, hit fog and crash into the ocean, trapping them and the passengers under one hundred feet of water.
- Nominated for 2 Oscars
- 2 nominations total
Storyline
Did you know
- TriviaChristopher Lee accepted his role chiefly because it allowed him to work with Jack Lemmon.
- GoofsThe sleeping gas canister shows "CR-7". CR is actually a tear gas, not a sleeping gas agent.
- Quotes
Karen Wallace: Excuse me, I don't mean to intrude, but could you move your ass, dear?
- Crazy creditsBefore the end credits, this text appears. "The incident portrayed in the film is fictional; the rescue capabilities utilized by the Navy are real".
- Alternate versionsNetwork TV version features one hour of additional footage not included in either the theatrical release or home video release. Footage only seen in the network version includes:
- Alternate opening credit sequence involving Banker and Wilson breaking into a laboratory.
- A flight attendant cabin mock-up where the crew practice an evacuation using an escape slide. Shortly after, Anne introduces the crew to Joe Patroni.
- Dialogue between Patroni and Anne.
- A scene where Joe Patroni introduces Anne to Don Gallagher, who's working on a flight simulator of the plane he will fly.
- Flashbacks of several characters. including Martin and Karen Wallace, Steve and Julie, Jane and Bonnie Stern, and Lisa with Ralph Crawford.
- Extended dialogue throughout the film.
- Gallagher and Eve discovering the plane's navigator is dead.
- Scene involving Joe Patroni and his son, Joe. Jr. Patroni has been informed of the disappearance of the 747 and has to cancel plans to attend Joe Jr's graduation ceremony.
- Brief additional footage of Martin Wallace's body floating outside the plane.
- Emily attempts to console Karen, after the drowning of Martin.
- As Gallagher and the scuba team make their underwater preparations to raise the plane, they discover Banker's body.
- Amount of time for the plane to rise to the surface is longer than the theatrical version.
- After the plan has risen, Gerald Lucas attempts to get out of the plane first, only to be stopped and pushed back by Buchek.
- Dialogue between Philip Stevens and Eddie aboard the USS Cayuga. Stevens hands Eddie a piece of paper, which reveals Eddie's wife has given birth to twins. Stevens hands Eddie a cigar to celebrate the occasion.
- Dialogue between Stevens and Buchek aboard the USS Cayuga.
- ConnectionsEdited into Airwolf: Flight #093 Is Missing (1984)
- SoundtracksBeauty Is In The Eye Of The Beholder
Composed and sung by Tom Sullivan
Featured review
Of all the disaster flicks, this seems to be the one I enjoy most, perhaps it was the first one I would see.
But looking back at the hot pants in Poseidon Adventure & Dunaway's dress and the tuxedoes in Towering Inferno, Airport '77 is quite an elegantly dressed cast, aren't they?
The movie would get famed Hollywood fashion expert Edith Head to dress the cast and it shows. Anyone else would have made Brenda Vaccarro look obese trying to put her in that pullover sweater.
Airplane! would make fun of Edith Head being credited for '77 like that, by crediting their own costumer, but 27 years later, the wardrobe makes the cast of '77 appear tremendously dashing, giving the tragedy that greater a feel as well.
Jack Lemmon was an incredible standout as the hero of the piece, in comparison to Paul Newman's sexism in Towering Inferno (he never speaks to Jennifer Jones as a human during their entire ordeal with the children) or Heston's stiffness or McQueen's inexpressiveness.
Two years after her Oscar nomination, Vaccarro was hardly the disaster flicks idea of a leading lady as well, so she is quite a one-of-a-kind casting also.
When I was little, I was most fascinated with Arlene Golonka, who I knew from the Andy Griffith show.
Later, identifying the rest of the cast just made it more and more fun. Dracula, Buck Rogers, Kolchak the Nightstalker (Darren McGavin & Jack Lemmon were a powerhouse duo).
Then the names and stars figured into it. DeHavilland, Cotten, Grant. No one looked more out of place than Olivia DeHavilland in an underwater airplane.
Robert Hooks as the crippled bartender and Tom Sullivan (who is actually blind) as the pianist added even more flavor.
There is M. Emmet Walsh, "The Name, But What Which One Is Him?" actor. He is the doctor, and I do enjoy his one scene when he explains who he really is.
Monica Lewis, disaster movie staple. She would appear in Earthquake and Concorde: Airport '79. Check out her expression as she and Olivia DeHavilland enter the lifeboat. It reads "Miss DeHavilland, I'm one of your biggest fans. I really enjoyed you in Gone With The Wind." Lucy Ricardo lives.
Should it have been a commercial airline, instead of a private plane? Not necessarily.
I enjoy watching it now and observing a few of the female extras at the beginning of the crash don't seem to be present anymore by the end. It seems that they weren't available for filming then.
I would argue, as a movie, that this one is more fun to watch than the first one. Lancaster and Seberg in the first Airport movie are comical to me trying to be so serious.
And the second Airport movie, Airport '75, is funnier than Airplane.
There is a very strong and different feel from Airport '77 than the other Airport flicks or the other disaster films in general.
But looking back at the hot pants in Poseidon Adventure & Dunaway's dress and the tuxedoes in Towering Inferno, Airport '77 is quite an elegantly dressed cast, aren't they?
The movie would get famed Hollywood fashion expert Edith Head to dress the cast and it shows. Anyone else would have made Brenda Vaccarro look obese trying to put her in that pullover sweater.
Airplane! would make fun of Edith Head being credited for '77 like that, by crediting their own costumer, but 27 years later, the wardrobe makes the cast of '77 appear tremendously dashing, giving the tragedy that greater a feel as well.
Jack Lemmon was an incredible standout as the hero of the piece, in comparison to Paul Newman's sexism in Towering Inferno (he never speaks to Jennifer Jones as a human during their entire ordeal with the children) or Heston's stiffness or McQueen's inexpressiveness.
Two years after her Oscar nomination, Vaccarro was hardly the disaster flicks idea of a leading lady as well, so she is quite a one-of-a-kind casting also.
When I was little, I was most fascinated with Arlene Golonka, who I knew from the Andy Griffith show.
Later, identifying the rest of the cast just made it more and more fun. Dracula, Buck Rogers, Kolchak the Nightstalker (Darren McGavin & Jack Lemmon were a powerhouse duo).
Then the names and stars figured into it. DeHavilland, Cotten, Grant. No one looked more out of place than Olivia DeHavilland in an underwater airplane.
Robert Hooks as the crippled bartender and Tom Sullivan (who is actually blind) as the pianist added even more flavor.
There is M. Emmet Walsh, "The Name, But What Which One Is Him?" actor. He is the doctor, and I do enjoy his one scene when he explains who he really is.
Monica Lewis, disaster movie staple. She would appear in Earthquake and Concorde: Airport '79. Check out her expression as she and Olivia DeHavilland enter the lifeboat. It reads "Miss DeHavilland, I'm one of your biggest fans. I really enjoyed you in Gone With The Wind." Lucy Ricardo lives.
Should it have been a commercial airline, instead of a private plane? Not necessarily.
I enjoy watching it now and observing a few of the female extras at the beginning of the crash don't seem to be present anymore by the end. It seems that they weren't available for filming then.
I would argue, as a movie, that this one is more fun to watch than the first one. Lancaster and Seberg in the first Airport movie are comical to me trying to be so serious.
And the second Airport movie, Airport '75, is funnier than Airplane.
There is a very strong and different feel from Airport '77 than the other Airport flicks or the other disaster films in general.
- richard.fuller1
- Feb 27, 2004
- Permalink
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Details
- Release date
- Country of origin
- Languages
- Also known as
- Aeropuerto 77
- Filming locations
- Vizcaya Museum & Gardens - 3251 S Miami Avenue, Miami, Florida, USA(Philip Stevens' mansion)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $6,000,000 (estimated)
- Runtime1 hour 54 minutes
- Aspect ratio
- 2.35 : 1
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