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Daniel Radcliffe began acting when he was 6 years old, playing a monkey in a school play. By the time he was 12, he was an international movie star, taking on the role of Harry Potter in a series of film adaptations of J.K. Rowling’s books. He went on to portray everything from a World War I soldier killed in battle to a talking corpse with digestive issues to a political prisoner. Just take a look at his impressive body of work.

“David Copperfield” (1999) • This two-part BBC adaptation of the Charles Dickens classic Radcliffe’s TV debut… and the first time he worked with future “Harry Potter” costar Maggie Smith. He played “young David.”

“The Tailor of Panama” (2001) • Radcliffe’s first feature film — a spy thriller directed by John Boorman — he played the son of Geoffrey Rush and Jamie Lee Curtis.

“Harry Potter and the Sorcerer’s Stone” (2001) and “Harry Potter and the Chamber of Secrets...

Sidney Lumet would’ve celebrated his 95th birthday on June 25, 2019. The Oscar-nominated director proved incredibly prolific during his career, directing over 40 movies in 50 years, from his feature debut “12 Angry Men” (1957) through his cinematic farewell “Before the Devil Knows You’re Dead” (2007). But how many of those titles remain classics? In honor of his birthday, let’s take a look back at 20 of his greatest films, ranked worst to best.

Born in 1924, Lumet got his start as a child actor, appearing in “One Third of a Nation” (1939) when he was 15 years old. After serving during WWII, he quickly began directing Off-Broadway plays before moving into the burgeoning medium of television, where he helmed hundreds of live teleplays. While working on episodes of “Playhouse 90,” “Kraft Theater” and many more, he honed his abilities to shoot quickly and economically.

SEEHenry Fonda movies: 25 greatest films ranked worst to best

His turned to movies with “12 Angry Men,...

Out of all the winners (and losers) in the 26 competitive categories at the 2019 Tony Awards, 24 stand out as particularly noteworthy when considered in the context of history. So what were this year’s most interesting facts, records and milestones? Check out the complete list of winners here.

Rob Howell is the first person to have won multiple design awards in the same night since Bob Crowley back in 2007. That year Crowley won Best Scenic Design of a Play (with Scott Pask) for “The Coast of Utopia” and Best Scenic Design of a Musical for “Mary Poppins.” This year Howell won Best Costume Design of a Play and Best Scenic Design of a Play, both for “The Ferryman.”

Bob Mackie (“The Cher Show”) is the first person to win Best Costume Design in a Musical for a show that wasn’t nominated for Best Musical or Best Musical Revival since Tim Chappel...

Glenn Close just set a new Oscar record, and not in a good way. With Close’s loss at the 91st Academy Awards for “The Wife,” she now has seven nominations and no wins, more than any other actress in film history. Amy Adams, Deborah Kerr and Thelma Ritter all have six Oscar misfires, with Adams joining that list during Sunday’s ceremony. As for male actors with the most at-bats without a home run, Close now ties Richard Burton at seven while Peter O’Toole is still in the record books at eight. Click through our photo gallery above for a closer look at Close’s seven Oscar nominations.

See 2019 Oscars: Full list of winners (and losers) at the 91st Academy Awards [Updating Live]

For her role as Joan Castleman, the repressed wife of a Nobel Prize-winning author (Jonathan Pryce), Close earned her fourth bid for Best Actress. Her co-nominees this...

“Harry Potter and the Cursed Child” is currently the hottest ticket on the Great White Way. Now, Daniel Radcliffe, the actor who first portrayed the boy wizard, is following suit and returning to Broadway.

The former Harry Potter will appear in the world premiere of “The Lifespan of a Fact.” The play follows the controversy surrounding a John D’Agata’s essay about the suicide of a Las Vegas teen. Originally submitted to Harper’s, which pulled it from publication over fact-checking issues, D’Agata and his fact-checker Jim Fingal re-submitted the piece to The Believer magazine. The pair than co-wrote a 2012 book “The Lifespan of a Fact” about their debate over whether facts can be invented or changed in an essay.

The limited run will begin on Sept. 20 and end on Oct. 18. It will be performed at Studio 54.

Radcliffe will play Fingal, Bobby Cannavale will play D’Agata and...

Director Sidney Lumet, whose gritty portraits of New York City earned him four Oscar nominations for Best Director for films such as Dog Day Afternoon and Network, died Saturday of lymphoma at his home in Manhattan; he was 86. Synonymous with the New York filmmaking scene, Lumet prowled the streets of his adopted hometown in a wide variety of films, working in the nascent medium of television in the early 1950s before making his feature film directorial debut in 1957 with the cinematic adaptation of the jury room classic 12 Angry Men, starring Henry Fonda. That film earned Lumet his first Oscar nomination and started a prolific career that would take him through crime dramas, Broadway and literary adaptations, occasional Hollywood films, and lacerating satires.

Born in Philadelphia to parents who were in show business -- his father was an actor and director, his mother a dancer -- he appeared in numerous Broadway plays as a child and young adult before serving three years in the Army during World War II and returning to New York to direct. Lumet's directorial style, described as "lightning quick" in an era when American cinema was still burdened by the limitations of decorative and expensive Hollywood films, earned him a successful career in television, where he adapted numerous plays for such early shows as Playhouse 90 and Studio One, and worked with the young Walter Cronkite on the news series You Are There. He directed a TV version of 12 Angry Men before turning it into a successful 1957 film, starring Henry Fonda as the lone dissenting juror in a murder trial; the film earned three Academy Award nominations (Best Picture, Director and Screenplay) and singlehandedly established Lumet's cinematic directing career.

Lumet alternated film and television work in the late 1950s and early 1960s -- including a television version of The Iceman Cometh starring Jason Robards -- before helming a number of acclaimed cinematic films in the early 1960s: the devastating adaptation of Eugene O'Neill's Long Day's Journey Into Night (1962) starring Katharine Hepburn and Ralph Richardson; the New York drama The Pawnbroker (1964), which earned Rod Steiger a Best Actor Oscar nomination; and the nuclear drama Fail-Safe (also 1964), starring Henry Fonda and Walter Matthau. Through the late 1960s and early 1970s some of Lumet's work was uneven -- adaptations of bestsellers The Group (1966) and The Anderson Tapes (1971) as well as Chekhov's The Sea Gull (1968) are admirable but not entirely successful -- but scored again throughout the 1970s. The crime drama Serpico (1973) helped cement Al Pacino's star status after The Godfather -- and earned the actor his first Best Actor Oscar nomination, and the actor and director paired again in 1975's Dog Day Afternoon, the story of a bank heist gone crazily awry; the film, now considered a modern classic, earned Lumet and Pacino Oscar nominations and some of the best reviews of their careers. In between those films, set in New York, Lumet took a literal and figurative jaunt with the successful adaptation of Agatha Christie's Murder on the Orient Express (1974), an upper-class murder mystery set on a luxury European train that seemed as far from the seamy streets of Manhattan as possible.

In 1976, Lumet explored the themes of media exposure and saturation he delved into with Dog Day Afternoon even further with the scathing television satire and drama Network, starring William Holden, Faye Dunaway and Peter Finch. Lumet, along with screenwriter Paddy Chayefsky, pioneered the idea (and condemnation) of what is now commonly thought of as reality TV in his story of a network anchorman (Finch) who suffers a breakdown on live television with the rallying cry "I'm mad as hell, and I'm not going to take it anymore!", and the television executive (Dunaway) who turns him into a folk hero, TV icon, and tragic figure, ultimately goading him into committing suicide live on television. The film, still potent and more lacerating than most explorations of modern media since, won Finch and Dunaway Oscars; Finch's award was posthumous, as the actor died in early 1977. It remains one of only two films to win three Academy Awards for acting (the third for supporting actress Beatrice Straight, who appeared onscreen for less than six minutes), the other being A Streetcar Named Desire.

After that string of commercial and financial hits, Lumet's career included a wide variety of films: adaptations of Broadway hits Equus (1977, fairly successful), The Wiz (1978, a musical flop but a strangely visionary view of New York), Deathtrap (1982, unexpected fun if not a perfect film); crime drama Prince of the City (1981, one of Lumet's most unheralded fims); courtroom drama The Verdict (1982, a big hit that earned star Paul Newman and Lumet Oscar nominations); Hollywood melodrama (1986's The Morning After, starring Jane Fonda); and indie drama (Running On Empty, the 1988 drama with River Phoenix in his only Oscar-nominated performance). Lumet's last film was the 2007 drama Before the Devil Knows You're Dead, which starred indie stalwarts Philip Seymour Hoffman, Marisa Tomei, Ethan Hawke, and Amy Ryan.

Lumet was married four times, first to actress Rita Gam, second to socialite Gloria Vanderbilt, and third to Gail Jones, daughter of Lena Horne. He married Mary Gimbel, who survives him, in 1980 and had two daughters with Ms. Jones, Amy Lumet and screenwriter Jenny Lumet, who scripted the drama Rachel Getting Married. Nominated for five Oscars (four for directing, one for screenplay), Lumet was awarded an honorary Academy Award at the 2004 Oscars.

American film producer Elliot Kastner has died, aged 80.

He had been battling cancer and passed away on Wednesday in London, where he had lived and worked for many years. Further details about his illness were not released as WENN went to press.

Kastner began his professional career as a literary agent, and went on to produce films based on novels including Vladimir Nabokov's Laughter in the Dark and Iris Murdoch's A Severed Head.

His other film credits included: Harper, starring Paul Newman; World War II drama Where Eagles Dare, starring Richard Burton; and The Missouri Breaks, with Marlon Brando and Jack Nicholson.

Kastner made three movies with Brando and five with Burton, including 1977 psychological drama Equus.

However, he is perhaps best-known for his film adaptations of Raymond Chandler's novels, such as The Long Goodbye (1973), Farewell, My Lovely (1975) and The Big Sleep (1978).

Kastner is survived by a son, Dillon, and a daughter, Milita. He is also survived by three stepsons from his second marriage to Tessa Kennedy.