IMDb RATING
5.5/10
1.7K
YOUR RATING
Robert's in charge of constructing a nuclear power plant in the Middle East. Will it be instrumental in prophecies of antichrist's apocalypse?Robert's in charge of constructing a nuclear power plant in the Middle East. Will it be instrumental in prophecies of antichrist's apocalypse?Robert's in charge of constructing a nuclear power plant in the Middle East. Will it be instrumental in prophecies of antichrist's apocalypse?
- Awards
- 1 nomination
Spyros Fokas
- Colonel Harbin
- (as Spiros Focas)
Caroline Langrishe
- Girlfriend
- (as Caroline Horner)
Storyline
Did you know
- TriviaThe film was released with two endings. The European general release version of the film features an open ending, with Kirk Douglas in exile with his newborn child, and his adult son now successfully developing the plant intended to cause Armageddon. In the shortened version released in U.S. theaters, home video, and network television, a new ending was added where Douglas returns to the company and enters a board meeting having explosives hidden on him. In the final scene, Angel's face is overlaid with an image of an explosion, showing that Robert has successfully thwarted the apocalypse. The U.S. DVD from Lionsgate retains the original darker ending and the Blu-ray from Scream Factory contains both the European and American versions of the film.
- Alternate versionsThe European general release version of the film features an open ending, where Kirk Douglas is in exile with his newborn child, and his adult son now successfully operating the nuclear plant that is intended to cause Armageddon. In the shortened version released in U.S. theaters, home video, and network television, a new ending was added where Douglas returns to America and blows up the plant, sacrificing himself in the process. The U.S. DVD from Lionsgate retains the original darker ending.
- ConnectionsFeatured in Trailer Trauma (2016)
Featured review
Holocaust 2000 is directed by Alberto De Martino and co-written by Martino and Sergio Donati. It stars Kirk Douglas, Simon Ward, Agostina Belli, Anthony Quayle and Virginia McKenna. Music is by Ennio Morricone and cinematography by Erico Menczer.
Nuclear industrialist Robert Caine (Douglas) refuses to heed warnings that the Antichrist is closer to home than he ever could have imagined...
Caine and Angel
Casting aside the fact that it is a cash in on the success of the far superior The Omen, it simply isn't smart or good enough to make its own mark. Knowing what is going on in the first instance is not a great thing for the audience, it would be were the narrative strong enough to keep us on our toes, but it never is. The plot speeds along merrily following the same trajectory as expected; mysterious deaths, pregnancy, loads of ominous warnings, repeat sequence of doom and on to the unsubtle reveal in preparation for a less than satisfying ending.
The makers do try to add some salt to the satanic broth, such as having Douglas roam around naked in a feverish nightmare, and some moments are kinda fun in that tacky Italian/England production way, but the zip, the originality, is sorely lacking. Cast seem to be working off of a different screenplay to each other, though Douglas is at least working hard to make the duff regurgitation come alive. It looks nice on occasions, and it's fun for the wrong reasons, but its low standing reputation is fully justified and therefore near impossible to recommend to anyone but Kirk Douglas completists. 5/10
Nuclear industrialist Robert Caine (Douglas) refuses to heed warnings that the Antichrist is closer to home than he ever could have imagined...
Caine and Angel
Casting aside the fact that it is a cash in on the success of the far superior The Omen, it simply isn't smart or good enough to make its own mark. Knowing what is going on in the first instance is not a great thing for the audience, it would be were the narrative strong enough to keep us on our toes, but it never is. The plot speeds along merrily following the same trajectory as expected; mysterious deaths, pregnancy, loads of ominous warnings, repeat sequence of doom and on to the unsubtle reveal in preparation for a less than satisfying ending.
The makers do try to add some salt to the satanic broth, such as having Douglas roam around naked in a feverish nightmare, and some moments are kinda fun in that tacky Italian/England production way, but the zip, the originality, is sorely lacking. Cast seem to be working off of a different screenplay to each other, though Douglas is at least working hard to make the duff regurgitation come alive. It looks nice on occasions, and it's fun for the wrong reasons, but its low standing reputation is fully justified and therefore near impossible to recommend to anyone but Kirk Douglas completists. 5/10
- hitchcockthelegend
- Jan 27, 2014
- Permalink
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