User reviews

Many horror fans, and those who try to write such stories, understand that Stephen King has taken inspiration from the work of others. And there can be little doubt King was influenced by Thomas Tryon's outstanding novels "The Other" and "Harvest Home."

The TV movie version of the latter book, titled "Dark Secret of Harvest Home," was the second and final adaptation of Tryon's work and was originally aired in 1978, two years after the big screen success of Stephen King's "Carrie." Unlike 1972's "The Other," "Dark Secret of Harvest Home" was presented as a mini-series with a superb cast headed by Bette Davis.

Thomas Tryon wrote with an elegant style somewhat reminiscent of H.P. Lovecraft's. His plots were engaging, his characters interesting and well developed, and his New England settings evoked the gloom and obscure anxiety traditionally associated with that region. So why has his work faded into obscurity while King's is heralded as the greatest in the history of horror?

Regrettably, Tryon started writing rather late in life after a well-regarded career as an actor in such films as "The Cardinal," and died while his creative powers were on the wane. He also chose to explore genres other than the Gothic (with generally good results.) There is also a more staid, pre-World War II air about his work that might not appeal to the Baby Boomers and Gen-X'ers who form King's core audience. Nevertheless, Tryon's Gothic efforts translated wonderfully onto the small screen, and he deserves a well-deserved place in the pantheon of American Gothic writers. Thankfully, American Movie Classics has begun airing the TV movie version "The Other" again. Hopefully, 'Dark Secret of Harvest Home' won't be far behind.

Say what you will about the translation of Tom Tryon's fine gothic chiller Harvest Home into this TV film, Bette Davis' performance here is riveting and really nails home the creepiness of the tale. Unlike her sad farewell in The Wicked Stepmother (1989) where she was clearly having trouble focusing on her acting, here she is a powerful presence that (goose)fleshes out this telefilm the way it should be.

Playing the Widow Fortune (a prophetic name if ever there was one), she is the matriarch of Cornwall Coombe, a small Connecticut village just on the other side of the Lost Whistle covered bridge where "the ways" hold sway over the villagers. What they do and how they do it is bound by tradition, one hundred percent, so when a city family comes to stay, culture clash is inevitable.

Of course we all know this is a gothic chiller standard--sophisticated city couple/family comes to small quiet village only to find it mired in evil and horror, et cetera. Too true. But Davis' character is spellbinding enough that the viewer can overlook this tried and true plot point and enjoy the proceedings. Additionally, aside from some minor outdated bits of dialogue here and there, the script is actually pretty intelligent; a low stupidity quotient in the dialogue helps tremendously.

Unfortunately the VHS release of this film was chopped considerably; the original five hour length was shown on TV but unless the viewer taped it (as I did), it's completely unavailable. High time for a DVD release.

This is a great way to spend an evening with a roaring snowstorm outside. And the ending really is a shocker.

A great mini series from the 70s which was Emmy nominated. Starring Bette Davis in one of her most diabolical characters. BUT! it has never been released on DVD or even replayed on Streaming channels or channels like Sci Fi channel. I wish someone woul re-release this one.

A Very good adaptation of the novel HARVEST HOME by Thomas Tryon. Bete Davis stars as The Widow Fortune. The seemingly kindly matriarchal leader of a quiet New England puritan-like village. Funny thing is they actually LIKE outsiders??? Joanna Miles, Bradford Dillman & Roseanna Arquette play the NEW folks in town. Rene Auberjonis gives a wonderful turn as the local JUNK dealer who may know TOO much. Just exactly WHy are these homely folk SO interested in NEW blood? Keep an eye out for the

Harvest Home Festival itself. And once it starts...HOLD ONTO YOUR SEATS!!! One word of advice...this was originally a four hour mini series for NBC. The videocassette version is a severly edited version that leaves out HUGE chunks of the original story. If you can catch it on the Sci-Fi channel they always show the entire mini series. It's worth the wait!

Directed by Leo Penn (father to Sean, Christoper and Michael and director of many, many TV shows), the near 5-hour movie moves as slowly as the book at times, but it's definitely worth watching. Broken into two nights, the real craziness doesn't really start happening until the second part.

Nick Constantine (David Ackroyd, who played Dr. Nicholas Conrad in the 1970's TV movie ripoff of Iron Man, Exo-Man), his wife Beth (Joanna Miles, Bug) and their daughter Kate (Rosanna Arquette, Desperately Seeking Susan) are living the kind of dreary life that I imagine everyone in New York City does. Nick cheats on her and drinks away his problems as he struggles in the advertising industry. Beth stays in therapy every day of the week. And their daughter has such a bad case of asthma, she can't even stay outside for long. Yet they decide to relocate to a Connecticut village called Cornwall Coombe after falling in love with it on a trip.

Sure, the villagers only do things the old ways, not using modern farming equipment or communicating with the outside world. Sure, they celebrate weird festivals all year long and are obsessed with corn. But come on — the couple's romance is back, Kate is cured and everyone is just so nice!

Kate even has a love interest — Worthy (Michael O'Keefe, Caddyshack), who wants to leave the town behind and go to college. He's been saving money so he can escape, but as Kate becomes more and more part of the town, he sees that their love can't survive.

Then, there's Robert and Maggie Dodd, their neighbors. They once lived in the modern world and have also decided to come here. Robert is blind and listens to Donald Pleasence reading from several plays. And oh, hello, here's Justin and Sophie Hook, who will be this year's Harvest Lord and Corn Maiden in the Corn Play. And most importantly, here's Bette Davis (if I have to explain who she is, stop reading now) playing Widow Fortune, the town's herbal healer and most important person. Davis claims that she wanted this role since she read the book and she's a force in this — perfectly sweet at times and infused with menace at others.

Nick increasingly becomes obsessed with learning the secrets of the town, particularly why one grave — that of a suicide victim — is outside the cemetery. Things get worse when Worthy busts into church and curses the corn and someone called Mother before running away. And then he gets seduced by Tamar, a widow who has a clairvoyant daughter who picks each year's Harvest Lord (she's played by Tracey Gold from TV's Growing Pains).

So what is Harvest Home? Its "who no man may see nor woman tell," a pagan fertility rite connected to the earth mother. Nick is now obsessed with it and his marriage is falling apart all over again. His wife just wants to get pregnant again and he can't figure out why.

Worthy is hiding, but a letter to Nick is intercepted. A posse goes to get him and they hang his corpse in a field as a scarecrow before burning it on Kindling Night. At this point, there's no normal in this town. Nick tries to escape and turns to his blind neighbor Robert, who tells him that Harvest Home is happening. He explains that he was blinded trying to learn the secret and that Nick should just run.

Instead, he goes to save his wife and daughter. The ritual scene that follows is lunacy and worth sitting through this entire movie. To Nick's horror, he learns that his daughter is the new Corn Maiden. He is forced to watch as the Harvest Lord has sex with her, ending with the man's throat being cut as he is sacrificed to the earth. Nick is caught, blinded and his tongue is cut out, much like his friend Jack Stump (Rene Auberjonois, Eyes of Laura Mars and so many other roles). He is trapped in the town now, forever stuck, his virility reduced to being dependant on his pregnant wife and daughter, who are now part of the pagan secret that is Harvest Home.

There's a cut down commercial release of the film, but there's no way to get this on DVD without finding a bootleg. It's worth the search, however. The last ten minutes of the film are perfect.

Read more at http://bit.ly/2hn4xPP

A truly "delicious" and engrossing film. This richly textured and atmospheric offering was made for TV in two parts (I believe) because it is quite long. I remember it as being in black and white, but I may be wrong about that. It used to come on late at night and though I sometimes had to go to work the next day I always watched the entire film all the way to the end -- because you have to. Makes the "Blair Witch Project" of the same genre really look like amateur hour. It stars the late, great Bette Davis, in a low-key performance, as a kindly old witch-like lady and David Ackroyd, a darned good actor of the "old school" -- meaning lots of talent and sex appeal. Ackroyd eagerly takes his family to their new home in rural Harvest Home... to an old, charming, quaint farmhouse that they find very desirable in today's hectic world. One-by-one, as the townspeople's quaintness reveals itself to be something beyond the norm, the family detects a supernatural, if not evil, undercurrent to everything they say and do. Harvest Home, as the title implies, is much more than it seems. Bits of the mystery of Harvest Home unravel bewitchingly and languorously as the story of this most unusual town and the people who live there unfolds. Like all exceptional movies, this one does not have one lame or wasted moment of film. It also has great production values, a great story, a great cast, a great director, and great scenery and photography. It's spooky and intelligent, not obvious and gross. There is so much going on under the surface and the performances so on-the-mark that it keeps your attention. It is a thoroughly enjoyable movie experience and you should jump at the chance to see it -- if that day ever comes.

This was originally aired in England on the Sci-Fi channel back in 1996. It was shown quite late on at night, so I taped all the episodes and watched them later. Today, I still have the recording!

A young married couple with a daughter go out in their car one day to get away from the city. The wife's father has recently been buried, and she needs to escape. They blow a tire just beside the Lost Whistle Bridge, which thus leads into the small village of Cornwall Coombe. After putting on a spare tire, they venture into it, and are instantly charmed by the inhabitants, and a grand old house. The neighbours to this house, the Dodds, say that its owner will never sell it. However, once they get back to the city, they receive a phone call from the Dodds, telling them that the house IS up for sale, and that they will have to talk to the Widow Fortune (Bette Davis). The house is surprisingly cheap, and they take it, and move. It seems absolutely great at first, but then the husband starts getting suspicious about the folk of Cornwall Coombe, especially when he learns of a recently deceased woman, who apparently fell in love in the village, but somehow 'fell from grace', and committed suicide by jumping off the Lost Whistle Bridge. As he starts to unravel the mystery, however, horrors that seek beyond the imagination start rising, and suddenly, the nice calm little village begins to show its true colours...

Bette Davis gives what must be one of her best performances EVER in this chilling mini series. It's a shame that it isn't available on DVD. The out of print VHS version was drastically cut, and its never been released uncut. Try and catch this on TV some time. The Sci-Fi Channel always shows the full series, so if you ever get the chance, make sure to watch this. You won't be disappointed!

Stars like Bette Davis were not getting the big roles for the big screen that they were in the days of the big studio system so many like Davis turned to the small screen. One of her better choices was The Dark Secret Of Harvest Home where she actually went back to her New England roots to play the Matriarch in a special matriarchal society that has developed in an isolated corner of Connecticut.

David Ackroyd with wife Joanna Miles and daughter Rosanna Arquette think they've found this picturesque relic of a town where time seems to have stood still. Even the fact that they find a house in need of a bit of repair seems to be inviting them to stay. What they don't know is that the family is being auditioned by Davis known to one and all as the Widow Fortune who rules the roost there. In fact if this were a beehive Cornwell Coombe would have the men either as worker bees or worse drones.

The women acclimate quite quickly, but Ackroyd starts developing suspicions. Sad to say they prove to be right. These folks have their own kind of religion, Christianity with pagan fertility rites. There's one male among them who is the Prince of the Harvest and what perks come with John Calvin's office. But what a price he has to pay for them.

The kid who is scheduled to be Calvin's successor wants to commit the unpardonable heresy of leaving. Michael O'Keefe plays him and it's his story that makes Arquette start to question 'the ways'.

Bette Davis really was born to play the Widow Fortune, I cannot imagine another actress doing justice to the role. O'Keefe as the young man who thinks there just might be something more to this old world than a New England farming community that has some strange ways is very touching in his performance.

I'm not a big fan of these kind of horror novels and the films that come from them. But author Tom Tryon did a wonderful job in creating some real three dimensional characters, not just meat waiting to be slaughtered by some guy waving an ax.

The Dark Secret Of Harvest Home is more than horror film fans.

Welcome fellow movie fans to my review of The Dark Secret Of Harvest Home 1978

The Story gets a 1.25 out of 2: I believe Dark Harvest being a TV Mini-series worked in the tales favour. It allowed the writers to infuse the narrative with a slow burn element. At the outset, you have what appears to be a lacklustre tale of a cult and its followers. There's nothing too outlandish mentioned in the first episode. However, the writers provide the audience with many unusual occurrences. One is the blind man waited on hand and foot by his wife and the other women of Harvest Home. All he's required to do is sit on his backside listening to books on cassette tapes (pre-Audible), all spookily read by Donald Pleasence, attend the town's celebrations and fetes. Next is the photo's Nick and Beth Constantine take. All of them show Widow Fortune, though they both swear she wasn't there. Third, are the rituals the townsfolk perform for the land and the corn, like The Choosing Of The Lord. The writers relate everything in such a subtle way that you don't realise an eerie feeling has crawled under your skin. Until the first episode ends, and you find you can't wait for episode two.

Because the series lasts for over three hours, it gave the writers great scope to infuse the latent horror of Harvest Home.

When the second episode begins, we see things are getting bleaker for Nick. The Widow has entwined herself and her beliefs into his wife and daughter. She's even predicting Beth will be with child soon.

Fortunately for the viewers, the writers were skilled in their work. The characters are well rounded and constructed thoroughly. Their skill helps to make "Stranger Things" become less extraordinary, leading to a chilling yet plausible conclusion.

But I don't want to sing the writers praises too loudly because many incidents niggled me with their implausibility. The primary one being the blind man, Robert Dodd. Many menfolk in Harvest Home hint about peculiar occurrences, but only Dodd is the outsider who married into the cult. As such, he shouldn't feel obliged to stay at Harvest Home. It's evident he's afraid, so why hasn't he done anything about it. He may be sightless, but that disability shouldn't stop him from formulating an escape plan. Luckily, these niggles are few and slight and were never enough to shift my attention away from the screen.

The Direction and Pace receive a 2 out of 4: Both direction and pace are average, which is predictable for a TV Mini-series from the 70s. I can only imagine how great Dark Secret's would have become had they employed a more imaginative director. Leo Penn isn't awful, but it could have been better.

The Performances get a 1.25 out of 2: Yep, it's Bette Davis as Widow Fortune who carries the series. Until I watched "The Nanny" I hadn't been much of a Davis fan. Evidently, I had been viewing the wrong movies. She excels as the determined and influential leader of Harvest Home. She accomplishes this by subtle twists. One moment she could be your best friend; all smiles and grandmotherly warmth. Next, she could be issuing a warning to you; all smiles and grandmotherly warmth. Then she may be twisting your family against you; all smiles and grandmotherly warmth. Ultimately, she may be inflicting pain and torture; all smiles and grandmotherly warmth. Though she performs everything in a similar fashion, it's her body and facial language that changes. Davis conveys this superbly and makes The Widow one of the nastiest Grandmotherly figures I've seen.

Though Davis is on top form, that doesn't belittle the other actors and actresses. In all truth, the rest of the cast are excellent in their portrayals. It's just that The Widow is such a domineering character.

The only week point I would say would be Rosanna Arquette as Kate. You could undoubtedly offer the excuse of it being early in her career. She's not a leading role in the series, so it didn't affect my overall enjoyment.

And my Enjoyment level hits a 1.25 out of 2: It was the gradual build-up to the conclusion and Bette Davis' performance that made Dark Secrets worth watching. I do enjoy a story that insinuates itself into your subconscious and festers there, plucking at your fears. If you appreciate such stories then Dark Secret is a Miniseries to seek out and enjoy. Who knows, I may even find myself revisiting Harvest Home sometime in the future.

These ratings give The Dark Secret Of Harvest Home a 5.75 out of 10: A better than average TV Miniseries that could have been great. Still worth one watch for all horror, paranormal, and macabre movie buffs.

Jump in your horse-drawn buggy and check out my Absolute Horror list to see where The Dark Secret Of Harvest Home gathered in my rankings.

Take Care and Stay Well and Get Inoculated.

I saw this in its original form during the first run on Television. Normally I think that most made for TV movies are really second rate. This one stands out as one of the best! A family looks to leave the rat-race of the big city for a simple quiet town. They found out that this town may be quiet, but it is anything but simple lving there. A particularly chilling performance from Bette Davis is of note in this one. If you are conditioned to think that every horror movie has to have a minimum of 200 severed heads and 10,000 gallons of blood in it to be good, you'll hate this one. The rest of you who still believe in great acting and a tense plotline will be THRILLED with Harvest Home. RATING: 10 out of 10!!!

This is among the best of the 70s TV miniseries. From a book by the late Tom Tryon it mostly holds true to the book. A star studded cast conveys the intense terror perfectly. Hard to find , expensive DVD. The visual is horrible and looks like something copied from an old VHS. This great film of b needs a better treatment.

This is a movie that I didn't know about until I was working through The Horror Show Guide encyclopedia. I read the blurb, but outside of that, I didn't know a lot about this one. It took some time to find this movie, but I was able to find it streaming on YouTube. This is also a mini-series that was in two episodes. The synopsis here is a young couple moves to a quiet New England village, only to soon find themselves mixed up in mysterious rituals.

We start this movie in New York City. We are following the Constantine family. The father is Nick (David Ackroyd). He wanted to be an artist, but to marry Beth (Joanna Miles) he had to take a job doing advertising. Her father was a minister and wanted to ensure that she was taken care of. He is miserable though. Beth is struggling ever since Nick cheated on her. She sees an expensive therapist. Nick wants to reconcile, but it is difficult. They also have a daughter, Kate (Rosanna Arquette). She wants to quit her piano lessons. The reason is that some hoodlums are forcing her to pay so they don't mess with her. Beth wants to leave the city, but Nick points out that isn't possible.

Things take a turn for them when Nick reveals he's quit his job. Nick and Beth are fighting. Their fortunes change though when Beth's father passes away. He left her a good sum of money in his will. They decide to leave the city. They get a flat tire and end up outside of Cornwall Combe, Connecticut. This family is enamored when they detour to check it out.

Intercut with the Constantine family, we get introduced to this town. It is run by Widow Fortune (Bette Davis). Agriculture is what runs their life. They are coming up on ploughing day as they are planting their fields. There is an interesting scene with an empty house near Maggie (Linda Marsh) and Robert Dodd (Stephen Joyce). A couple looks at it as potential buyers. Widow won't sell to them. She does reveal that she will if the right family comes along.

That family is the Constantines. She agrees to sell it to them and under what they're willing to pay. Our family then gets acclimated to life here. As the synopsis states, they follow an odd religion where they select a 'corn maiden' and 'lord of the harvest'. They both have a responsibility for different things to ensure there is a good harvest of corn. There are also elements of religion mixed in with what they're doing.

Nick makes waves here though. He decides that he wants to write a book about this town that seems lost in time. Widow looks like a pilgrim and some of the other members of the society dress like the Amish. Widow and the others in the village want him to leave it be as there are skeletons in the closet they want kept there. There is also a member that passed away and Nick wants to get to the bottom of what happened with her. Things become even more complicated when he learns there are dark secrets that Widow and the rest keep hidden.

That is where I'm going to leave my recap. Being that this runs around three and half hours, I could go long with trying to recap everything. That isn't something I wanted to do here. I feel what I gave you gives enough information to get you up to speed. Where I will start is that I liked the main idea of this movie. I didn't know coming in that this is based on a novel written by Tom Tyron. It looks like it was called Harvest Home. Having now seen this, I would be interested in seeking this out if that is possible. There is a lot here and I'd bet some of the things I was interested in get fleshed out more. This movie does do well in giving us a lot, I will give credit there. They are able due to it being a mini-series. It came out in two episodes on television. On YouTube, they were broken into an hour and half with the second being around two hours and fifteen minutes. I'm assuming the time listed on the Internet Movie Database is including commercials.

Where I want to go from here is that this movie feels like it is the American version of The Wicker Man. I'm not sure when the novel came out, but this movie was made 5 years after. There are a lot of similarities. We have people from a modern world going to a place that feels like it is stuck in its own time. There is a religious angle, but they also worship nature. The rituals are also a bit more violent than what the people realize as well. To build on this, I wouldn't be shocked to learn that Ari Aster had seen this and using part of this as the basis of Midsommar, at least for a certain scene at the climax of that movie. This is all a positive for me.

The last bit that I want to go positive here is this society. It is different in that it is a matriarchy. Widow is our leader. Everyone looks to her and what she says goes. I enjoyed this idea. Davis does an excellent job as this character. There is something about her from the beginning that you don't trust. She does so well at playing snarky characters like this. This is coupled with moments where I like her. She genuinely cares about Kate and Beth. She wants to help them. She also likes Nick, but he is meddling. That is something she won't have. If he would stop what he is doing, I think she would accept him as well. There is also the idea that she might have supernatural powers. I thought it might reveal that she is older than everyone else. This is something that I'm still curious or if the novel sheds light on. There are some things that could be explained naturally, like understanding healing properties of things in nature. It could also be that she has powers like witchcraft. I like the ambiguity to allow the viewer to decide, but just a bit more of fleshing this out would help.

To explain a bit more why this is a problem for me is the fact that this movie is boring. There are things that pull me in, but my problem is that we have too many things that are repetitive. I think that bogs it down. There is a lot of talking and characters just hanging out that doesn't feel like it goes anywhere. Personally, I think this could be trimmed to three hours while still fleshing out everything that we need. I also think that it could add a bit more to liven things up a bit as well. We have a great setting. The religion and the almost cult like way everyone lives here is all good. Things just meander in my opinion which slows things down.

That should be enough for the story so I'll shift over to the acting. I've already said my piece about Davis. She's great here. Ackroyd is solid as Nick. I like that he's our character who gets hooked into the mystery and then wants to investigate. We need him to fill us in on the dark side of this place. I also like that he's a complicated character. There are times that I don't like him, but he grows into the person that we get behind. It is interesting to see a young Arquette here. She's solid as the daughter. I liked Miles as Beth. She is weak at first, but the longer she's in the village, the stronger she becomes. It was interesting to see a younger Rene Auberjonois. I liked him along with the rest of the people of the town. Special shout outs to Michael O'Keefe, as a teen that wants to get out. We also have Donald Pleasence voice as a narrator on a record that Robert listens to.

Then the last things to go into would be the cinematography, effects and the soundtrack. I think that this movie is shot well. We get some beautiful landscapes to set up this village. What makes it better is that this also builds atmosphere. We are seeing how isolated it is and how a place like this could exist. We don't get a lot in the way of effects, but this was also made for television. I think what we do get is fine. The outfits of the people in the village fits for this place that feels stuck in time. That worked for me. Then finally the soundtrack is decent. We get church bells which signal different things. We also get some creepy chanting and music that helps to build the atmosphere as well. Not a soundtrack that stands out amongst others in the genre but works here.

In conclusion, I am glad that I saw this movie. It is interesting made for television mini-series that is based on a novel. The idea of this village that is lost in time, which has a cult like religion that worship their harvest catches my interest. Davis is great here as Widow Fortune and I'd say the rest of the cast is good around her. This is shot well which helps to build the atmosphere with the effects and the soundtrack. My problem is that this is too long. What they focus on does bog this down for me as well. Not a great movie in my opinion, but one that I'm glad I can tick off my list for sure.

My Rating: 6.5 out of 10.

I only watched this movie because the brick house that the family moves into is located just around the corner from my house. (It was filmed in NE Ohio).

Unfortunately, the movie wasn't scripted too well, and although they kept it moving, it was rather boring. Some of the stuff wasn't explained either.

Basically, Here's what happens.

A family visits New England and the parents fall in love with a quaint little town, a far cry from the New York City that they are used to. They fall in love with a brick house, and buy it for $30,000. Dad decides to do a coffee table picture book about the town, and while doing so, uncovers a mystery.

Dispite quilting bees, husking bees, and bonfires, the town isn't as peaceful as one might think, and Dad finds himself escaping from the town holding cell on the night of Harvest Home to rescue his family.

What happens? I guess you will have to rent the movie and find out!

Okay folks, I am not one to get scared by movies, but this gem still haunts me at times today. As a young, newly-married airman in '78 (still waiting for my bride to join me) I am thinking might as well watch this since nothing else is on (wasn't hooked to cable). It starts a bit slow as characters and the village's odd nature are reveal. It's pace keep you hooked. However, I was caught totally unaware at the climactic scene. I actually did one of those silly crab-walks away from the TV while attempting to stop gasping (and resume regular breathing). I slept little that night and intermittently for the next couple of weeks.

As another rater posted ~ this is not your excessive blood & gore movie. However, the twists and psychological impact are definitely going to stick with you.

Now, I sure most are thinking "aw, he was just a wimpy zoomie", but I have watched A clockwork Orange, The Exorcist, Misery, Play Misty for Me, Psycho, Saw I & II (bored after the 2nd), The Shining, The Wicker Man, etc, with nary a flinch. This one may have impact me more since I grew up in the and the isolation rang true with me. Not to mention I grew up around some pretty superstitious people ~ one of my Aunt's claimed she was born a soothsayer (& people believed her). I knew primitive Baptists, Pentecostal snake handlers, and many more "unique" individuals. This movie exposed my "inner-hick" and had me thanking God I moved away from my root.

I would definitely recommend this if you like being startled (does that make me evil?). And I recommend you stick around for the whole ride.

"The Dark Secret of Harvest Home" debuted when I was a teen and all the kids in my high school seemed to be talking about it. Well, I missed it and assumed I was really unfortunate. However, after seeing it decades later, I wonder what all the hubbub was about in the first place. It's NOT a particularly good mini-series....and certainly not among Bette Davis' better films in the latter part of her career.

The problem with this film comes down to one thing...PACING. The original film version (it was edited down several times) is 3 hours and 48 minutes (not the 5 hours listed on IMDB) and I really wish I'd seen the heavily truncated 2 hour version. Otherwise, it's an endurance contest and feels like the film is keeping its secrets as long as possible in order to pad the story out to such a long running time.