User reviews

"Who Is Killing the Great Chefs of Europe?" offers up a tasty recipe, combining mystery with laughs. This movie is peppered with colorful characters, such as Max, the snobbish English gourmand magazine editor, Robbie, the brash American fast food magnate, and a host of eccentric chefs. And you also get a feast for the eyes, with colorful views of London, Paris and Venice, and lush images of haute cuisine. This movie is satisfying, and perhaps will leave you hungry for more!

I loved this delightful farce, when it came out in the theaters, decades ago. Segal, Bisset, and Morley, are a joy to watch. I waited for years fro the DVD format to hit the shelves. What a disappointing experience. The disc is not letterbox, nor closed captioned, there is NO Menu, and looks no better than a VSH tape. There is a disclaimer, in fine print, that the DVD will only play on DVD "Play only" devices, and may not play on your PC. WD cheaped out on this product. The story is filled with fine foods, kitchen antics, and rapid fire funnies. It was filmed on location all over Europe. The grizzly murders,are shocking. The many characters are played broadly, but then this a comedy. Well worth your time.

I dimly remembered this culinary comedy from the late 70s without

much affection, until a friend decided to bring along a video to be

shown after a Thanksgiving dinner last year. It's a great idea. Stuff

yourself and then take a movie break before dessert. Nothing too

heavy--preferably something light and frothy. I'm glad we did. This

is an adorable movie, and I don't know why it didn't strike me that

way the first time around.

Maybe it was the horrible and dated costumes designed for

Jacqueline Bissett. How does one take one of the most beautiful

women in the world, and tart her up in the most ridiculous

fur/leather thingies. She looks like a cheap Vegas dancer here.

George Segal doesn't escape either, wearing jeans looking like he

was poured into them and cowboy hats, he looks like the sweet

Jewish boy he is, playing in Daddy's clothing.

The heart of the movie is the wonderful Robert Morely, who plays a

gleefully glutinous gourmand and food editor who between bites

insults just about anyone coming towards him. Only Jacqueline

Bissett manages to escape his wrathful tongue. I'm not

complaining. Morely is a total delight as the misanthropic

epicurian monster.

The mystery isn't much of a mystery, and the chemistry between

Bissett and Segal doesn't appear to be setting off many sparks.

But you can waste your time on far worse things than this modest

delight, filmed all over Europe. The food looks great, and oh that

nasty Morely!

This one is going to make it to the roster of all-time great comedies. Its sheer classiness and the elegant level of its wit on both the verbal and visual level - so different from the crassness and vulgarity of much American comedy (the more so in recent years) - made me suspect an English touch, and sure enough, the Canadian-born director, Ted Kotcheff, made his career in the UK. Jacqueline Bissett is a delight to the eye and George Segal makes a charmingly roguish screen presence; they work wonderfully off each other. But Robert Morley - perfectly cast - runs away with the whole movie with his acerbically comic portrayal of the gourmet-cum-gourmand Max. The wonderfully funny food references throughout, and the gorgeous cinematography of European locales put the icing on this comic eclair. And, just for good measure, first-time viewers will have a devil of a time trying to decide just who is killing the great chefs of Europe. This ranks right up there with the best of the Ealing Studios work. A must-see for connoisseurs of literate comedy.

Famous European chefs are being bumped off in macabre ways; an American fast-food entrepreneur and his dessert-chef ex-wife try to find out who the killer is before she becomes the next target. Screenwriter Peter Stone, working from the novel "Someone Is Killing the Great Chefs of Europe" by Ivan and Nan Lyons, gets in some good repartee between the former marrieds, even though George Segal is only half-present (and at times resembles a waxworks figure) and Jacqueline Bisset lugs around some of the ugliest coats imaginable. The supporting cast is under-used, and a midsection excursion to Venice (where Bisset interviews one of those pinching, flirty Italians) really drags its feet--not helped by the poor cinematography and the drab presentation. The whole film is overcast and chilly, with exteriors that look crummy, however Stone's wit occasionally comes through and he does provide a satisfying final twist. *1/2 from ****

This is one of those often overlooked comedy gems, which people miss probably because of the title. George Segal is a riot as the entrepreneur ex-husband of Pastry Chef Jacquline Bisset, who is chasing her around Europe to get her to be the Spokes person for his latest Food chain of restaurants called "H-Dumpty" Bisset's character is one of four chefs being honored by being invited to create part of a fabulous meal for the Queen of England, set up by a very Obese Robert Morley, as the acerbic and insulting Editor-in-chief and Publisher of a first class gourmet magazine. But after the great dinner someone starts bumping off the four chefs in the manner of their own specialties. The suspects include Segal and other envious chefs not invited to participate in the historic event. Bisset becomes rather concerned when she realizes that she is the last name on the list. From there the mayhem and madcap comedy ensues. Let the game begin.

Everything I've read about this movie says someone is bumping off chefs. That's amazing. I must've watched a different movie. I sat through about half an hour of utterly unfunny nonsense and no one got bumped off (although, I wish they had), and finally my wife and I voted to turn it off. So I have to confess that I never got to the part most of the other reviewers evidently found so funny and wonderful. This is a shame, because I've always been a big fan of Robert Morley, so I really had high hopes. But even Robert Morley was boring in the thirty minutes of this movie that I saw. I've never liked George Segal and was hoping he'd be a chef and would get bumped off, but no such luck. And the woman in the bizarre coat, how many animals was she wearing, and why? And what was the point of that girl who put together the bizarre food sculpture? Was she one of the iced (ha ha) chefs? So, with apologies to all of you who absolutely loved this movie, I regret to say it didn't even make a decent appetizer. Not worth the calories. A half-baked mess. A real crock.

This is one of those rare comedies that doesn't become dated and stale over time. The European air of this film keeps the pacing smooth and interesting and fortunately George Segal doesn't try to take over the picture. Robert Morley is fantastic in a tour de force performance as the world's largest and greatest food snob-a total snot who lives very moment filled with food, dry wit and sarcasm. The food looks great and one should definitely have snacks handy when indulging in this fine film. As for the whodunit? When the killer was finally revealed I had guessed wrong and enjoyed every moment. I should note that this fine comedy can often be difficult to locate for viewing in the USA and I have never seen a sharp DVD print -- still this film will make you smile and laugh and is well worth seeking out.

Awesome movie. I have been able to get a good copy. Sad. Saw it as a kid. Love it. Trying to share it with my family.

The movie starts off well enough, with some funny dialogue and the introduction of the quirky main characters. However, the constant sexist harrassment that the female lead (one of two women in the whole movie btw) has to endure, made this film taste increasingly sour. Add a few pinches of racism to that, let roll for over 90 minutes and you get a horrible film. The 70s were not nice. Neither was this.

The mystery is the thing.

Some of the greatest Chef's of England and the Continent are being murdered all around and no one knows why. But everyone certainly knows how for all of them, whoops, wont tell more don't want to spoil any second of this movie. But yep this is a real serious murder mystery alright! The fun is in the timing, these are some of the best actors of the times. Finest of their times to be honest.

Whether handsome, beautiful or ugly, that is immaterial. They are all consummate actors, ACTING and creating the characters we either grow to love, hate, loath or find funny as hell. BUT no matter how we react to them, they do what great actors do, they make the viewers really believe in them.

The comedy and the black humor are a mix of Keystone Cops and Burns and Alan craziness. Take it for the fun it is and enjoy the movie with friends. A party is in order for this one, good wine, cheeses, fancy deserts and a little sinister fun.

I noted that the only award recognition that Who Is Killing The Great Chefs Of Europe was from the Golden Globes with nominations for Jacqueline Bisset as Best Actess and Robert Morley as Best Supporting Actor. That was a mistake because this film is totally dominated by Robert Morley giving him a great role to chew on literally.

During the Sixties and Seventies Robert Morley became an international symbol of the United Kingdom with his commercials for British Airways and his promise that 'we'll take very good care of you' made to the world. I have no doubt that the films he appeared in and some of them were dreadful got a bit more revenue at the box office with Morley's appearances. But this film is far from dreadful.

In fact if you like Robert Morley this film is a treat for his fans everywhere. In this black comedy Morley plays a food critic who has the first requisite of being a food critic, he loves to eat. And he's got the girth to prove it. But along with all that good eating comes some health problems and his doctor says he has to go on a diet or else.

Right after that several of the chefs around Europe whose dish specialties have become Morley's favorites start dying in some very bizarre ways. On the list is Jacqueline Bisset whose specialty is pastries as desserts and there is a special method of dispatch earmarked for her.

Never fear Jackie has a protector in George Segal who is restaurateur/tycoon and coincidentally happens to be once married to Bisset. Can Segal figure it out, can the police figure it out, can he save the last of the great chefs?

For all that you must watch the film. But I guarantee that the laughs are there, the European photographed scenery is great, and Robert Morley is in top form. For his fans especially, this film is a must. Definitely in the top five of his best roles.

I saw "Who Is Killing the Great Chefs of Europe?" in its original run in U.S. theaters. I was nine years old, but my mother used to drag me to any movie she wanted to see whether it was "child-friendly" or not. I loved this movie then and have enjoyed every repeat viewing since. It's a stylish, frothy romantic comedy with a little bit of murder mystery (nothing that will tax your brain), sumptuous gourmet meals and elegant locales, and bitingly witty dialogue --mostly from the incredibly funny Robert Morley. The film revolves around two ex-spouses: world-renowed pastry chef Natasha (Bisset) and crass, wealthy fast food tycoon Robby (Segal), who re-unite to try to solve the caper when top chefs are knocked off around the capitals of Europe. They travel from London to Venice to Paris and back again, encountering an array of melodramatic, egotistical and hilarious chefs along the way, played by well-known European character actors (Philippe Noiret, Jean-Pierre Cassel, etc.). Bisset's clothes, designed by Donfeld, don't date very well, but it was the '70s. She's supposed to be quirky. She looks gorgeous nonetheless. The lighting in this film is perfume-ad soft. Some of the scenes where the chefs, especially Bisset, prepare their specialties make you want to jump through the screen. At nine, I never knew food could look like that! This movie is a few decades old, but retains its glamour and wit. Look for a very young Nigel Havers in a minor part early on.

A witty script and great performances help turn Who Is Killing the Great Chefs of Europe? into a very satisfying meal. There are moments when the back and forth dialogue between the characters resembles something out of Neil Simon's wheelhouse and Robert Morley, especially, makes great use of this delicious dialogue.

The plot revolves around a competitive ex-husband and wife (George Segal and Jacqueline Bisset) who become the focus of a murder mystery when someone, as the title suggests, is killing all the great chefs in Europe. Since Bisset is considered one of them, it's only a matter of time before the killer gets to her as well.

It might not sound like the makings of comedy gold, but it hits more than it misses, especially towards the end when tons of European chefs come out of the woodwork, certain that they'll be the next victim due to their own egos.

I once had a friend argue that a mystery was only good the first time, but a comedy was always funny. While I don't completely agree with this line of thinking-Rene Clair's And Then There Were None, being one of my favorite films that I have returned to many times-I do see the logic in the argument. Fortunately, screenwriter Peter Stone and director Ted Kotcheff apparently felt the same way when adapting Nan and Ivan Lyons novel, Someone Is Killing the Great Chefs of Europe, for the screen.

While the mystery angle is played up more in the film than the source novel-where the killer's identity is revealed before the halfway point in the book-it really isn't central to the proceedings, and is mostly there to move the narrative forward by giving the characters someplace to be and something to do. And that is really the strength of this film: the characters. As almost every reviewer has, rightly, pointed out, Robert Morley's Max Vandeveer dominates the film with his acid quips and unapologetic pomposity, but the rest of the supporting cast do not let the production down, delightfully playing up the eccentricities of the inhabitants of the world of haute cuisine. Neither do our two stars, George Segal and Jacqueline Bisset, though the demands of their roles don't really call upon them to stretch much outside of their comfort zones.

Interestingly, director Kotcheff ha sited the screwball comedies of the 1930's as inspiration, specifically name checking Howard Hawks' classic Bringing Up Baby. I would venture that Who is Killing the Great Chefs of Europe? Has much more in common with a later Hawks film, the brilliant His Girl Friday. The character of Segal's Robert Ross is very much akin to Cary Grant's Walter Burns and like Rosalind Russell's Hildy Johnson, Bisset's Natasha O'Brien finds herself being drawn back into the orbit of her somewhat conniving ex-husband, despite herself.

While not likely to have anyone rolling in the aisles, Who is Killing the Great Chefs of Europe? Has wit in abundance, and is a film that can easily, and frequently, bring a smile to the face, and be pulled off the shelf for a rewatching without fear that the proceedings will have gone stale.

As a side note, after years of living with the dull and unremarkable presentation of the more than decade old Warner Archive DVD-R, I was very excited by the film's recent-and much overdue-release on Blu-Ray by Bavaria Media. I am pleased to report that this new version is brighter, cleaner, sharper and altogether a more pleasing viewing experience than the Warner's. Much of the film was shot at the Bavaria Studios in Munich, and I assume that accounts for Bavaria Media's restored HD release. Oddly, as given the source one would have expected this to come out in European Region B, this Blu-Ray release appears exclusive to Japan. The good news is, for those interested, the Japan BD disc is Region A coded, and available from a number of online sources, including Amazon.jp.