Directed by
Neal Israel |
Writing Credits
Phil Proctor | ... | (play) (as Phillip Proctor) & |
Peter Bergman | ... | (play) |
Phil Proctor | ... | (adaptation) (as Phillip Proctor) & |
Peter Bergman | ... | (adaptation) |
Neal Israel | ... | (screenplay) & |
Michael Mislove | ... | (screenplay) & |
Monica Mcgowan Johnson | ... | (screenplay) (as Monica Johnson) |
Cast (in credits order)
Produced by
David Nichols | ... | associate producer |
Edward Rosen | ... | executive producer |
Joe Roth | ... | producer |
Music by
Tom Scott |
Cinematography by
Gerald Hirschfeld |
Editing by
David Blangsted | ||
John C. Howard | ... | supervising editor |
Production Design by
Stan Jolley |
Costume Design by
Daniel Paredes |
Makeup Department
Benjamin Douglas | ... | makeup artist (as Benjamin V. Douglas) |
Virginia G. Hadfield | ... | hair stylist (as Virginia Hadfield) |
Production Management
Leon Chooluck | ... | unit production manager |
Second Unit Director or Assistant Director
Jack Baran | ... | first assistant director |
Stan Jolley | ... | second unit director |
William Lasky | ... | key second assistant director (as William R. Lasky) |
Alice West | ... | key second assistant director |
Art Department
Ian Campbell | ... | graphics |
Howard Cole | ... | second prop man (as Howard R. Cole) |
Olesley Cole | ... | assistant prop man |
Mark Fabus | ... | set designer (as Mark L. Fabus) |
Thomas Gark | ... | property master |
Phil Garner | ... | additional graphics |
Richard D. Kent | ... | set director |
Tony Silver | ... | americathon logo by |
C.D. Taylor | ... | graphics |
Randal Woodward | ... | stand-by painter |
Robert L. Anderson | ... | construction coordinator (uncredited) |
Paul J. Campanella | ... | scenic painter (uncredited) |
Max Montoya | ... | swing gang (uncredited) |
Fred Morrison | ... | swing gang (uncredited) |
Joseph M. Posateri | ... | swing gang (uncredited) |
Gene Poseteri | ... | leadman (uncredited) |
Sound Department
Les Fresholtz | ... | re-recording mixer (as Lester Fresholtz) |
Victor Guarnier | ... | sound effects supervisor |
Dick Kupper | ... | dialogue editor |
James LaRue | ... | sound mixer |
Michael Minkler | ... | re-recording mixer |
Phil Mitchell Jr. | ... | boom man (as Phil Mitchell) |
Arthur Piantadosi | ... | re-recording mixer |
Larry Tozzi | ... | apprentice sound editor |
Forest Williams | ... | boom man (as Forrest R. Williams) |
Stunts
Joe Finnegan | ... | stunt coordinator |
Gene LeBell | ... | stunts (uncredited) |
Camera and Electrical Department
Bill Bohny | ... | camera operator |
Marvin E. Cody | ... | second grip |
John Greene | ... | electrician (as John C. Greene) |
Michael Laws | ... | electrician (as Michael J. Laws) |
Daniel D. Nowack | ... | grip |
Brice Porter | ... | electrician (as Brice D. Porter) |
Tony Rivetti | ... | first assistant camera: "a" camera / steadicam |
Ed Simmonds | ... | electrician |
Alex Skvorzov | ... | best boy |
Gerald Szillinsky | ... | grip (as Gerald T. Szillinsky) |
Donald E. Thorin Jr. | ... | second assistant camera |
Louis Tobin | ... | gaffer |
Bob West | ... | key grip (as Robert West) |
Charles Williams | ... | dolly grip |
Marv Newton | ... | still photographer (uncredited) |
Casting Department
Eve Brandstein | ... | casting executive |
Robin Stoltz | ... | casting: telethon |
Costume and Wardrobe Department
Andy Hylton | ... | costumer (as Andrew R. Hylton) |
Jane Ruhm | ... | costumer: women |
Mel Sawicki | ... | assistant costumer (as Melvin F. Sawicki) |
Editorial Department
John C. Howard | ... | supervising editor |
Mary Scott | ... | assistant film editor |
Bobbie Shapiro | ... | assistant film editor (as Bobby Shapiro) |
Russel Wiles | ... | assistant film editor |
Priscilla Nedd-Friendly | ... | assistant editor (uncredited) |
Location Management
Pam O'Har | ... | location manager (uncredited) |
Music Department
Bodie Chandler | ... | music supervisor |
Dick DeBenedictis | ... | additional orchestrations |
Jay Levy | ... | executive in charge of music |
John E. Oliver | ... | music production coordinator (as Johnny Oliver) |
D'Vaughn Pershing | ... | additional orchestrations |
George Probert | ... | music editor |
Ken Runyon | ... | music editor |
Michael Boddicker | ... | musician: synthesizer (uncredited) |
Alfred J. Carranza | ... | assistant music editor (uncredited) |
George Doering | ... | musician (uncredited) |
Script and Continuity Department
Stuart Lippman | ... | script supervisor |
Transportation Department
James M. Downs | ... | driver (uncredited) |
John Downs | ... | driver (uncredited) |
Bill Gray | ... | driver (uncredited) |
Michael McDuffee | ... | transportation co-captain (uncredited) |
Gerald R. Molen | ... | transportation captain (uncredited) |
Henry Richard Sanders | ... | driver (uncredited) |
Gary Vermillion | ... | driver (uncredited) |
Additional Crew
Marisa Alcaraz | ... | production coordinator |
Tita Bell | ... | secretary |
David Chaves | ... | assistant choreographer |
Michael Dilbeck | ... | liaison: CBS |
Francis X. Feighan | ... | unit publicist |
Althea Lawton | ... | secretary to the director (as Althea Lawton Pomeranz) |
Laura McInteer-Rimpau | ... | auditor |
Michael Mislove | ... | production consultant |
Dan Perri | ... | title design (as Dan Perri LTD.) |
Jaime Rogers | ... | choreographer |
Scott Winant | ... | assistant to director |
Tina Winkler | ... | secretary to the producer |
Smith Wordes | ... | assistant choreographer |
Tom Brocato | ... | publicist (uncredited) |
Kendall Knapp | ... | medic (uncredited) |
Roland T. Love | ... | craft service (uncredited) |
Donna Nichols-Laster | ... | payroll (uncredited) |