Beyond the Darkness

BEYOND THE DARKNESS is the tender tale of a young man in love. So much so, that not even his beloved's demise can stand in his way.

THIS MOVIE CONTAINS: Graverobbing, cannibalism, extreme taxidermy, disembowelment, mutilation, immolation, and ubiquitous nudity.

With this film, Director Joe D'Amato has made the perfect companion film for his gushy opus, ANTHROPOPHAGUS. Gorehounds will be in ecstasy, while casual viewers may want to keep those barf bags handy...

Say what you will about the acting, the music, the script, or even the plot of this potent and disturbing flick...it hits you like a ton of bricks and leaves you with a dropped jaw, hungry for more.

It's ashame that D'Amato didn't make more films like this. His repertoire includes a few cannibal flicks and lots of porn. This, along with "Anthropophagus," stands out as his most effective work. With "Beyond the Darkness," it's like he set out to make the most horrific and disgusting slasher flick he could fathom, and he pretty much hits the nail right on the head. There is something deeply disturbing about several scenes in this film. The bathtub scene, along with the housemaid eating the stew scene are among some of the most disturbing scenes I have seen in a film ever. And I've seen my share.

All this being said, "Beyond the Darkness" is a film that can be watched over and over. D'Amato somehow still keeps it fun. Unlike other extreme horror films of the era, it remains watchable. To think that he made a film like this with what was, no doubt, a tiny budget, and it came out so beautifully unflinching and nihilistic, is nothing short of genius. "Beyond the Darkness" is one of the coolest movies I've ever seen. And like a fine wine, (made from blood and guts and acid,) it just keeps getting better with age. Watch it with your mom.

A solid 9 out of 10, kids.

Murder, mayhem and mutilation…shown in all its pride and glory! Buio Omega a.k.a Buried Alive a.k.a Beyond the Darkness is a finger-licking and ultra-gory sleazefest. D'Amato's film certainly is a landmark in the Italian shlock/sick cinema as it contains some of the grossest and explicit nauseating sequences ever shot on film. The young and introvert Frank cannot live without his recently deceased girlfriend Anna, so he digs up her corpse, embalms her and keeps her around his mansion. After this, he descents further into madness and starts to kill girls randomly and his freaky housekeeper Iris assists him. Now, Frank is pretty messed up in the head but Iris is just downright insane!! She makes a hobby out of dismembering dead bodies and she breastfeeds the 22-year-old Frank! The first half hour may seem a little lame and low on bloodshed but, as soon as the gore kicks in, it doesn't stop till the end credits role and it becomes more and more repulsive by the minute! D'Amato servers a disturbingly realistic embalming-process along with some detailed torturing scenes, dissections and gruesome butchering! Of course, like it should in Italian's nastiest, there are a lot of perversely orientated undertones present such as necrophilia, cannibalism and even a variant on the ‘Oedipus'-theme!

Joe d'Amato never was world's most brilliant director. That's okay, since he never claimed to be and he always clearly mentioned his influences. He's more like a businessman with more adult films on his repertoire…The horror films he made are vicious but technically weak, all together! Nonetheless, Buio Omega is an exception! Unlike his other horror films, Buried Alive has tension, a great soundtrack, a constant morbid atmosphere and even a bit of surprisingly good acting! Cinzia Monreale, who plays the dead love-interest Anna, became more famous after starring in Fulci's masterpiece the Beyond and the creepy aunt Iris also starred in a few delightful `babes behind bars' flicks. The circle of fans that likes this kind of films is rather small…but they're very devoted. For them, Buio Omega is a must see!

Out of the handful of horror pictures that the legendary exploitation director made, this has got to be the best in terms of general nastiness. In fact, it's more than nasty, it's downright disturbing at times. The performances are quite good, and D'Amato treats his subjects and his main character with some sensitivity. As mad as he is, one can't help but feel a degree of sympathy for our tormented lead. As a prominent theme here is that of being unable to let go and move on, we can understand how he feels. Yet, of course, we still gape at the deeds that are committed.

Handsome Kieran Canter stars as Frank Wyler, a young man who simply can't deal with the death of his beloved girlfriend Anna (Cinzia Monreale). It gets to the point where he steals her corpse and brings it back to his villa. He preserves her body to the best of his ability, while all this time his devilish housekeeper Iris (Franca Stoppi) helps him without batting an eye. She's *very* devoted to him, you see. Unfortunately, Franks' rage compels him to kill young women who are either in his vicinity or just get in his way.

Supplemented by a very catchy score by Goblin that has its beautiful moments as well, "Buio Omega" has some very good gore. The acid bath sequence is memorable, as is the moment where an unfortunate victims' fingernails are forcibly removed with pliers. Fans of trashy Italian cinema will also love seeing Frank actually suck from Iris's breasts. Canter does a fine job in the lead, and the lovely Monreale ends up getting to play a dual role (she went on to act in Lucio Fulcis' renowned "The Beyond"). The real scene stealer of this film is Stoppi, who's deliciously unhinged. D'Amato also shot the film himself, using his real name of Aristide Massaccesi.

Somber and depraved, Italian horror lovers generally consider this to be D'Amatos' best genre effort.

Seven out of 10.

Beyond the Darkness (or Buio Omega) might be low on plot and complex characters, but the gore quotient is off the charts and some of the effects will churn the stomachs of even the most hardcore horror fans. If they were passing out medals for that, it would win hands down. While the script isn't the best, there's an engrossing "car crash" quality to the film that keeps you invested.