During a rescue mission into the Amazon rainforest, a professor stumbles across lost film shot by a missing documentary crew.During a rescue mission into the Amazon rainforest, a professor stumbles across lost film shot by a missing documentary crew.During a rescue mission into the Amazon rainforest, a professor stumbles across lost film shot by a missing documentary crew.
Luca Barbareschi
- Mark Tomaso
- (as Luca Giorgio Barbareschi)
Carl Gabriel Yorke
- Alan Yates
- (as Gabriel Yorke)
Lionello Pio Di Savoia
- 2nd Executive
- (as Pio Di Savoia)
Eva Bravo
- Adulteress
- (uncredited)
Ruggero Deodato
- Man Sitting in NYU Campus
- (uncredited)
Guillermo
- Felipe Ocaña
- (uncredited)
Enrico Papa
- Pantheon Interviewer
- (uncredited)
David Sage
- Alan's Father
- (uncredited)
Kate Weiman
- 1st Executive
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaTen days after its premiere in Milan, the film was seized by the Italian courts and director Ruggero Deodato was arrested and charged with obscenity. He was later charged with murdering several actors on camera and faced life in prison. The cast had signed contracts requiring them to disappear for a year after shooting to maintain the illusion that they had died. Deodato contacted Luca Barbareschi and told him to contact the three other actors who played the missing film team. When the actors appeared in court, alive and well, the murder charges were dropped.
- GoofsWhen the Yanomamo guide is given muskrat flesh to eat, he never puts any inside in his mouth. Instead, he opens his mouth a few times near it to give the impression that he is eating.
- Quotes
Professor Harold Monroe: I wonder who the real cannibals are.
- Crazy creditsThe Grindhouse Releasing (USA) and Siren Visual (Australia) DVDs/Blu-rays omit the United Artists Europa logo in favor of a text crawl regarding the film's violent content: "The following motion picture contains intense scenes of extreme violence and cruelty. As distributors of this film, we wish to state with absolute sincerity that by no means do we condone the artistic decisions employed by the makers of this film. However, as firm believers in the constitutional right of free speech, we do not believe in censorship. To quote Thomas Jefferson, 'it behooves every man who values the liberty of conscience for himself, to resist invasion of it in the case of others.' Therefore, we are presenting CANNIBAL HOLOCAUST for the first time in its uncut, uncensored original form, with all sequences photographed by the filmmakers, however offensive and repugnant, presented fully intact. What you will see will definitely shock and offend you. Nonetheless, it should be viewed as a disturbing historical document of a bygone era of extreme irresponsibility which no longer exists, and, hopefully, will never exist again. 'Those who cannot remember the past are condemned to repeat it.' - George Santayana"
- Alternate versionsThe Grindhouse Releasing re-release, as well as the 2005 DVD, features a scrolling warning before the film from the company stating that the film is uncut and uncensored and while they do not support the "artistic decisions" of the film, they do support free speech. It also plays part of Riz Ortolani's music score in the background.
- ConnectionsEdited into Through Eyes of the Dead (1999)
Featured review
Cannibal Holocaust truly is one of the most disturbing and uncomfortable films I've ever seen. Released in 1980, the movie has gained a reputation over the years as being one of the most controversial films ever made, and I think it rightfully deserves that title. Now this is a hard film to recommend, especially considering all of the brutal onscreen violence, rape, dismemberment, genital mutilation, and of course the incredibly hard to watch real life animal killings. However, whether you love or hate the film you can't argue that it's very well crafted. As with most Italian movies the cinematography is great, the soundtrack beautiful and the locations exotic. The tropical scenery truly is stunning to watch and music even greater to listen to.
The film focuses on a group of young film makers who venture out into the Amazon Rainforest to make a documentary on the local tribes, and as to be expected they never return. A professor is destined to recover the lost footage to put the story to rest and hopefully find out what happened to the crew. What unravels next is an example of one of the earliest found footage horror films ever conceived, made nearly two decades before The Blair Witch Project, and similar to that film the director strived to convince the audience that what they were seeing was real, so much so that he had the actors sign contracts to disappear from the media for a year to let the realism of the film sink in which later lead to his arrest, as the courts were convinced that the deaths depicted in the movie were genuine. However once he was able to get in touch with the actors and have them appear in court all charges were dropped, other than a small fine for the animal killings.
From its shocking visuals to its gritty realism Cannibal Holocaust is a very effective film that, like many people have said, is very realistic and has a much deeper meaning to it than one might think. Director Ruggero Deodato's intention (or so I think) was to make a film that deglorified our civilized society, showing the viewer that we, the civilized people, are the true monsters, not the cannibals. The movies' pessimistic tone and negative outlook on society actually makes for an overall depressing and unpleasant experience, a film that truly makes you feel bad in the end.
The movie has quite a sporadic fan base, with famous directors like Oliver Stone, Quentin Tarantino and Sergio Leone all supposedly being confessed fans of it. So much in fact that Oliver Stone payed homage to the film by replicating one of the most famous scenes in his movie Platoon (1986) and Sergio Leone wrote a letter of gratitude to Deodato complimenting him on the realism and the ability to produce such an effective and encaptivating movie. If you're looking for a fun horror film to watch with friends this is definitely not it. The movie is very dark and unsettling, making the viewer feel horrible after watching. Approach with caution, this movie is not for the squeamish, faint of heart, or easily offended and I suggest that those younger than 17 should avoid completely, only recommended to the most hardcore of horror fans and exploitation enthusiasts. You have been warned.
The film focuses on a group of young film makers who venture out into the Amazon Rainforest to make a documentary on the local tribes, and as to be expected they never return. A professor is destined to recover the lost footage to put the story to rest and hopefully find out what happened to the crew. What unravels next is an example of one of the earliest found footage horror films ever conceived, made nearly two decades before The Blair Witch Project, and similar to that film the director strived to convince the audience that what they were seeing was real, so much so that he had the actors sign contracts to disappear from the media for a year to let the realism of the film sink in which later lead to his arrest, as the courts were convinced that the deaths depicted in the movie were genuine. However once he was able to get in touch with the actors and have them appear in court all charges were dropped, other than a small fine for the animal killings.
From its shocking visuals to its gritty realism Cannibal Holocaust is a very effective film that, like many people have said, is very realistic and has a much deeper meaning to it than one might think. Director Ruggero Deodato's intention (or so I think) was to make a film that deglorified our civilized society, showing the viewer that we, the civilized people, are the true monsters, not the cannibals. The movies' pessimistic tone and negative outlook on society actually makes for an overall depressing and unpleasant experience, a film that truly makes you feel bad in the end.
The movie has quite a sporadic fan base, with famous directors like Oliver Stone, Quentin Tarantino and Sergio Leone all supposedly being confessed fans of it. So much in fact that Oliver Stone payed homage to the film by replicating one of the most famous scenes in his movie Platoon (1986) and Sergio Leone wrote a letter of gratitude to Deodato complimenting him on the realism and the ability to produce such an effective and encaptivating movie. If you're looking for a fun horror film to watch with friends this is definitely not it. The movie is very dark and unsettling, making the viewer feel horrible after watching. Approach with caution, this movie is not for the squeamish, faint of heart, or easily offended and I suggest that those younger than 17 should avoid completely, only recommended to the most hardcore of horror fans and exploitation enthusiasts. You have been warned.
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- En el infierno caníbal
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $100,000 (estimated)
- Runtime1 hour 35 minutes
- Aspect ratio
- 1.85 : 1
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