England, 1850s. A master criminal aims to rob a train of a large sum of gold. Security is incredibly tight and the task seems an impossible one. However, he has a plan and just the right peo... Read allEngland, 1850s. A master criminal aims to rob a train of a large sum of gold. Security is incredibly tight and the task seems an impossible one. However, he has a plan and just the right people to carry it out.England, 1850s. A master criminal aims to rob a train of a large sum of gold. Security is incredibly tight and the task seems an impossible one. However, he has a plan and just the right people to carry it out.
- Awards
- 1 win & 1 nomination
- John - Trent's Butler
- (as Brian De Salvo)
- Judge
- (as Andre Morell)
Storyline
Did you know
- TriviaWriter and director Michael Crichton based his book and movie, only loosely on the actual crime committed in 1855. In real-life, there were four criminals: Pierce, Agar, the railway guard Burgess, and a railway clerk named Tester. All four keys were kept on railway premises, two in London, and two in Folkestone. They were stolen temporarily by Tester and Pierce, respectively, so that Agar could duplicate them, but it turned out that the Folkestone keys were not being used anyway. The guard's van was not locked from the outside; Pierce and Agar were let in by Burgess, and a share of the loot was handed out to Tester, at stations. None of the criminals were spotted at once; it was several months before the railway conceded that the crime must have occurred on the train. The details came to light after Agar had been convicted in an unrelated crime, and his accomplices decided to steal his share instead of using it, as he had asked, to provide his mistress an income. She got word to him, and he turned Queen's Evidence against the others, and told all. At no point in the case, did anyone escape from custody.
- GoofsIf the gold shipment was solely to pay British soldiers in Crimea, as asserted, it would have been in the form of barrels of gold coins, not gold bars as shown.
- Quotes
Judge: [Judgementally] Now, on the matter of motive, we ask you: Why did you conceive, plan and execute this dastardly and scandalous crime?
Edward Pierce: I wanted the money.
[the court spectators roar with laughter]
- Crazy creditsCóras Iompair Éireann is misspelled in the end titles with an accent over the 'C' instead of the 'o'.
- Alternate versionsUnder the terms of the Cinematograph Films (Animals) Act 1937 all UK versions of the film are cut by 32 secs with edits to a scene where a dog hunts and kills rats in a show arena ('ratting').
- SoundtracksI Dreamt I Dwelt in Marble Halls
(uncredited)
Music by Michael William Balfe
Lyrics by Alfred Bunn (1843)
Heard on violin offstage in bordello
The inimitable Donald Sutherland, playing a Victorian pickpocket and con man, is somewhat miscast as Connery's partner. He is not convincingly English, to my surprise frankly, though he does bring a new characteristic or two to virtually each film he's in, and here he's not just Connery's cohort but his foil. Leslie Ann Down plays Connery's moll and co-conspirator, and she appears to have been preordained to wear Victorian undergarments.
The plot for the heist is rather upfront: The train's safe, containing the gold, is protected with four keys, each in different hands. The challenge is to divide these holders from their keys, if possible in scenarios that serious, by-the-book Victorian gentlemen would be opposed to explaining to the police, so one aged banker is shadowed at a dogfight and another is intercepted in a brothel. There's also a Stopwatch Sequence for caper enthusiasts like me: Connery and Sutherland undergo numerous trials before endeavoring to burglarize the railway company office, and we get a gracefully stage-managed robbery effort with all the timeless taps like the guard reappearing a nanosecond after the critical moment and such.
One of the foremost amusements of this drum-tight caper is the way it's determinedly in the Victorian era. The costumes and the art direction are sincere, Crichton infuses his dialogue with undoubtedly genuine Victorian gangland wording, and, for the climactic train heist, they even constructed a whole operational train. Other gratifications: The nefarious deception used to smuggle Connery into the protected car with the gold; the chase sequence atop the train; and, certainly, the loin-scorchingly superb presence of Down, who is wryly funny in her own right.
An ornately thorough and exciting caper that parades historical accuracy in support of the tempting charisma of gentleman scoundrels up to no good. Connery and Sutherland are unscrupulous to their foundations but full of audacity and shrewdness. We're supportive of them all the way, with their dashing top hats, rustling coat-tails and panorama of facial hair.
There's a patent two-act structure to the proficient script. Crichton has a scientist's sensitivity to exactitude. First the crack team toil through the preparation phases, as they progressively appropriate indentations of the four keys necessary to unlock the safe, resulting in the heist itself on a train tearing through the British scenery. In the course of this era of steam power, it appeared a hopeless scheme. Meek, perhaps, by the wicked tempo of modern action sequences, Crichton nevertheless infuses a rousing realism with Connery mannishly performing his own stunts as he traverses the rooftop through clouds of grimy smoke, for the golden fleece.
All around, Crichton absorbs the tissue and texture of whimsical Victoriana from the bitter brick walls of the prison for Wayne Sleep's lithe prison escape to the plush, glossy furnishings of the brothel where the sexy Down slips a key from Alan Webb's frenziedly horny bank manager. But naturalism is not the approach, Crichton is after a giddy attribute like it's being told as a tall story in a pub sopping in overstatement and heightened deceit to whitewash impractical snags.
Details
- Release date
- Country of origin
- Languages
- Also known as
- Der große Eisenbahnraub
- Filming locations
- Cork Kent station, Glanmire Road, Cork, County Cork, Ireland(Brighton station)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $6,000,000 (estimated)
- Gross US & Canada
- $13,027,857
- Opening weekend US & Canada
- $391,942
- Feb 4, 1979
- Gross worldwide
- $13,027,857
- Runtime1 hour 50 minutes
- Color
- Aspect ratio
- 1.85 : 1