In a self-destructing world, a vengeful Australian policeman sets out to stop a violent motorcycle gang.In a self-destructing world, a vengeful Australian policeman sets out to stop a violent motorcycle gang.In a self-destructing world, a vengeful Australian policeman sets out to stop a violent motorcycle gang.
- Awards
- 6 wins & 8 nominations total
Storyline
Did you know
- TriviaMost of the extras used in the film were paid in beer.
- GoofsWhen Jessie walks to the car Max is repairing she is wearing sneakers. When she walks around to the passenger side of the car she has on boots with sheepskin trim. When she walks off to the beach she is wearing the deck shoes again.
- Quotes
[the Kid is handcuffed to a car that's about to explode]
Max: The chain in those handcuffs is high-tensile steel. It'd take you ten minutes to hack through it with this. Now, if you're lucky, you could hack through your ankle in five minutes. Go.
[the hacksaw is dropped next to The Kid, and Max limps off]
- Alternate versionsThe original UK cinema and certified video releases (American dub) were cut by 48 seconds by the BBFC to keep an X (18) rating and to prevent the film from being banned, as X was the highest rating. They edited the scene where the bikers tear up the hot-rod with the terrified couple inside. Instead, the scene cut to black as the bikers smashed the first window and resumed on the bird hovering overhead. Though the original uncertified 1982 video release of the American dub from Warner Home Video was released uncut, the cut was re-instated on the 1986 18-rated VHS, but was restored in 1992 when the Australian dialogue version was finally released in the UK and to all later releases with the same rating (although Warner's budget labels SCREEN CLASSICS still put out the American dub with the cut scene well into the 90s). In April 2015, the film was passed with a 15 rating uncut, because of "(the scene's) implied nature and lack of visual detail of the acts themselves". The same reason was given for passing it at 18 uncut back in 1992.
- ConnectionsEdited into The Road Warrior (1981)
- SoundtracksLicorice Road
(uncredited)
Written and Produced by Nic Gazzana
Performed by Robina Chaffey
Sung by Creenagh St. Clair
Featured review
It was the very rawness and budgetary constraints of this little flick that made it what it was. A new kind of action hero in a new kind of world! Gibson's laughably underpaid (though unavoidably so) contribution cannot be underestimated. He imbued Max with more than the script actually merited. An attitude perhaps that struck a chord with many office-desk (wannabe) vigilantes. After all, Max takes control of his own life - is not cowed by authority. Max is everyman, the one inside us that few get the chance to let loose. He is part Jesus, part Che, part James Dean, all Australian yobbo! But this guy gets the job done - drop Max into Iraq next month and see how far Saddam Hussein gets trying to stock up on sarin!
Raw energy is what MAD MAX was all about! Distilled, tempered and inflamed by the time THE ROAD WARRIOR came around but at this juncture. a man on a mission and with the best tricked-up car since....well, THE CAR ! For those of you incidentally, totally mortified that his glorious black-hearted Interceptor was rendered dead-meat in MAD MAX 2, be comforted by the fact that it DOES in fact reside still in a museum in London (Why there and not Sydney I know not...perhaps for the same reason Australia still is not host to the cricket-ashes urn!) What chance of either's return when Greece can't even get the Elgin Marbles back?
Much has been made (and remembered) of the high-power car chases in this film, held by many in absolute reverence. In fact after the main cops vs The Nightrider work-out in the first few minutes of the flick, its pretty much all downhill in the action stakes - nothing subsequently in MAD MAX (1) comes near this brief sequence. This situation (with a way bigger budget) was inarguably reversed by the time THE ROAD WARRIOR came along. The stunts in THAT film have never been surpassed and remember this was without CGI fx.
MAD MAX has that indefinable 'something" the sequels didn't...perhaps just a raw innovation couldn't be duplicated - rather like ur first kiss. It might not have been the best, but it sure IS fondly remembered.
Raw energy is what MAD MAX was all about! Distilled, tempered and inflamed by the time THE ROAD WARRIOR came around but at this juncture. a man on a mission and with the best tricked-up car since....well, THE CAR ! For those of you incidentally, totally mortified that his glorious black-hearted Interceptor was rendered dead-meat in MAD MAX 2, be comforted by the fact that it DOES in fact reside still in a museum in London (Why there and not Sydney I know not...perhaps for the same reason Australia still is not host to the cricket-ashes urn!) What chance of either's return when Greece can't even get the Elgin Marbles back?
Much has been made (and remembered) of the high-power car chases in this film, held by many in absolute reverence. In fact after the main cops vs The Nightrider work-out in the first few minutes of the flick, its pretty much all downhill in the action stakes - nothing subsequently in MAD MAX (1) comes near this brief sequence. This situation (with a way bigger budget) was inarguably reversed by the time THE ROAD WARRIOR came along. The stunts in THAT film have never been surpassed and remember this was without CGI fx.
MAD MAX has that indefinable 'something" the sequels didn't...perhaps just a raw innovation couldn't be duplicated - rather like ur first kiss. It might not have been the best, but it sure IS fondly remembered.
Details
- Release date
- Country of origin
- Language
- Also known as
- Pobješnjeli Max
- Filming locations
- Seaford Beach, Seaford, Victoria, Australia(Toecutter gang beach scenes)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $300,000 (estimated)
- Gross US & Canada
- $8,750,000
- Gross worldwide
- $8,773,932
- Runtime1 hour 28 minutes
- Color
- Sound mix
- Mono(original release)
- DTS
- Dolby Digital
- Aspect ratio
- 2.39 : 1
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