Quadrophenia

I'm not from Brighton or London but understand a little about the culture. This is an honest and necessarily messy film of a specific place and time. Overall a good film and worth watching. Cool to see Sting in it if unaware (like I was) of his role. Kind of odd ending since it's obvious what happened and... not?

One of the main criticisms at the time "Quadrophenia" came out was that it was noisy and violent rubbish. Quite how this opinion was ever formed is puzzling because the film I saw was a brilliant realistic portrayal of a mod in the 60's. The film has directorial flair, an excellent soundtrack and some underrated scripting and performances. It perfectly captures the angst and disillusionment of its protaganist to a level that has never been seen on film before or since.

I love this movie. Hell, I'd marry it if I could. It's my favorite rock movie with some British actors, who I really like, where in their younger acting years, they really impress, in a movie that can only be described as a faultless rock musical, masterpiece. Jimmy (Daniels) is a sixties rebel, who's so frustrated with his place in life. He has a courier job, is taking flack from his parents, that results in arguments, and he wants the girl his mate's doin'. We can relate with this character so well, us loners, where Jimmy's got a lot of bad energy, and it's going in the wrong places. Near the end of the film, he becomes such a desperate and pathetic mess, finally driving him to steal Sting's flashy scooter and total it off a cliff. Watch all the anger that pours out of Jimmy when he crashes his bike with a truck. But this is what Jimmy is, a very angry driven teen, and Daniels (one of my favorite British actors, and a bloody underrated one at that) plays him to a tee. I was thankful too, for the time a young Ray Winstone had in this, an old friend of Jimmy's who's popped back in town, and has decided to become a punk rocker, much to other people's disapproval, including Daniels. Two other actors from Scum have brief roles in this too. I loved the scene with Winstone, explaining and defending himself to Daniels in his backyard, a seasoned professional. The film, heavy on rock, is just one music pounding experience with a lot of bad language, where there are a couple of frighteningly violent moments. There's a foreboding of what crazy s..t, our unstable Daniels is gonna do next, but it's him, who sells this film. One notable feature is Sting's haircut. He's another rebel here with his own posse. Quadrophenia just managed to entertain me all the way through. It doesn't have fancy shots, though the long shots of a bleak Brighton were memorable, I felt so cold watching this town. It doesn't have fancy color, and the dialogue, isn't t the best I've heard. What it does have are engaging performances, amongst 60's culture, the environment, and it's conditions. With Daniels taking us through the story, it's one cool ride, and a cult rocker classic.

A young man joins the British mod movement and gains a feeling of belonging and importance, but this makes him even more disenfranchised from his boring 9 to 5 life.

Britain's answer to Rebel Without A Cause is based around a fair-to-middling Who concept album (they financed the movie too) and was made on a modest budget, but has far too much going for it to be ignored. Especially if you are working class and come from the UK.

(How it is viewed elsewhere is beyond my telling, but reading reviews on this site I get the impression that people from all over the world can relate to its central themes - even if the locations and accents are alien.)

Director Franc Roddam was smart enough to cast a young Phil Daniels in the central role of Jimmy. Daniels is a good actor, but he is neither smooth or particularly good looking. This prevents him being accused of glamorising some of the things that he gets up to.

Jimmy is, indeed, also a bit naive. He has a boring job in the post room of an advertising agency (note the satire about pushing smoking - this is the "no health warning" 60's!) and rides around on a scooter with lots of lights on the front.

Life, for him, is about getting through the day and partying at night/weekends to the hip sounds of the day - the non-Who soundtrack album is a taster to mid 60's Brit Pop.

(His parents don't understand him either - but this could be taken as read in this style of movie!)

As most of us know, and a few even tell Jimmy in the movie proper: Life cannot be all parties, cheap thrills and gang fights, but he doesn't seem to want to listen. He is one of the world's great "there must be more to life than this" merchants - in this he is right, but you need to be brighter, better educated or better looking to have it.

There is a good cast of British new wavers on show here: Leslie Ash plays Jimmy's love interest and Sting gets to be the "Ace Face" - the good looking top dog mod that Jimmy wants to be. The home truth about this character leaves Jimmy even more exposed.

Quadrophenia is one of the greatest films about being a teenager ever made and thank god we have video cassettes, DVDs and cable/sat TV so people can actually see it. A low budget classic that deserves to seen at least once by all film buffs and several times if it reflects your life in any way.

QUADROPHENIA is a cult classic movie that explores the life and loves of a Mod living in Britain in the 1960s. The lead character is played by Phil Daniels, a familiar face from British television, and he gives an exemplary performance as an awkward but likable youth struggling to grow up and make it in the adult world.

Produced by The Who, QUADROPHENIA offers as its backdrop a portrait of 1960s era Brighton and the like, where battles between the Mods and Rockers are just around the corner and a great soundtrack generally accompanies the action. I'll be the first to admit I'm not a huge fan of this era - I missed it by a long shot - but this likable drama paints a solid picture of the times.

It's also remarkable as a "before they were famous" movie, featuring performances from the likes of Ray Winstone, Timothy Spall, Leslie Ash, Phil Davis, Michael Elphick, even Sting before they hit the big time. Barely a minute or two goes by without a familiar face, and it's fair to say that everyone is putting plenty of effort into their performances. It's this level of enthusiasm all round which has led to QUADROPHENIA's well-deserved cult status.