User reviews

Although I am no historian, I do take an interest in the subject and I loved learning about the Tudors even in primary school. Henry VIII and his Six Wives is for me one of the better films and such detailing of Henry VIII and his life and six wives. The story is compelling and well paced and the dialogue is intelligent and moving. For me, my only complaint really is the length, the events and details are compressed for just over two hours. For so many details and events, I couldn't help thinking it was too short and some of the events could have been expanded upon and some of the latter half less over-balanced perhaps. That fault aside, the film is splendidly directed, is reasonably true to history and maintains a strong emotional impact. David Munrow's music score is beautiful and evocative too. But two things especially stood out. One was the period detail and production values, the costumes and scenery are nothing short of splendid and the photography captures that beautifully. The other is the acting, which is wonderful from the entire cast. Keith Michell gives a textbook example of how to play Henry VIII, he doesn't play the famous king as a tyrant but his portrayal is a moving and somewhat more sympathetic one. Of his wives a stunning Charlotte Rampling and suitably vulnerable Lynne Frederick come off best, while Bernard Hepton is a fine Cramner and Donald Pleasance is a wonderfully devious Cromwell. In conclusion, a very good film. 8/10 Bethany Cox

This film was a shrunken version of a TV series, that chopped it all to bits. Some of the scenes and characters were left out and other important moments missing. The king's youth, his father, ect missing from the film that was in the TV series. You would have to watch the TV series to get the full version of this production. Apart from this, the costumes are gorgeous and to detail, while the acting is realistic.

I saw this movie for the first time very recently, and was quite impressed. Henry the 8th and his six wives has a faultless cast, in particular Keith Mitchell, Jane Asher, Charlotte Rampling, Lynn Fredrick and Donald Plescence. We open on King Henry the 8th's death bed, and wittness him remeniscing about his various marriages, from Katherine of Aragon to Katherine Parr.

Keith Mitchell does a splendid job as the man himself, as he does not portray the king as some brutal tyrant, but as a lonely old man just looking for love and an heir.

Although it is not as good as the B.B.C'S Henry the 8th and his six wives (which also stars Keith Mitchell) it is a wonderful film, well worth a look, not least because it stars Jane Asher Charlotte Rampling and the late Lynn Fredrick as well as the wonderfull Donald Plescence.

If you haven't time to immerse yourself in the mini-series, then this two hour, compact 'preview' will give you a neatly constructed overview of the virile King and his exploits as he seeks to secure his lineage by conceiving a successor to his throne.

Rather than condense aspects of the original mini-series (which essentially set aside one episode per wife, to put it crudely), this film version has been entirely remade. Only Michell reprises his title role, showcasing his intuitive interpretation of the rambunctious, though fragile majesty. Perhaps predictably, Charlotte Rampling's Anne Boleyn has the greatest exposure, though each of the wives acquit themselves well with the often limited dedicated screen time (the lovely Jane Asher playing the ill-fated Jane Seymour stands-out among the rest).

Aussie actor Michell is a more vulnerable King Henry VIII than other memorable incarnations produced by Charles Laughton or Robert Shaw, displaying a deep-seeded personality conflict that while not unique to the character, is played with a more sympathetic tone and gesture. This changes of course as his jealousy and mistrust is fanned by those obsequious to him, courting their own power and favour - the insipid Cromwell played with aplomb by the versatile Donald Pleasance.

Hussein's ultra-light has its dramatic moments, although clearly it proves difficult to compress the details of six marriages and their respective intrigue into a two-hour snapshot. For a preview, it's superb, though it remains inferior to the mini-series time permitting.

Based on the BBC drama series (and exec produced by a man who went on to run their drama department for a while) this is a good effort at recounting in two hours the lives and loves of Henry VIII over almost 40 years. Donald Pleasance is noteworthy as the odiously ambitious Thomas Cromwell and Charlotte Rampling as the even more ambitious Anne Boleyn. Keith Michell is an old hand at playing this part by now - his 4th time of asking; and he does it stylishly. The script is of it's time, and so a bit long-winded but otherwise this has held up well. Quite a bit is filmed outdoors and/or on location and so it has less of the sterile look of the television series; I expect the costumes are the same, though....

The recent BBC series The Tudors certainly had nothing on their productions a generation ago of Henry VIII And His Six Wives and Elizabeth R. Henry VIII certainly had his marital problems, but they weren't just his domestic concerns. Other heads rolled when this guy discarded a wife.

Most account of Henry VIII usually start with him trying to get a divorce from Catherine of Aragon in the 1530s so he could begat himself an heir with another. In fact in the first episode which does cover 30+ years of his reign and a bit of Henry VII we meet the young and virile Prince Henry who takes as his bride, Catherine of Aragon intended for his late older brother Prince Arthur. England did in fact come close to having a real King Arthur.

To keep to the format of dealing with his reign wife by wife a lot of history gets crammed into that first episode. Always uppermost in Henry's mind was the previous century and the dynastic struggles with the Houses of Lancaster and York known popularly as the War of the Roses. He wanted and needed a male heir to secure the secession and everything else was subordinated to that.

Subordinate he did because when the Pope under pressure from the occupying Spanish Army in Rome of the Emperor Charles V who happened to be Catherine of Aragon's nephew, Henry just broke from Rome and founded the Anglican Church. No church was going to tell him what to do and mess up the chance of a peaceful succession.

Keith Michell is a wonderful Henry VIII both as a young man and later on as the fat tyrant he's come down in popular culture as. The wives are well suited to their parts with Frances Cuka (Catherine of Aragon), Charlotte Rampling{Anne Boleyn), Jane Asher{Jane Seymour}, Jenny Bos {Anne of Cleves), Lynne Fredericks{Catherine Howard), and Barbara Leigh-Hunt{Catherine Parr}.

Charlotte Rampling is tragic as the young ambitious Anne Boleyn from an even more ambitious family who won the king and then committed the horrible sin of having a girl baby. That baby grew up to be Queen Elizabeth, but her road to the throne was a rocky one also. Anne was essentially framed with an adultery charge in order to get rid of her.

Which leads me to the best of the episodes. Lynne Fredericks as wife five Catherine Howard was a wild child to say the least. No fool like an old fool who really thinks this one wouldn't be straying. With the succession secured by Edward the child of Jane Seymour, Henry just wanted a little frolic. But he was old and fat and Ms. Howard had needs. Which she fulfilled with just about any young male who was around.

Henry VIII's reign was full of ironies and this was one of the biggest ones. He had to frame Boleyn to get rid of her, but Catherine Howard needed no framing. He couldn't execute her fast enough once he found out.

Thomas Cromwell who arranged the Boleyn marriage and later the Anne of Cleves marriage has come down as a sinister and thoroughly unpleasant man. And he's played by a guy and played well by one who's done a lot of sinister and unpleasant people, Donald Pleasance. Look also for a good performance by Bernard Hepton as Thomas Cranmer the first Archbishop of Canterbury under the new Anglican leadership.

I've not seen the new Tudor series, but it will have to go some to beat this excellent mini-series from the BBC.

Keith Michell was perfect as Henry. This is a pretty darn good film about the most recognizable English monarch, although only terrible prints of it are available now. (Hint, hint - there's a restoration opportunity for the BBC or Acorn or SOMEBODY, if only they would take it.)

Top notch cast and reasonably good sets.

This is a film adaptation of the six part BBC TV series. I've unfortunately never seen the series but I know it is highly regarded, much more than this film version. The reason for the inferiority of this version is obvious: the original material is very compressed.

It is naturally very difficult to compress a life so colourful, and containing so much complex political and abstruse religious manoeuvring as Henry's in a 2 hour film. Events rush by so much that it requires a good working knowledge of the life of Henry VIII to be able to follow them. For example Henry's relationship with Thomas More is barely established (it comes down to one 30 second conversation) before Thomas is executed. Later, we suddenly see rebels kneeling before Henry, for some under explained reason, who he immediately betrays (this is the Pilgrimage of Grace, when northerners rebelled against the king's abandonment of the Roman rite). Nor is the fall of Thomas Cromwell properly explored among many other lacunae. I wonder what the uninitiated would make of these things? Bewilderment I guess.

The compressed nature of the film gives rise to much obvious expositional dialogue. Henry baldly states things rather than us subtly getting to know his thoughts through his actions. This violates the basic rule of drama "show not tell".

Because of this the scenes of Henry's later life, when a lot of the political and religious turmoil had died down, come off better. There is simply less to explain to the audience and most of the famous historical people (Woolsey, More, Cromwell) were dead. So the personal drama can be explored more fully. The scenes with Katherine Howard are probably the highlight of the film, even if the actress rather over-eggs her final monologue. The scene with the king weeping is especially moving.

I'm not sure if I could recommend this to a complete novice in Tudor history, it would be too confusing. But for those studying Henry's reign of general history buffs, it is moderately interesting.

This was an attempt and condenscing a very long, 6 hour miniseries into 2 hours. They recast all except 2 of the actors, and glossed over most of the important parts of history. The miniseries was over-long, I'll grant you, but they didn't miss anything. This was... muddled.

There's no real rythm to this film, it's just fractures of Henry VIII's life as he's laying on his deathbed, but it all comes out disjointed and uneven. They didn't even cover Anne Boleyn's execution! I'm no Anne Boleyn fan, but even I'm wondering how they could skip that.

The only real shining star is Lynn Frederick as Catherine Howard. She's only got about 10 minutes of screentime (probably less) but she's on her game. Beautiful and young and foolish, she gives the first sympathetic and probably most realistic portrayal of Henry's 5th wife. She nearly stole the show, and would have if they'd given her more time.

Anne of Cleves was a sad attempt at comic relief and Katherine Parr was an afterthought. I would let this go, if the focus was really on Henry - but it wasn't really about him either. It was so disjointed and uneven that the final film makes very little sense. You have to know your Tudor history to even follow it, and even if you do, it's still a confusing film.

I thought this film was brilliant. The acting was so splendid it brought out each of Henry's wives as an individual woman, with the exception of Anne Of Cleves who appeared only twice and had a grand total of around three lines. Anne Boleyn was excellently played by Charlotte Rampling, and we really can believe that she is innocent of no crimes when she is sent to the block. Another standout is the late Lynne Frederick as Catherine Howard, as we see her fear, after her arrest. Knowing she will follow Anne Boleyn. We inthis marriage feel for king henry, as he thought he had found his perfect loving wife in Catherine Howard. In all i would say that this film is a must see, although it is slighty inaccurate. It also exaggerates, making Anne Boleyn hide numerous bodily deformations, while actually all she had was an extra lump of nail on her left small finger. But still see it!

This is benchmark-quality drama, a two-hour film retelling of the lives (and deaths) of Henry VII's wives that uses much the same cast and crew as a previous six-hour BBC miniseries.

As a film, it's pretty much unbeatable and sets a standard of high quality that few others can match. Sets, costumes and backdrop are all superb, but of course the real strengths lie in the script and the calibre of acting. Keith Michell stars in a role he was born to play, never less than authentic whether he's playing Henry as an athletic young man or as an obese ancient. He also manages to make the tyrant deeply human, which is another string to his bow.

With the full story of the six wives crammed into a two-hour time slot, the pacing is fast and the script full of drama. Some of the wives fare better than others, but highlights include Charlotte Rampling's witchy Anne Boleyn and Lynne Frederick's captivating innocent, Catherine Howard. Filling the supporting cast with familiar, entertaining figures like Michael Gough, Donald Pleasence and Brian Blessed is another plus.

Most of all, though, I found this retelling succeeded far better in bringing to life the era than others - check out the terrible THE OTHER BOLEYN GIRL for a good comparison. We learn much about politics, entertainment and religion of the era, but it's never told in a dry or heavy way. Unbeatable? Yes, I think this is.

If you know the history, then you will enjoy this interpretation. If not, you can take this as your history and learn of the reasoning and lack of behind this exciting time in history.

Riveting is, to say the least, as you expect this to be a documentary. Upon viewing it you find that it is anything but. As with all BBC productions, there is no equivalent. A few liberties were taken with history, but you just do not care because you are too busy kibitzing.

The Six Wives of Henry VIII cannot be told in less than six programs. Each program or play has an appropriate title that explains the next queen. If the quality of the writing varies that is because they have different writers, and it shows. When I first say that the episode "Catherine of Aragon" was written by Rosemary Ann Sission I knew we had a winner as she was also the screenwriter for "Strong Poison" in the Lord Peter Wimsey (1987) (TV) series. So, you can imagine how amazed I was to find that the episode "Anne Boleyn" was written even more strongly.

The unifying element is Keith Michell who plays a spoiled brat, oops I mean Henry VIII. He starts out clean-shaven in his pageboy hairstyle and ends up as scruffy as his personality by the last play. It helps to have some background information about time and place. Yet they fill it in well as they describe the current events and how they were influenced by Henry VIII and his Six Wives.

This movie was based on the highly successful TV series of the same name & like the TV series, it is a superb retelling of the Henry VIII story. I am only marking this down one star because trying to condense 6 hours of tv into a two hour film, makes the story come across as if it is on Fast Forward, & is far too quick. In this movie each of his wives (all with their own utterly fascinating stories!) only get around 12 minutes screen time, each. This could have worked for his queens who only had very short reigns like wives 3 - 6. But it is impossible to tell a detailed story of Catherine of Aragon who was 20 years married to him & Anne Boleyn who's courtship with Henry lasted almost 10 years & caused the massive historical break with the Church of Rome, in such a short space of time. However, this movie could be a superb introduction for young people wishing to learn about the reign of this amazingly compelling King of England. The script flows well & is not peppered with modern language. The direction is flawless & the costumes are "bullseye" spot on accurate. We even have a red head playing Catherine of Aragon (Queen Catherine of Aragon had red/ strawberry blonde hair) played by the excellent Frances Cuka (Hammer Horror) Where as most film makers today assume Catherine was dark haired as he was Spanish, which shows lack of research on their part. Yet in this all the wives are accurate except Anne of Cleves who did not have a face full of warts! Charlotte Rampling is awesome as Anne Boleyn except she has blue eyes & not Anne's famous, sexy dark eyes. Jane Asher was perfect for Jane Seymour. Lynne Fredrick was the same age as the real Catherine Howard & Barbara Leigh-Hunt was terrific as the older, widowed Catherine Parr. But very sadly non of these great actresses get the screen time they deserve. And once again Keith Michelle gives a sublime performance as Henry. In this movie we see him turn from a handsome, young athletic King, into the gross, obese, grumpy old man & wife murderer we all learned about in school.

In short this movie manages to cram 30 years into 2 hours, yet this movie is perhaps the most accurate telling of the six wives story, ever, despite leaving out huge chunks of real history. Tudor film makers today really need to take note & use this movie as the gold standard for Tudor movie making. I would also recommend people take a look at the original tv series which stars Annette Crosby as Catherine of Aragon, Dorothy Tutin as Anne Boleyn, Anne Stalybrass as Jane Seymour, Elvie Hale as Anne of Cleves (my favourite!) Angela Pleasence as Catherine Howard & Rosalie Crutchley as Catherine Parr which is almost Shakespearian in depth. But this movie version is a terrific starting point.

since i was 7 years old and we did this little project on Henry VIII at school, ive held a place for old Henry somewhere.

i find him and his life so interesting and thought this was brilliant. i espically liked anne bolyn who had such a strong character and catherine howard for her actual fear.

Henry treks through life and wives just looking for a son. Then his third wife Jane Seymour dies during childbirth of his son Edward. I think it would of been Henry VIII and his three wives if she hadnt died. Jane was his perfect match and soulmate and gave him the only thing he wanted in life.

You see Henry get larger by the wife with his famous weight gain. I read in his later days he had the get hauled to bed by ropes because he couldnt carry himself but we didnt get to see that in the film.

a fantastic film 10/10