The TCM showing of LUTHER was preceded by a discussion of Ely Landau's efforts to make the American Film Theater as a subscription effort to bring the best of the stage to a wider audience. There's no doubt about the excellence of this production, with some fine performers -- all British except for Stacy Keach in the title role -- under the direction of the able Guy Green. Yet I find the entire series, and this in particular possessed of an artificiality that renders it less compelling than it might have been. Despite the gracefully moving camera, it remains a stage play removed from its own environment, a dying fish flopping on the sand.
That reaction may be informed by, as I have noted in other reviews, an absolute lack of understanding of faith. Yet I remain conflicted; truth is truth, facts are facts, and the truth or falsity of Luther's beliefs and arguments -- as well as those who face him in this straw man argument --are not affected by his humanity and foibles. While Luther's position may be seen as the struggle of a lone man against authority, his appeal to an authority other than the Pope, to the Bible, remains an appeal to authority. Why choose one over the other? Because you can justify your own position? The German princes who supported him did not do so out of any religious conviction, but to reduce the authority of the Pope and increase their own. Luther's reaction to those who interpreted the Bible other than he did is also intellectually dishonest.
Yet none of these points are emphasized. Instead, we are to side with him because we see him, and not the Pope whom he defies. In the end, we are left believing the evidence of our own eyes and ears. Given a choice between believing someone we can see and someone we cannot, we can do no other.
