A small-time reporter tries to convince the police she saw a murder in the apartment across from hers.A small-time reporter tries to convince the police she saw a murder in the apartment across from hers.A small-time reporter tries to convince the police she saw a murder in the apartment across from hers.
- Awards
- 1 nomination total
William Finley
- Emil Breton
- (as Bill Finley)
Cathy Berry
- Lobster child
- (uncredited)
Eddie Carmel
- Giant
- (uncredited)
Olympia Dukakis
- Louise Wilanski
- (uncredited)
Art Evans
- African Room Waiter
- (uncredited)
Catherine Gaffigan
- Arlene
- (uncredited)
Justine Johnston
- Elaine D'Anna
- (uncredited)
James Mapes
- Guard
- (uncredited)
Laun Maurer
- Druggist
- (uncredited)
Bob Melvin
- Extra
- (uncredited)
Burt Richards
- Hospital Attendant
- (uncredited)
Storyline
Did you know
- TriviaBrian De Palma said the film's producer doubted anyone could be stuffed into a sofa bed, but the director recalls, "I shot it in one shot to show that you can in fact fit somebody into the sofa bed."
- GoofsAfter leaving Danielle's apartment, Grace and her mother exit that building, and Grace's mother suggests she should change clothes. Grace then reenters the lobby of the same building, to go up to her own apartment.
Although it may not be apparent, Grace and Danielle live in the same apartment complex, in the same building. The former "Alexander Hamilton" - now 36 Hamilton Avenue - in Staten Island is an H-shaped building, meaning apartments on its inner courts face each other across two courtyards. Therefore, Grace has a view across one of the courtyards directly into Danielle's windows. In addition, the elevators that characters take to and from both apartments are identical.
- Alternate versionsFor the original 1973 UK cinema release cuts were made by the BBFC to edit the violent stabbing of Phillip Woode. All later releases were fully uncut.
- ConnectionsFeatured in Terror in the Aisles (1984)
Featured review
This one holds a nostalgic value for me, long before I saw the re-release of Hitchcock's REAR WINDOW. It was the *first* R-rated film I was ever able to get into (since I was like 13 at the time) and it scared the hell outta me. Add to it the frightening Bernard Hermann score and I wound up having nightmares for days afterwards.
I recently saw it again for the first time in 30 years, and it still holds up if you view it in the context of the time it was made.
We're talking the early 70s, folks. It's not Freddie or Jason or the dude with the weird mask in SCREAM. This is a deeper, twisted psychological film, sort of along the macabre lines of David Cronenberg, who I also happen to like.
Yeah, I suppose the slashing would be mild by today's standards, but this one was ahead of most all of 'em...
A good beginning for DePalma. 7 out of 10
I recently saw it again for the first time in 30 years, and it still holds up if you view it in the context of the time it was made.
We're talking the early 70s, folks. It's not Freddie or Jason or the dude with the weird mask in SCREAM. This is a deeper, twisted psychological film, sort of along the macabre lines of David Cronenberg, who I also happen to like.
Yeah, I suppose the slashing would be mild by today's standards, but this one was ahead of most all of 'em...
A good beginning for DePalma. 7 out of 10
- macabro357
- Jul 1, 2003
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Details
- Release date
- Country of origin
- Languages
- Also known as
- Siamesas diabólicas
- Filming locations
- 1757 Victory Boulevard, Staten Island, New York City, New York, USA(formerly Four Corners Bakery)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $500,000 (estimated)
- Gross worldwide
- $318,348
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