Defying orders to lay-off the case, two Los Angeles vice-squad cops go after a local mobster and use unorthodox methods to achieve results.Defying orders to lay-off the case, two Los Angeles vice-squad cops go after a local mobster and use unorthodox methods to achieve results.Defying orders to lay-off the case, two Los Angeles vice-squad cops go after a local mobster and use unorthodox methods to achieve results.
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Did you know
- TriviaThe courtroom scene was filmed in an actual courtroom where Charles Manson's trial was held.
- GoofsNear the end of the movie, during the ambulance chase, there are already skid marks on the road surface at the school crossing. These appear to be from previous takes on the scene as they match the ambulance's path perfectly.
- Quotes
Vice Detective Michael Keneely: Wouldn't you think the man would've at least had the decency to stay for the sermon?
Vice Detective Patrick Farrel: The Lord's gonna smoke his ass!
- Alternate versionsThere is a circulating TV print that deletes most of the R-rated content and adds superfluous scenes involving Rizzo's drug-courier (the white man in the grocery store shoot-out).
- ConnectionsFeatured in Trailer Trauma V: 70s Action Attack! (2020)
Featured review
Busting out in style.
I first saw this in the mid '80s and thought: 'what a stylish thriller!' It seems to have been filmed in a low-grade film stock, which has given it a grainy/soft-focus look which also adds to it's realism. Elliot Gould, who stars as one of the hard-bitten cops also appears in another Peter Hyams opus, Capricorn One. Robert Blake who plays Gould's partner, later featured in his own TV detective series called Baretta.
There are some wonderful set-pieces in the movie, the best in my opinion involving our heroes chasing some bad dudes from a seedy hotel, and through a supermarket on the streets. It's classic Cat-and-Mouse fare, as the villains take a hostage while Gould 'n' Blake have them firmly in their gunsights. This moment is ingeniously realised by Hyams' use of a wide-angled lens. There are also brilliant car chases galore to marvel at.
Anyone who is a fan of this type of gritty cop thriller with a downbeat ending, would enjoy another good example: William Friedkin's 'To Live and Die in LA' (1985) which stars C.S.I.'s William Peterson.
There are some wonderful set-pieces in the movie, the best in my opinion involving our heroes chasing some bad dudes from a seedy hotel, and through a supermarket on the streets. It's classic Cat-and-Mouse fare, as the villains take a hostage while Gould 'n' Blake have them firmly in their gunsights. This moment is ingeniously realised by Hyams' use of a wide-angled lens. There are also brilliant car chases galore to marvel at.
Anyone who is a fan of this type of gritty cop thriller with a downbeat ending, would enjoy another good example: William Friedkin's 'To Live and Die in LA' (1985) which stars C.S.I.'s William Peterson.
- buckaroobanzai50
- Mar 13, 2002
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Box office
- Gross US & Canada
- $111,000
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