User reviews

Having been to Hawaii and actually going through the famous Parker ranch on the big island, I'm in a better position to comment on this film now than before.

The Castaway Cowboy is one of two films James Garner made for the Disney studio in the Seventies. He's a Texas cowboy who got himself shanghaied in San Francisco and jumped ship and washed ashore on Kaui. Right into the arms of widow Vera Miles and her son Eric Shea who are struggling to make a living as farmers.

A lot of wild cattle keep trampling up their crops. So Garner gets the idea that they ought to start cattle ranching instead. Of course the Hawaiian farm hands don't readily take to the American cowboy culture. Of course they eventually do in the end.

Cattle came to Hawaii courtesy of British explorer George Vancouver who left them on the big island. It was the descendants of those cattle with which John Parker founded his ranch. No doubt some of them made it to the smaller islands in the chain.

Of course there's a villain in the piece and it's Robert Culp. He's a banker with eyes to grab Vera Miles land and maybe Vera herself. Culp does resist the tendency to model his performance on Snidely Whiplash and he's a worthy rival of the resourceful Garner.

Of course there are paternalistic attitudes towards the native Hawaiians. But if you want to see a serious film about those attitudes than watch the film made of James Michener's novel Hawaii. This is a Disney family product and doesn't pretend to be social commentary.

The Castaway Cowboy is a good entertainment. How could it be anything else with James Garner starring.

It has the benefit of being one of the most Kauai-intensive movies ever filmed. Not only was 90% of the movie actually made on that beautiful Hawaiian island, but it's actually SET there, too -- and there are very few movies both shot AND set in Hawaii.

The photography is excellent; the score is very good (but would have been better with a little more island influence), and the use of the Kauai locations, though limited to just a few, is first-rate. Garner is fine, and Culp makes a good, if foggily-motivated, villain.

However, the attitude toward the Hawaiians is painfully paternalistic, and there's a stupid, TRULY stupid, subplot involving "sorcery" and some extremely improbable caves, full of Tahitian statuary. Very bad idea.

Historically, it's a bit muddled; much is made of the idea that no one has found a way to load cattle aboard a schooner at this time. (Somewhere around 1870, I guess.) But over on the Big Island, this problem had been licked, and the founder of the Parker Ranch was already getting rich selling King Kamehameha's "big dogs.

If the script had been better, with a less predictable story, THE CASTAWAY COWBOY could have been a little gem. As it is, it's mostly a pretty time-passer.

I thought it was Australia? Oh ... that was Support Your Local Sherrif, and there is a lot of that character in James Garner's performance in this film.

Garner looks a bit heavier and a bit slower in this film, as the injuries he'd suffered in previous roles started to catch up to him. This was just before Rockford, where he often moved like an old man because of them.

This is a great fish out of water film, and the novelty is it works both ways. Garner's Costain, rescued after he escaped from a ship that shanghaied him, finds himself totally out of place among the native Hawaiians, and on a potato farm.

Once Mrs. MacAvoy (Vera Miles) learns she might leverage some wild cattle into saving her failing farm, she convinces Costain to retrain her farm hands as cowboys. That's the second fish out of water element, because the Hawaiians initially don't fare too well as cowpokes. :-)

But with training mishaps, witch doctoring, and having to figure out how to load cattle on ships with no docks available, Costain almost gives up.

Garner is always a good watch. I've never been disappointed.

"The Castaway Cowboy" begins with Mr. Costain (James Garner) washing ashore on the island of Kaua'i in the Hawaiian Islands back in 1850. It seems that Costain was kidnapped and forced to work on a ship...and he availed him a chance to escape by jumping overboard.

Soon Costain is befriended by a widow and her son. The MacAvoys have a large plantation there, but it's being underutilized and the crops are failing. Costain has an idea...why try to make pennies on crops when there are dollars to be make cattle ranching. This film is about the difficulties encountered trying to make a go of it. Some of the difficulties were cultural, some were definitely man-made.

In 2022, this film might be seen as a bit politically incorrect in the somewhat paternalistic way the Hawaiians are portrayed....and Disney+ mentions this on a tacked-on prologue. Fortunately they have NOT trimmed the film. I also noticed near the end that Costain was using a revolver...something pretty much impossible in Hawaii at the time. The revolver wasn't mass produced until the 1850s...and finding one in 1850 in such an out of the way place seems more than just unlikely. Not a major problem...just something this history teacher noticed.

All in all, a decent movie...especially since in the 20th century Kaua'i DID become a big cattle producing island! Yep..cowboys and cattle on the island!

James Garner and the Disney Corporation may not sound like a likely mix, but it did happen - twice, as a matter of fact. In 1973, Garner and Disney made a two movie agreement. Garner was looking for flavorful movie vehicles, and Disney was looking for a major star in order to regain the audience it had lost since Walt Disney's death several years earlier. But everyone's expectations were not met. The first movie, "One Little Indian", did not wow critics or audiences, and the same fate was met with "The Castaway Cowboy". It has an interesting premise - starting a cattle ranch in Hawaii during the days cowboys were kings - but the execution is severely lacking. It has a real sedate, almost boring tone for the most part. Both kids and adults will be restless. Almost nothing is done with Robert Culp's villain character - his footage can't add up to more than five minutes. It's only Garner's charisma that saves the movie from total decay, but even he can only do so much. Word of warning to parents: While the movie got a "G" rating in 1974, the movie would get a "PG" rating today due to a couple of violent fistfights.

Not bad, not good.

'The Castaway Cowboy' is a run-of-the-mill live-action offering from Disney. The casting is fine but plain, while the plot is alright if unspectacular and entirely predictable - especially the love story, which is one of the most obvious I think I have ever seen. The humour is decent, probably the best part of this.

James Garner (Costain) and Vera Miles (Henrietta) are a duo once again, following on from their exploits together in 'One Little Indian' a year prior. Eric Shea plays Booton, who I feared would be yet another annoying Disney kid actor but he's actually OK all in all.

The villains are extremely forgettable, in fairness Robert Culp (Bryson), Gregory Sierra (Marruja) and Nephi Hannemann (Malakoma) don't get much to work with - unexplored potential; solid actor choices.

This should be far more entertaining, especially as it's an adventure film.

Wayward Texas cowboy James Garner (as Lincoln Costain) washes up on the beaches of Hawaii, is taken home by fatherless (hint, hint!) young Eric Shea (as Booton MacAvoy), meets tightly-outfitted single mom Vera Miles (as Henrietta), helps her ward off slimy suitor Robert Culp (as Calvin Bryson), and saves the family's business. The English performers speak to the smiling Hawaiians like they are mentally retarded; apparently, with good reason. Mr. Garner unfavorably compares them to schoolgirls and Ms. Miles notes, "They do like their fun!" One of them is handy with the spear, so Garner better watch his back!

**** The Castaway Cowboy (8/1/74) Vincent McEveety ~ James Garner, Eric Shea, Vera Miles, Robert Culp

James Garner ("Costain") is washed up on the beach of an Hawaiian island where he is befriended by a widow "Henrietta" (Vera Miles) and her young son "Booton" (Eric Shea). They are struggling farmers, and so he sets his mind to try to help them out. All of this much to the chagrin of local bigwig "Bryson" (Robert Culp) who has designs on their cattle and on the good lady. The ensuing adventure is actually quite clunkily put together. It mixes mysticism, romance and avarice before an ending that though innovative, I found rather impractical and even a little cruel. It is still quite a fun family film to watch, though - perhaps some of the attitudes to and of the locals might not quite fit nowadays, but viewed in the spirit in which it was made 50 years ago, it is typical of the Disney-style of message mixing adventure and morality, and is just about worth 90 minutes of your time.

Very cute... Except for the fact that the Hawaiians are almost enslaved by the American cowboy, without the right to play and have fun, tense that, and he is still the hero, aff...

I don't know why I didn't see "The Castaway Cowboy" when it was in the theaters. It came out when I was seeing all of Disney's movies. Oh well, I watched it tonight and I thought "The Castaway Cowboy" was a good movie. A lot of it was really good. It is a well acted, fast moving movie. It's not your average western and I kind of liked that.

The Castaway Cowboy, a western film in the Disney tradition is a family film about Texan Lincoln Costain, played by James Garner. While in California, he gets shanghaied and jumps ship just off the shore of the Hawaiian islands. While there, he works on a ranch run by Henrietta MacAvoy, played by Vera Miles and comes face to face with a major problem. The problem is that wild cattle are destroying her crops, causing her to be further behind on her bank note. And the banker, Calvin Bryson couldn't be happier because he's got his eyes on Henrietta and her farm.

The problem is, Calvin is devious and dubious and will do anything, legal or not to get his hands on the property. If that even includes a little sabotage or murder, he feels he's above the law. He doesn't count on Lincoln Costain's no holds barred Texas approach on solving problems. Eventually, Henrietta and Costain are able to convert the farm from cash crops to cattle, which in the long run will net Henrietta with more income if they can successfully pull off how to load the cows onto a boat.

This is an interesting film, it shows a part of Hawaiian history prior to its statehood in the United States, a time when it was still being colonized and before it was completely commercialized. It's also one of only two films that James Garner made for the Disney company, the other being One Little Indian.