Directed by
| Jack Clayton | ||
Writing Credits
| F. Scott Fitzgerald | ... | (novel) |
| Francis Ford Coppola | ... | (screenplay) |
Cast (in credits order) complete, awaiting verification
Produced by
| David Merrick | ... | producer |
| Hank Moonjean | ... | associate producer |
Cinematography by
| Douglas Slocombe | ... | director of photography |
Editing by
| Tom Priestley | ||
Production Design by
| John Box | ||
Art Direction by
| Robert W. Laing | ... | (as Robert Laing) |
| Gene Rudolf | ... | (as Eugene Rudolf) |
Set Decoration by
| Peter Howitt | ||
| Herbert F. Mulligan | ... | (as Herb Mulligan) |
| Philip Smith | ... | (uncredited) |
Costume Design by
| Theoni V. Aldredge | ||
Makeup Department
| Ramon Gow | ... | hair stylist |
| Gary Liddiard | ... | makeup artist |
| Charles E. Parker | ... | makeup artist (as Charles Parker) |
| Elaine Bowerbank | ... | hairdresser (uncredited) |
| Chris Taylor | ... | assistant hairdresser (uncredited) |
Production Management
| Norman I. Cohen | ... | production manager |
| Peter Price | ... | production manager |
Second Unit Director or Assistant Director
| Alex Hapsas | ... | assistant director |
| David Tringham | ... | assistant director |
| Michael Green | ... | third assistant director (uncredited) |
| Nigel Wooll | ... | second assistant director: Europe (uncredited) |
Art Department
| William F. Reynolds | ... | property assistant |
| George Richardson | ... | assistant art director |
| Richard Amsel | ... | poster artist (uncredited) |
| Brian Payne | ... | dressing props (uncredited) |
| Cliff Robinson | ... | assistant art director (uncredited) |
| Bruno Robotti | ... | charge scenic artist (uncredited) |
Sound Department
| Ken Barker | ... | sound recordist |
| Terry Rawlings | ... | sound editor |
| Brian Simmons | ... | sound mixer |
| Rowland Fowles | ... | boom operator (uncredited) |
| Graham V. Hartstone | ... | re-recording mixer (uncredited) |
| Otto Snel | ... | re-recording mixer (uncredited) |
Special Effects by
| Tony Parmelee | ... | special effects (uncredited) |
| John Richardson | ... | special effects supervisor (uncredited) |
Stunts
| Roberta Gibbs | ... | stunt double: Karen Black (uncredited) |
Camera and Electrical Department
| Marie Cosindas | ... | still photographer |
| David Haylock | ... | aerial cinematography |
| Robin Vidgeon | ... | assistant cameraman |
| Chic Waterson | ... | camera operator |
| Richard E. Brooks | ... | director of photography: second unit (uncredited) |
| Anthony Gaudioz | ... | clapper loader (uncredited) |
| Tom Volpe | ... | key grip (uncredited) |
| Ron Zarilla | ... | second assistant camera (uncredited) |
Casting Department
| Irene Lamb | ... | additional casting |
Costume and Wardrobe Department
| Barbara Matera | ... | costumes executed by (uncredited) |
Editorial Department
| Alan Jones | ... | assistant editor |
| Susan Michie | ... | assistant editor (uncredited) |
Music Department
| Nelson Riddle | ... | composer: additional music / conductor / music arranger / music supervisor |
Script and Continuity Department
| Annabel Davis-Goff | ... | script supervisor |
Additional Crew
| Jack Dearlove | ... | stand-in: Sam Waterston |
| Gregy Eckle | ... | stand-in: Bruce Dern |
| Mary Jane Houdina | ... | assistant choreographer |
| Caroline Poole | ... | stand-in: Lois Chiles |
| Ann Preston | ... | stand-in: Mia Farrow |
| Terry Rawlings | ... | technical consultant |
| Jeanie Sims | ... | assistant: Jack Clayton |
| Tony Stevens | ... | choreographer |
| Robin Demetriou | ... | cast and crew chef (uncredited) |
| Robert Evans | ... | studio executive (uncredited) |
| Robert Iadevaia | ... | fruit supplier (uncredited) |
| Doreen Landry | ... | publicist (uncredited) |
| Kay Lyle | ... | stand-in: Marjorie Wildes (uncredited) |