Luciano Ercoli's La polizia ha le mani legate is a slow-burning political thriller that unravels like a twisted game of cat and mouse. It's a gritty, intelligent take on the "poliziotteschi" genre, offering a more nuanced and brooding experience than the typical hyper-violent entries. With a story inspired by the 1969 bombing of the Banca Nazionale dell'Agricoltura in Milan, the film follows Commissioner Matteo Rolandi, a narcotics officer drawn into the complex web of the bombing investigation.
Ercoli masterfully builds tension throughout the film, orchestrating several gripping scenes. The end shootout in a train station and a pivotal hotel room encounter are highlights, showcasing the director's ability to craft intense and exciting moments. The film also effectively captures the atmosphere of the time, with a sense of urgency and political unrest lurking in the background.
While the film excels in creating tension and atmosphere, it stumbles slightly in its pacing and plot threads. Some scenes feel drawn-out, and there are a few narrative tangents that don't add much to the overall story. Despite this, Ercoli's direction keeps the film engaging, and the strong performances from the cast, especially Claudio Cassinelli as Rolandi, help elevate the material.
The film's title, literally translated as "The Police Can't Move," is a fitting representation of the story's theme of bureaucratic red tape and the challenges faced by those seeking justice. It's a thought-provoking commentary on the complexities of investigating a terrorist attack and the limitations of the system.
However, the film may not satisfy those seeking a typical action-packed cop thriller. The violence is understated, and the focus is more on the political implications and the human stories behind the tragedy. The "killer cop" moniker that the film has acquired in some regions is misleading, as there is no such character in the traditional sense.
In conclusion, La polizia ha le mani legate is a thoughtful and atmospheric political thriller that offers a different take on the "poliziotteschi" genre. While it has its pacing issues and may not appeal to those seeking mindless action, it excels in building tension and providing a nuanced narrative.
