Edward the King

The very finest of British actors in a splendid production. I recommend everybody with interest in quality to buy this video. A historical drama which is intense and accurate. Anette Crossbies and John Gielgud performances are beyond Oscar quality.

He was known as Bertie in the family and he was the eldest son and heir of Queen Victoria, probably the whitest woman, not to mention the most morally pure to ever sit on the english throne. To everyone else he was the prince of wales. Later he was to be known as King Edward VII, of Great Britain & Ireland, defender of the faith etc etc. This BBC series is a re-enactment of his life and has tried to keep to historical accuracy as much as possible, although anglophile purists may find much to criticise. Due in part to his position poor Bertie was singled out early from his four brothers & four sisters for special treatment. His stern lutheran father Albert the prince consort had arranged a strictly academic upbringing for his eldest son which was totally unsuited to his personality. Albert however neglected to imbue his son with what he needed most at that time, fatherly affection. His mother as she so often did took her cues from her husband and was happy to leave their childrens education in his hands. Consequently following the early death of his father from typhoid Bertie turned his back on academia and swore he would never read another text book. At 20 he married the beautiful danish princess Alexandra of Denmark and was to father 5 children by her. Initially it was a happy marriage but soon Berties short attention span and wandering eye caused him to seek respite in the arms of other woman. Most notably among them Lily Langtry, Agnes Keyser, Alice Keppel and Daisy Brook. What his wife thought of these friendships can only be guessed at and she can not have been unaware of these liaisons. The prince of wales for reasons of decency and protocol made a point of only aligning himself with married women most of whom he would introduce to his wife. Divorced ladies were out of bounds and forbidden even in the royal presence. It was to say the least an ambiguous set of rules. His liaisons were an open secret and discretion was the watchword for members of his household. Royalty then was treated with more respect than it is now. Bertie was as immoral in many respects as his mother was amoral to the whole of the british empire. But despite these major flaws in his character he proved a hardworking and popular monarch for the short period that he reigned. At a time when relations with France & England were at their lowest ebb he toured there and his presence in Paris at such a turbulent time helped to initiate the diplomatic accords known as "the entente cordiale". Following death in 1911 he was sincerely mourned by his subjects and as his private secretary Frederick Ponsonby eulogised at his funeral,,,"we will all miss this wayward popular and in the end humane sovereign"

For me a thoroughly absorbing biographical portrayal of this very interesting personality. Timothy West, despite a close resemblance to Edward failed to capture his jovial character and avuncular personality so often remarked about in the contemporary diaries of the time. A shame really because then the series would have been doubly watchable. Helen Ryan although not quite capturing the famous beauty of Queen Alexandra does an adequate job as Bertie's long suffering wife. At Bertie's deathbed it was Alexandra who in a gracious gesture summoned several of the kings closest friends to say their final farewells to him. Francesca Annis also stands out here in her role as Lily Langtry a part she was to repeat in another tv series depicting one of the most famous of english courtesans of the time. Overall I give this a 7/10. Unfortunately not out on video or DVD.

I had no idea how fantastic or informative or entertaining this miniseries is! It was so great I watched the whole thing in just two days! (On Netflix Instant streaming.)

Wow, not only was it fascinating and vastly entertaining (not to mention superbly cast and acted), it also was so very informative. It really filled in a lot of blanks in my knowledge and awareness. I really had no idea how Bertie was treated by his parents throughout his life. I had erroneously thought he was a mere hedonistic playboy, by his own choice and inclination. Boy, did this series set me straight!

The series also cleared up the puzzles in my mind about the origins of WWI. Nowhere in the vast amount of ink spilled on the subject have I been given as clear a picture of the cause and build-up as in this miniseries. Invaluable. Also, I had no idea that "Willi" was such a psychotic madman, or that he was controlled by Bismark from early childhood, or that he turned away from his mother and ancestry. Absolutely fascinating.

I must commend the filmmakers and writers on doing an excellent job all around in making a delightful yet informative miniseries which is as gripping as any fictional period miniseries to come out of the UK. This is easily now one of my top miniseries of all time.

By the way, the acting is superb. It includes Annette Crosby as Victoria, Timothy West as Bertie (Edward VII), Robert Hardy as Prince Albert, Helen Ryan as Princess Alexandra, Michael Hordern as Gladstone, and John Gielgud as Disreali, just for starters. Also included are Charles Sturridge (writer and director of Brideshead Revisited) as young Bertie, Nigel Havers as Bertie's friend, and Felicity Kendal as Victoria's firstborn child. And on and on, including a gorgeous young Charles Dance as young Prince Eddy (Bertie and Alix's first child), and Lillie Langtry portrayed by Francesca Annis, who on the strength of this portrayed her again three years later in an entire miniseries of her own, "Lillie".

Trust me on this, if you love period British miniseries (or films), you're going to love this. Particularly if you love, for instance, any of the Victoria dramatizations such as Her Majesty Mrs Brown, or Young Victoria; or Victoria & Albert; or The Lost Prince; or Lillie; etc. It's addicting.

For American viewers, check it out on Netflix Instant, or purchase the box set on Amazon.

Enjoy!

Being fans or admirers of a lot of the actors here and being drawn to such an interesting subject, I loved Edward the Seventh. It is a visually sumptuous affair with beautiful costumes, locations and photography. The music is likewise gorgeous. The story is highly absorbing, well paced and very accurate, and the writing is intelligent even in the wordier parts.

Edward the Seventh has a superb cast. Not only is it great on paper, but it is so much fun seeing so many familiar faces and all of them give great performances. Timothy West is marvellous in the titular character role, and of the cast the standouts were Helen Ryan as a tolerant and sympathetic Alexandra and especially Annette Crosbie's nuanced turn as the definitive Victoria.

That is not to dispute the other performances either. Robert Hardy is suitably rigid and determined as Albert, John Gielgud is a wonderful Disraeli, Christopher Neame is a wonderfully wicked Kaiser and Francessca Annis is also very good as Lillie. All in all, a really well done series, very absorbing with not a dull moment with great production values and you couldn't have asked for a more better cast too. 10/10 Bethany Cox

Long before "Margaret Meldrew", Annette Crosbie was quite an accomplished actress and she shows that off well here as Queen Victoria - the matriarch of a family of 9 children with her Consort Prince Albert (Robert Hardy). Their heir was "Bertie" (Charles Sturridge and Timothy West span his 68 year lifetime) and this lengthy, detailed and stylish 13-parter traces the life (and plentiful loves) of this Prince through from boyhood until the end of his 10-year reign as King and Emperor when the British Empire was still pretty much at it's zenith. The first few episodes focus more on his temperamental mother; of her relationship with her husband; her indifferent relationship with her "ugly" children and the politics of the time - her favouritism of Lord Melbourne over Sir Robert Peel; expansionism of the Empire and the addressing of the many social privations of many of her subjects. As the chronology progresses, we are introduced to the decent, but somewhat wayward young man whom, from the outset, instinctively rebels against the constrictions of his parents causing arguments and conceivably, even, the premature death of his father. His affairs de coeur cause his mother, his wife Princess Alexandra (Helen Ryan), and frequently the government no end of hassle as he bulldozes his way through life waiting - for 60 years - to ascend to the throne. Once there, however, he proves to be a popular, considered individual with an adeptness on a particularly tricky international stage that proves useful in preventing conflict between the great powers of the time. It's got an excellent cast supporting along the way - Richard Vernon, a very young Charles Dance, Francesca Annis, Felicity Kendal, André Morell, Jane Lapotaire, Michael Hordern and Sir John Gielgud and the writing gives ample opportunity for the them to create characterful performances and the attention to the detail of costumes is first class. West comes into his own as the King, his performance as the rakish but intelligent man evolves well, demonstrating the frustrations of someone who has waited a very long time for his job to become vacant. Of course, virtually all of it is speculation, but what this series offers is a plausible critique of life at the top of the British Empire and also of a vulnerable, flawed collection of human beings who were at the apex of every ruling family in Europe by the end of the 19th century. Well worth sitting through; makes for a great binge-watch!