Nevermore, Forever

Name: Jamais plus toujours
Genre: Drama
Duration: 1 h 35 min
Rating: 6.6
Cast: Bulle Ogier, Loleh Bellon, Jean-Marc Bory

Original title: Jamais plus toujours

1976
1h 35m

IMDb RATING

6.6/10

YOUR RATING

Drama

After the death of her best friend Agathe, Claire returns to Paris. In mourning, lost, Claire finds Mathieu, whom she had probably not forgotten. Between them, something is reborn, starts ag... Read allAfter the death of her best friend Agathe, Claire returns to Paris. In mourning, lost, Claire finds Mathieu, whom she had probably not forgotten. Between them, something is reborn, starts again.After the death of her best friend Agathe, Claire returns to Paris. In mourning, lost, Claire finds Mathieu, whom she had probably not forgotten. Between them, something is reborn, starts again.

See production info at IMDbPro

IMDb RATING

6.6/10

YOUR RATING

See production info at IMDbPro

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Storyline

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Did you know

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Trivia
Documentary aspects in sequences of auctions in the Hôtel Drouot and about theater work by Loleh Bellon and Roger Blin, two important theater actors.

Connections
Featured in D'où vient cet air lointain? Chronique d'une vie en cinéma (2018)

User reviews1

Review

Featured review

Souvenirs perdus

Some kind of Christian-Jaque's "Souvenirs Perdus" revisited by some kind of neo-Nouvelle Vague style !A nightmare!And Bulle Ogier as the lead! A woman has just died .Her best friend is nosing about the stuff she left behind.She meets an old lover,a history teacher ,and ..well....There's also a wasted Bernard Giraudeau and his girlfriend,who have found an apartment and a bunch of youngsters ,who buy posters and stills of movies and actors...All this is supposed to be moving....like the new pictures at the end of the photo album.

Yannick Bellon came back to a more conventional,thus more accessible subject with her follow-up "L'Amour Violé" which was the first movie dealing with the harsh subject of rape in France(but a quarter of century after Ida Lupino's "Outrage" )."L'Amour Violé" remains Bellon's best film to date.