In czarist Russia, a neurotic soldier and his distant cousin formulate a plot to assassinate Napoleon.In czarist Russia, a neurotic soldier and his distant cousin formulate a plot to assassinate Napoleon.In czarist Russia, a neurotic soldier and his distant cousin formulate a plot to assassinate Napoleon.
- Awards
- 1 win & 1 nomination total
Féodor Atkine
- Mikhail
- (as Feodor Atkine)
Yves Barsacq
- Rimsky
- (as Yves Barsaco)
Gérard Buhr
- Servant
- (as Gerard Buhr)
Henri Czarniak
- Ivan
- (as Henry Czarniak)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaIn an interview with 'Esquire' magazine, Woody Allen once said of the making of this movie: "When good weather was needed, it rained. When rain was needed, it was sunny. The cameraman was Belgian, his crew French. The underlings were Hungarian, the extras were Russian. I speak only English - and not really that well. Each shot was chaos. By the time my directions were translated, what should have been a battle scene ended up as a dance marathon. In scenes where Keaton and I were supposed to stroll as lovers, Budapest suffered its worst weather in twenty-five years".
- GoofsThe young Boris has blue eyes, but the adult Boris has brown eyes.
- Quotes
Sonja: To love is to suffer. To avoid suffering one must not love. But then one suffers from not loving. Therefore, to love is to suffer; not to love is to suffer; to suffer is to suffer. To be happy is to love. To be happy, then, is to suffer, but suffering makes one unhappy. Therefore, to be unhappy, one must love or love to suffer or suffer from too much happiness. I hope you're getting this down.
- Crazy creditsRussian composer Sergei Prokofiev is listed in the credits as "S. Prokofiev," just the way he would have been listed in the credits of a Russian film.
- Alternate versionsThe MGM DVD release deletes the pre-title Prokofiev overture.
- ConnectionsFeatured in V.I.P.-Schaukel: Episode #7.3 (1977)
Featured review
Watching Love And Death today I had the feeling that back when Woody Allen was going to Midwood High School in Brooklyn, a few years before I did, he was forced to do a book report on War And Peace and hated it. He vowed to get even with Tolstoy and all the rest of those heavy Russian dramatists and in Love And Death I do believe he succeeded.
And if you ever were forced to sit through all that turgid prose and heavy dramatics than Love And Death is the film you've longed for. The time is the Napoleonic Wars and the flower of Russian manhood is answering the colors. But Woody comes from a different patch than the other flowers bloomed in and he's not that crazy about sacrificing for old mother Russia.
The overall tone of Love And Death is a homage to Groucho Marx and years earlier I could have seen the Marx Brothers doing something like Love And Death with a bit more creative control, just like what Woody Allen has with his movies. But the military scenes were out of the Bob Hope school of cowardice playbook.
Lest anyone think that only Russian literature got a good satire, Allen includes a take off on Eugene O'Neill's Strange Interlude as Allen and Diane Keaton both go into those stage soliloquys about what the future holds for them as a couple.
Love And Death a must for Woody Allen and a missionary film for those looking to convert someone to being a Woody Allen fan.
And if you ever were forced to sit through all that turgid prose and heavy dramatics than Love And Death is the film you've longed for. The time is the Napoleonic Wars and the flower of Russian manhood is answering the colors. But Woody comes from a different patch than the other flowers bloomed in and he's not that crazy about sacrificing for old mother Russia.
The overall tone of Love And Death is a homage to Groucho Marx and years earlier I could have seen the Marx Brothers doing something like Love And Death with a bit more creative control, just like what Woody Allen has with his movies. But the military scenes were out of the Bob Hope school of cowardice playbook.
Lest anyone think that only Russian literature got a good satire, Allen includes a take off on Eugene O'Neill's Strange Interlude as Allen and Diane Keaton both go into those stage soliloquys about what the future holds for them as a couple.
Love And Death a must for Woody Allen and a missionary film for those looking to convert someone to being a Woody Allen fan.
- bkoganbing
- May 22, 2011
- Permalink
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Die letzte Nacht des Boris Gruschenko
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $3,000,000 (estimated)
- Gross US & Canada
- $20,123,742
- Gross worldwide
- $20,123,742
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