A beautiful and willful prostitute puts her appearance and body to use to become the toast of the town.A beautiful and willful prostitute puts her appearance and body to use to become the toast of the town.A beautiful and willful prostitute puts her appearance and body to use to become the toast of the town.
Jean-Pierre Aumont
- Muffat
- (as Jean Pierre Aumont)
Bruno Alias
- Erotic Club Client
- (uncredited)
Luciano Foti
- Erotic Club Client
- (uncredited)
Alba Maiolini
- Erotic Club Client
- (uncredited)
Vittorio Ripamonti
- Erotic Club Client
- (uncredited)
Bruno Romagnoli
- Erotic Club Client
- (uncredited)
Marcella Theodoli
- Erotic Club Client
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaKatya Berger was 16 or 17 when she filmed this, including her full nude scenes. She previously appeared fully nude in the 1978 film Little Lips when she was only 11 or 12.
- GoofsThe composer's name Ennio Morricone is misspelled as Enio Morricone on the credits.
- Alternate versionsThe 1980's American MGM/UA release on tape and disc was R rated and had some of the more explicit sex scenes trimmed.
- ConnectionsFeatured in Visions: Makers of Dreams/Snow Business (1983)
Featured review
It states 'comic, drama'. I couldn't find anything comical in there.
The setting is perfect, what one would expect from Zola. Acting by Katya Berger ... already difficult to judge. In itself it is naught; as Nana it does fit.
A captivating narration by Zola about the 'fickle women' (Shakespeare). In this sense this movie deserves full marks. It shows a rather emotionless ascent of a woman, rather an adolescent, to what her attraction can get her. In this sense, close to full marks.
On the other hand, if one perceives movie making as having a meaning beyond mere photographing, as analytic process, also displaying inner sentiments, doubts, motivators; this movie is a clear fail. Katya Berger as Nana just swirls around from scene to scene, until - sooner or later - her seemingly never reflected drive for more and more reaches its logic end.
All in all, definitely deserving better than the current 4,4.
The setting is perfect, what one would expect from Zola. Acting by Katya Berger ... already difficult to judge. In itself it is naught; as Nana it does fit.
A captivating narration by Zola about the 'fickle women' (Shakespeare). In this sense this movie deserves full marks. It shows a rather emotionless ascent of a woman, rather an adolescent, to what her attraction can get her. In this sense, close to full marks.
On the other hand, if one perceives movie making as having a meaning beyond mere photographing, as analytic process, also displaying inner sentiments, doubts, motivators; this movie is a clear fail. Katya Berger as Nana just swirls around from scene to scene, until - sooner or later - her seemingly never reflected drive for more and more reaches its logic end.
All in all, definitely deserving better than the current 4,4.
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Details
- Release date
- Countries of origin
- Language
- Also known as
- Nana, the True Key of Pleasure
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 32 minutes
- Color
- Sound mix
- Aspect ratio
- 1.66 : 1
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