A confined but troubled rock star descends into madness in the midst of his physical and social isolation from everyone.A confined but troubled rock star descends into madness in the midst of his physical and social isolation from everyone.A confined but troubled rock star descends into madness in the midst of his physical and social isolation from everyone.
- Won 2 BAFTA Awards
- 3 wins & 2 nominations total
Margery Mason
- Teacher's Wife
- (as Marjorie Mason)
Storyline
Did you know
- TriviaIn his autobiography "Is That It?", Bob Geldof says that his agent first told him about the project while he was riding in a taxi, and that he said that he didn't want to do it because he didn't like the music of Pink Floyd. Roger Waters knows this story, not because he read it in Geldof's book, but because the taxi driver was actually Waters' brother.
- GoofsWhen Pink throws the television out the window before he cuts his hand, he mouths "Take that, fuckers!", but what is heard is "Next time, fuckers!" (This is corrected in the DVD release of "The Wall".)
- Alternate versionsThe final shot in the "Another Brick In The Wall, part 2" sequence, showing Young Pink and the Islington Green School class of 1951 throwing the Teacher into the bonfire, was deleted from the UK theatrical and Canadian VHS versions of the film, out of concern that actual children would try the stunt at home.
- ConnectionsEdited into Pink Floyd: Hey You (1982)
- SoundtracksWhen the Tigers Broke Free
(separated into two sections)
Written by Roger Waters
Performed by Pink Floyd
Featured review
The Wall tells the story of Pink; a burnt out rock star who has retreated into himself. Told in a non-linear fashion we see how he is effected by the loss of the father he never knew in the war; cruel teachers; a wife who leaves him; the adulation of his fans and too many drugs and finally how he grows to see himself as a fascist demagogue.
This is a far from conventional film; there is a minimal amount of dialogue. Instead the story is told through the images we see and the music of Pink Floyd. The images are a mix of conventional live action shots of Pink's life; images of war and animation designed by Gerald Scarfe. This is sometimes tragic and sometimes brutally disturbing. The scenes we see perfectly match the music; adding something to what isn't there on the album in a way that makes it hard to just listen without recalling the imagery. The animated sequences demand separate mention; they are creative and shocking in a way one doesn't expect in western animation; they contain a sense of bleakness, brutality and even flowers that border on pornographic! Overall I'd say that this is a must see for fans of Pink Floyd and for those looking for something different who don't mind being disturbed.
This is a far from conventional film; there is a minimal amount of dialogue. Instead the story is told through the images we see and the music of Pink Floyd. The images are a mix of conventional live action shots of Pink's life; images of war and animation designed by Gerald Scarfe. This is sometimes tragic and sometimes brutally disturbing. The scenes we see perfectly match the music; adding something to what isn't there on the album in a way that makes it hard to just listen without recalling the imagery. The animated sequences demand separate mention; they are creative and shocking in a way one doesn't expect in western animation; they contain a sense of bleakness, brutality and even flowers that border on pornographic! Overall I'd say that this is a must see for fans of Pink Floyd and for those looking for something different who don't mind being disturbed.
Details
- Release date
- Country of origin
- Language
- Also known as
- Pink Floyd: Devor
- Filming locations
- Saunton Sands, Devon, England, UK(bunker scenes)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- £12,000,000 (estimated)
- Gross US & Canada
- $22,244,207
- Gross worldwide
- $22,274,148
- Runtime1 hour 35 minutes
- Color
- Aspect ratio
- 2.39 : 1
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