Fighting against pirates at the turn of the 20th century, the Hong Kong navy are failing miserably. It's up to Sergeant Lung (Jackie Chan) to take matters into his own hands.Fighting against pirates at the turn of the 20th century, the Hong Kong navy are failing miserably. It's up to Sergeant Lung (Jackie Chan) to take matters into his own hands.Fighting against pirates at the turn of the 20th century, the Hong Kong navy are failing miserably. It's up to Sergeant Lung (Jackie Chan) to take matters into his own hands.
- Awards
- 1 win & 3 nominations
Isabella Wong
- Winnie
- (as Winnie Wong)
Hoi-Sang Lee
- Li Chou Kou
- (as Hai-Shung Lee)
Hark-Sun Lau
- Admiral
- (as Hak Suen Lau)
Yen-Tsan Tang
- Pirate
- (as Yim Chan Tong)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaWhen Jackie was doing the stunt at the clock tower, he was afraid of falling voluntarily. So he held on until he literally lost his grip and fell.
- GoofsThe clock tower fall was shown twice, but each used a different take.
- Quotes
Captain Chi: Who is laughing like that?
Jaws: Me, sir.
Captain Chi: Do you know what you're going to do?
Jaws: To laugh one thousand times?
Captain Chi: Police, shoot him dead!
- Crazy creditsOuttakes from the film, including one of the takes from the famous clock tower scene
- Alternate versionsThe US version deletes scenes from the HK version
- ConnectionsEdited into Traces of a Dragon (2003)
Featured review
There are certain cinema ideas that were just meant to work, no matter what the circumstances might be. Jackie Chan fighting pirates easily ranks up there as one of the slickest ideas ever composed. Thank goodness it delivered on the premise. Jackie Chan's Project A is a mesh of action, comedy, and homage to classic slapstick. Within the 100+ minutes you'll see some spectacular fights, even more spectacular physical stunts, hilarious physical humor, and of course, Chan at his best. Unlike the insurance-run Hollywood, the Jackie Chan Stunt Team wasn't afraid of taking risks or getting hurt at the sake of entertainment, and this beat-em-up' underrated classic overpowers any modern-day action film that Hollywood could muster. Project A is silly but viciously raw; and thanks to clever direction and choreography, its one of the better martial arts movies out there.
Project A is about (Yes guys, there is a plot) a group of sailors, Navy-like men trying to stop Chinese pirates from wreaking havoc in the coastline. However, because of corruption amongst the government and the police force, they are unable to receive enough funding to continue the fight and are forced to thwart the terrorism when it strikes on their home turf. Jackie Chan and co. must try to stop the rivalry against the Chinese police force and unravel the web of corruption that's entangling everyone involved and heightening the danger present. Jackie Chan not only starred and directed the flick, but he wrote the script too, and it's quite clever at times. Other times, it can be quite confusingusually in those instances you are anticipating the next fight, which is never too far away.
In a martial arts movie, we watch for all about the fighting. While Enter the Dragon may have started the obsession and love towards the genre, Jackie Chan and his reliable crew perfected the art in the 80s. Project A is easily one of the best choreographed films of all-time in terms of the action; some of the fights are just flat-out unbelievable. Jackie Chan fights with a bicycle for crying out loud. While the punching and kicking combinations aren't as gruesome as his other films (Drunken Master, Meals on Wheels, Dragons Forever), the elaborate movements and avoidance of damage (example: Chan avoids a man swinging a sword at him for two minutes straight) more than make up for it. Not a single action fan should be disappointed. Plus, just like Chan's best comedic work, there has to be at least one humorous fight thrown in, and Project A delivers in this category as well.
Chan's direction does two things: allows for the action to remain intense, and showcases just how elaborate everyone's movements are. There is no trickery; you shall see elongated shots of hand-to-hand combat that's too precise to be filmed in the United States. While Chan doesn't have the ability to capture emotions like Spielberg or Scorsese he knows how to flesh out the energy and craft of a good fight. And that's why we are watching this, correct? Nobody's acting here is award-worthy, but it gets the job done and maintains its silly-but-serious tone. Sammo Hung gives the best performance of the film as the thief that thwarts Chan's quest for justice and at the same time helps him.
Bottom Line: While perfection or masterpiece isn't achieved here, Project A delivers everything you could possibly want in a martial arts film: amazing stunts, great fights, decent story, good acting, worthy adversary, explosive finale, and a tang of humor. Well-directed and written by the master himself, Project A remains one of Jackie Chan's best work and another example of how his foreign films are far superior to that of his work in America. It's not all his fault though; Hollywood doesn't lust as much over precision and perfection as the Chinese do when staging a fight. Legend of Drunken Master's final fight took months to film; one stunt here required a week of merely convincing Chan before actually filming it----we don't believe in investing that much time towards a couple of minutes. This is called effort, and Chan's career has more effort than twenty-five actors and actresses put together. Project A: Jackie Chan fighting pirates; it's too good to be true. Thank goodness it's true.
P.S. Is it so hard to correctly dub a movie? Buena Vista pretty much butchered this film.
Project A is about (Yes guys, there is a plot) a group of sailors, Navy-like men trying to stop Chinese pirates from wreaking havoc in the coastline. However, because of corruption amongst the government and the police force, they are unable to receive enough funding to continue the fight and are forced to thwart the terrorism when it strikes on their home turf. Jackie Chan and co. must try to stop the rivalry against the Chinese police force and unravel the web of corruption that's entangling everyone involved and heightening the danger present. Jackie Chan not only starred and directed the flick, but he wrote the script too, and it's quite clever at times. Other times, it can be quite confusingusually in those instances you are anticipating the next fight, which is never too far away.
In a martial arts movie, we watch for all about the fighting. While Enter the Dragon may have started the obsession and love towards the genre, Jackie Chan and his reliable crew perfected the art in the 80s. Project A is easily one of the best choreographed films of all-time in terms of the action; some of the fights are just flat-out unbelievable. Jackie Chan fights with a bicycle for crying out loud. While the punching and kicking combinations aren't as gruesome as his other films (Drunken Master, Meals on Wheels, Dragons Forever), the elaborate movements and avoidance of damage (example: Chan avoids a man swinging a sword at him for two minutes straight) more than make up for it. Not a single action fan should be disappointed. Plus, just like Chan's best comedic work, there has to be at least one humorous fight thrown in, and Project A delivers in this category as well.
Chan's direction does two things: allows for the action to remain intense, and showcases just how elaborate everyone's movements are. There is no trickery; you shall see elongated shots of hand-to-hand combat that's too precise to be filmed in the United States. While Chan doesn't have the ability to capture emotions like Spielberg or Scorsese he knows how to flesh out the energy and craft of a good fight. And that's why we are watching this, correct? Nobody's acting here is award-worthy, but it gets the job done and maintains its silly-but-serious tone. Sammo Hung gives the best performance of the film as the thief that thwarts Chan's quest for justice and at the same time helps him.
Bottom Line: While perfection or masterpiece isn't achieved here, Project A delivers everything you could possibly want in a martial arts film: amazing stunts, great fights, decent story, good acting, worthy adversary, explosive finale, and a tang of humor. Well-directed and written by the master himself, Project A remains one of Jackie Chan's best work and another example of how his foreign films are far superior to that of his work in America. It's not all his fault though; Hollywood doesn't lust as much over precision and perfection as the Chinese do when staging a fight. Legend of Drunken Master's final fight took months to film; one stunt here required a week of merely convincing Chan before actually filming it----we don't believe in investing that much time towards a couple of minutes. This is called effort, and Chan's career has more effort than twenty-five actors and actresses put together. Project A: Jackie Chan fighting pirates; it's too good to be true. Thank goodness it's true.
P.S. Is it so hard to correctly dub a movie? Buena Vista pretty much butchered this film.
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