IMDb RATING
5.8/10
9.6K
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During the Cold War, a controversial television journalist is asked by the C.I.A. to persuade certain acquaintances, who are Soviet Agents of the Omega network, to defect.During the Cold War, a controversial television journalist is asked by the C.I.A. to persuade certain acquaintances, who are Soviet Agents of the Omega network, to defect.During the Cold War, a controversial television journalist is asked by the C.I.A. to persuade certain acquaintances, who are Soviet Agents of the Omega network, to defect.
- Awards
- 2 wins
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Storyline
Did you know
- TriviaDirector Sam Peckinpah was in ill-health throughout the shoot. The long-term toll of his drug and alcohol abuse suggested to many in the production that he was dying. Peckinpah would go off and take opportune naps, but still completed and delivered his initial cut of this movie on time, despite sickness and exhaustion.
- GoofsThe surveillance cameras installed in the Tanner house each have a red light to indicate that they are working. Surely a camera for secret surveillance would not have a visible indicator for all to see.
- Quotes
Lawrence Fassett: Think of them as fleas on a dog hit by a car driven by a drunken teenager whose girlfriend just gave him the clap. It will help your sense of perspective.
- Alternate versionsOn the Anchor Bay DVD release there is a rough cut made by Sam Peckinpah which he made showed to the test audience. Because the majority of the audience walked out, from the imfamous sex between Fassett and his wife. The producer wanted Peckinpah to cut the scene out. Once he refuse to made the cuts, he got fired. Other scenes. 1) The sex scene is more extended and shot more wobbly to express how Fassett breaking point for revenge had started. 2) Delete scene of Osterman and Joe talking on the phone about their deal. 3) Extended scene of Virginia flirting with Dick on the phone. 4) There a deleted scene of John Tanner of having an affair with his director Marcia, there wakes up to find her dead. 5) The scene where Tanner and guest are arguing by the dinner table, in the theatrical cut Fassett switches on a Swiss ad, the Peckinpah's cut he has like a big image of Danforth. 6) Alterative ending is juxtapositioned between Tanner searching for his family and the TV studio.
Featured review
Sam Peckinpah is one of my favorite directors. I'll always see him as a visionary maverick responsible for crafting some of the most enjoyable movies I've ever seen. His The Wild Bunch and Bring Me the Head of Alfredo Garcia are among my favorite films. His last film, The Osterman Weekend, is something of a mixed bag. On the positive side, it has several good action set pieces that are very reminiscent of the other films I've mentioned. Scenes of bullets and arrows flying through the air and a particularly brutal fight scene with a bat filmed in slow-motion remind me of Peckinpah's glory days. Unfortunately, there's a plot in there that gets in the way of the fun. I've seen The Osterman Weekend twice now and I'm as confused about some of the events in the movie as I was the first time I saw it. I don't know if it was just Peckinpah being stubborn, but it feels unnecessarily confusing. There are plot points that go nowhere, plot holes big enough to drive the proverbial truck through, and plot twists that don't work. After a good set-up, the movie simply loses its way. A script that didn't try so hard to be clever and secretive and some judicious editing might have made The Osterman Weekend a winner.
- bensonmum2
- Jul 8, 2006
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Details
Box office
- Budget
- $6,500,000 (estimated)
- Gross US & Canada
- $6,486,797
- Opening weekend US & Canada
- $301,129
- Oct 23, 1983
- Gross worldwide
- $6,486,797
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