Directed by
| Sylvester Stallone | ||
Writing Credits
| Nik Cohn | ... | (based upon characters created by) |
| Sylvester Stallone | ... | (written by) and |
| Norman Wexler | ... | (written by) |
Cast (in credits order) complete, awaiting verification
Produced by
| Linda Horner | ... | associate producer |
| Bill Oakes | ... | executive producer |
| Sylvester Stallone | ... | producer |
| Robert Stigwood | ... | producer |
Cinematography by
| Nick McLean | ... | director of photography |
Editing by
| Peter E. Berger | ||
| Mark Warner | ... | film editor |
| Don Zimmerman | ... | film editor |
Casting By
| Rhonda Young | ||
Production Design by
| Robert F. Boyle | ... | (production designed by) |
Art Direction by
| Norman Newberry | ||
Set Decoration by
| Arthur Jeph Parker | ... | (as Arthur J. Parker) |
Costume Design by
| Tom Bronson | ... | (as Thomas M. Bronson) (costumes designed by) |
Makeup Department
| Barbara Lorenz | ... | hair styles supervisor |
| Brad Wilder | ... | makeup supervisor |
| Bron Roylance | ... | makeup artist (uncredited) |
Production Management
| James D. Brubaker | ... | production supervisor / unit production manager |
| Lee Haas | ... | unit production manager: New York |
Second Unit Director or Assistant Director
| William S. Beasley | ... | first assistant director (as William Beasley) |
| Duncan Henderson | ... | second assistant director (as Duncan S. Henderson) |
| Jennifer Kingry | ... | dga trainee |
| Sharon Mann | ... | second assistant director (as Sharon S. Mann) |
| Stephen Wertimer | ... | second assistant director: New York (as Steve Wertimer) |
| Thomas J. Wright | ... | second unit director |
Art Department
| Gary Clark | ... | lead paint foreman |
| Wilbur Finks | ... | property person |
| Bill Iiams | ... | construction foreman / general foreman |
| Roger Irvin | ... | construction coordinator |
| Kent H. Johnson | ... | property master |
| Gary F. Kieldrup | ... | property person |
| Daniel Maltese | ... | set designer (uncredited) |
| Bruce Wayne Mecchi | ... | swing gang |
| Luis Mirassou | ... | labor foreman |
| Louis F. Valentini | ... | lead man |
| Thomas J. Wright | ... | production illustrator |
| Jerry Gadette | ... | standby painter (uncredited) |
| Don High | ... | set designer (uncredited) |
Sound Department
| George Baetz | ... | cable person |
| Virginia Cook-McGowan | ... | sound editor (as Virginia A. Cook) |
| Don Coufal | ... | boom operator |
| Walter A. Gest | ... | sound re-recordist |
| David W. Gray | ... | stereo sound consultant: Dolby |
| Robert Gutknecht | ... | sound editor |
| Cecelia Hall | ... | sound editor |
| Don Hall | ... | supervising sound editor |
| Joseph A. Ippolito | ... | sound editor |
| Robert J. Litt | ... | re-recording mixer |
| Steve Maslow | ... | re-recording mixer |
| Elliot Tyson | ... | re-recording mixer |
| George Watters II | ... | sound editor |
| Jeff Wexler | ... | production sound mixer |
| Dan Woren | ... | sound editor |
| Robert Nichols II | ... | sound recordist (uncredited) |
| Donald C. Rogers | ... | technical director of sound (uncredited) |
Special Effects by
| Howard Jensen | ... | supervisor special effects |
Stunts
| Larry Holt | ... | stunts (uncredited) |
Camera and Electrical Department
| Mike Amorelli | ... | second lighting technician |
| Tom Barone | ... | best boy electric |
| Stephen Bickford | ... | stage lighting and special lighting effects: Satan's Alle, Royale Theater sequences |
| Dick Colean | ... | camera operator (as Richard Colean) |
| John J. Connor | ... | camera operator |
| Armando Contreras | ... | dolly grip |
| Eric Engler | ... | assistant camera (as William Engler) |
| Ron Frantzvog | ... | assistant camera |
| Michael Garrett | ... | lighting technician |
| Michael Genne | ... | assistant camera |
| Gary Holt | ... | gaffer |
| Dan Lerner | ... | panaglide operator |
| Louis Mahler | ... | supervisor video engineer |
| Tommy May | ... | key grip (as Tommy P. May) |
| Brian L. McCarty | ... | playback operator |
| Timothy Prince | ... | video engineer |
| Robbie Robinson | ... | still photographer: portraits |
| Esiah Samarin | ... | best boy grip |
| Steven H. Smith | ... | assistant camera (as Steven Smith) |
| Stephen St. John | ... | panaglide operator |
| John Tedesco | ... | stage lighting and special lighting effects: Satan's Alle, Royale Theater sequences |
| Robert C. Thomas | ... | camera operator |
| Donald E. Thorin Jr. | ... | assistant camera |
| Steve Yaconelli | ... | camera operator (as Stephen Yaconelli) |
Casting Department
| Donna Rosenstein | ... | casting assistant |
Costume and Wardrobe Department
| James P. Cullen | ... | costumer |
| Ron Heilman | ... | costumer: men (as Ronald Heilman) |
| Bob Mackie | ... | finale costumes designed by |
| Aida Swinson | ... | costumer: ladies (as Aida M. Swinson) |
| Ryan Frazier | ... | costume assistant (uncredited) |
| Robert Iannaccone | ... | costumer (uncredited) |
Editorial Department
| John A. Amicarella | ... | assistant film editor |
| John F. Burnett | ... | editor |
| Paul Cichocki | ... | apprentice editor |
| John Haggar | ... | assistant film editor |
| David Handman | ... | assistant film editor |
| Christopher Holmes | ... | additional film editor |
| Ron Lambert | ... | color timer |
| Victoria Martin | ... | assistant film editor |
| Mark Melnick | ... | additional film editor |
| Patrick O'Sullivan | ... | apprentice film editor |
| Eric Strand | ... | apprentice film editor |
| Edward A. Warschilka | ... | assistant film editor |
Location Management
| Dale Benson | ... | location manager |
Music Department
| The Bee Gees | ... | featuring songs by |
| Kathleen Bennett | ... | assistant music editor (as Kathy Fogarty) |
| Jellybean Benítez | ... | additional production & remix: "Far from Over" |
| Nancy Fogarty | ... | music editor |
| Robin Garb | ... | music coordinator |
| Jim Henrikson | ... | supervising music editor |
| Johnny Mandel | ... | composer: additional music / score adaptation |
| Spencer Proffer | ... | executive music producer / music consultant |
| W.G. Snuffy Walden | ... | musician: guitar |
| Russ Regan | ... | music supervisor (uncredited) |
| Larry Williams | ... | saxophone (uncredited) |
Script and Continuity Department
| Julie Pitkanen | ... | script supervisor |
Transportation Department
| Russell McEntyre | ... | transportation coordinator |
| Benny Lopez | ... | driver (uncredited) |
| Stewart Satterfield | ... | transportation captain (uncredited) |
Additional Crew
| Al Cerullo | ... | helicopter pilot |
| Dan Curry | ... | title designer |
| Joan Edwards | ... | assistant: John Travolta |
| Harold Fowler | ... | first aid |
| Laura Gans | ... | support personnel |
| Gerard Gerth | ... | first aid |
| Barbara Harris | ... | looping group |
| Robin Harwood | ... | support personnel |
| Dan Isaacson | ... | physical therapist (as Dan Isaacson) |
| Carol Jadiker | ... | assistant: Bill Oakes |
| Art 'Klondike' Jones | ... | craft service (as Arthur 'Clondike' Jones) |
| Erica Jordan | ... | dancer |
| Gary Kalkin | ... | unit publicist |
| Sharee Lane | ... | dance consultant |
| James A. May | ... | support personnel |
| JoAnn May-Pavey | ... | assistant: James D. Brubaker |
| Nilo Otero | ... | production assistant |
| Susan Persily | ... | assistant: Sylvester Stallone |
| Dennon Rawles | ... | choreographer |
| Sayhber Rawles | ... | choreographer |
| Hal Salwen | ... | intern: AFI |
| Markus Schaub | ... | support personnel |
| Gini Smythe | ... | assistant: Robert Stigwood |
| Jette Sorensen | ... | production auditor |
| Howard Velasco | ... | security officer |
| Katharine Wilson | ... | secretary to James D. Brubaker |
| Chuck Zito | ... | set security: Bodyguard, Sylvester Stallone and John Travolta |
| John Craig | ... | assistant production accountant (uncredited) |
| Russ Himelspach | ... | contact: Eastman Kodak (uncredited) |
| Fred Inman | ... | police liaison (uncredited) |
| Benny Lopez | ... | cook (uncredited) |
| Frank Vogelsang | ... | contact: Panavision (uncredited) |
| Jeff Zinn | ... | stand-in (uncredited) |