User reviews

If you`re not old enough to remember Yoram Globus and Menahem Golan here`s the rundown : They`re a couple of film producers and finaciers from Israel who set up the Cannon film company in the early 1980s . The only Israeli to get a worse press than these two was Menachim Begin . Begin probably deserved the bad press but Globus and Golan were a god send to film makers because no matter how bad your script was they`d happily fund your movie and would normally employ directors who couldn`t direct and actors who couldn`t act . In fact you often got the impression that people would just walk up to Yoram and Menahem ask them for some money and they`d oblige without seeing the film maker`s resume . If only producers nowadays were so trusting.

THE YOUNG WARRIORS isn`t a Cannon film but Globus and Golan did finance it and it has their signature all over it . It`s badly directed , badly acted , badly edited but it`s the script that jumps out and attacks you with its awfulness . It starts with a bunch of high school jocks getting involved in all sorts of zany pranks , in fact the first 20 minutes of the movie plays out like a sex comedy and it`s something of a shock when THE YOUNG WARRIORS turns into a vigilante movie . But it`s not just any type of vigilante movie like EXTERMINATOR 2 or DEATH WISH 3 ( Notice a connection ? They`re both sequels and they`re both vigilante movies made by Cannon films ) , no siree this is a laughably bad vigilante movie about pretty boy high school jocks and their poodle going on a mission to wipe out scumbags . This film is proof that Globus and Golan were giving money to people regardless of their film making abilities and you have to worry about people who seem to spend their entire reserves on making movies set entirely around vigilantes

It begins with a couple of disgusting sex-comedy gags, but soon it reveals its true colors: it wants to be a "Death Wish" clone. I say "wants to" because the script gets so increasingly laughable by the minute that it ends up looking like an absurdist "Death Wish" spoof! From a love scene in a room inexplicably filled with candles, to "heroes" who dress up as commandoes and wave their machine guns because they don't want to attract attention to themselves(!), to bad guys who drive around the city in a black van long after it has been recognized as their vehicle, this film has too many ludicrous points to fit in a list. The other major problem is that you can't tell most of the characters apart; of course, you know who Borgnine and Roundtree and even James Van Patten are, but all the other roles could have been played by different actors in various scenes, and you wouldn't know the difference. (*1/2)

Where do I begin as I really don't know. I came out of this film as blindly as I went into it.

First we have comedy (I think that's what it was meant to be), then we have heinous crimes, then we have love and then vigilanteism. As I haven't a clue as to what genre this is really meant to be I've had to refer to the film page here to tell me. It says it's a crime/action. OK, crime I can go with as it was a crime to release it but where is the action? I've seen more action in a documentary about pot plants!

The fact that this sorry tale enlisted the help of Ernest Borgnine and Richard Roundtree made it even more painful to watch and knowing they were in it was the only reason I looked at it to start with. I came out of it almost bereft and spent the whole time looking for some decent acting.

Someone ought to tell the scriptwriter that you cannot put horrendous crime, no matter how badly acted, into what can only be classed as a farcical romp into the world of crime-fighting by young guys who fancy themselves as Charles Bronson wannabes.

My lasting impression on this will be my own disbelief at how I managed to sit through this. (1/10)

There are good-bad movies and bad-bad-movies and enjoyably bad movies...this isn't one of them. This is a movie that doesn't realize just how bad it is.

I saw this at a screening on November 14, 2006 at the New Beverly Theater in Los Angeles as part of the "Grindhouse Cinema" this theater puts on every month. Hopefully presenters Eric Caiden & co. will think twice before letting writer/director Lawrenece Foldes anywhere near them again. What a con man. The guy got up to speak before the film -- you would think he was Orson Welles talking about "Touch of Evil" or some other lost classic. Hardly. Nice of him to take up 20 minutes of the audiences' time with his incoherent rambling.

"Young Warriors" has been described as a cross between "Animal House" and "Death Wish" but if you are expecting something along the lines of imitations like "Revenge of the Nerds" or "The Exterminator" you will be in for one sad disappointment. The script makes zero sense. The direction is so poor the actors looked embarrassed and what can you say when the best thing about the movie is watching a car blow up?

Poor Richard "shaft" Roundtree. In this movie he plays another character with the first name of "John" but that's about the only similarity his character here has to the aforementioned classic. I hope this film allowed him to pay the rent for another month. Other actors who look like they wished they could be anywhere else included Ernest Borgnine and Linda Day George.

This is a complete waste of time. Even the audience did not seem that into it (except for the one spazz-boy sitting in the back who yelled "whoa" every five minutes and his girlfriend who giggled with the fervor of a lobotomized talking Barbie every time he opened his mouth).

For real films about vigilantes, I would suggest the following:

Death Wish I, II, III, Exterminator I, Vigilante Force, Ms. 45, Rolling Thunder, the No-Mercy Man (the latter two being a pair of films presented at this theater a couple of years ago -- probably the same budget as "Young Warriors" but both were a million times better!)

One line angrily spouted from an acting great, in this enjoyable typical 80's pic, is that 'Violence Only leads to more violence'. Words were never, any more true, than in Young Warriors, a film could be a great anti vengeance movie, as pretty much this message is telegraphed through the duration. Granted YW is a well made action film, but just seems very 80's cliched now, with some predictability, the main one from a character who provides one of the sickly bloody demises YW is very violent, and the bad guys are real dredgy scum here. But the standout is Van Pattern. Whose character is a repellant, hyped up teen psycho, and oxi moron, hellbent on avenging the brutal rape and murder of his younger sister, another violent scene. I hated his character so much, I'll never be able to get the name, Kevin out of my mind. And what is Ernest Borgnine doing in this, as Kevin's very wisen Dad, who is, get this, a Detective, where angry, adrenaline fueled Van Pattern and mates, are interrupting and sabotaging their case with their wild, and amateur antics, but the latter is who you would call, if you really wanted the job done. Borgnine ,must of really been desperate. Get this, the sexy Lynda Day George plays Borgnine's wife. Very 80's, but Kevin's non fetchng persona brings the film down a bit, and very much resembles the cop character, in the b movie, Deathflash.

The film Starts out like Animal House and is quite enjoyable as a messy if not campy 80s college romp. But as the Film progresses we see that it is a study of Power and what it leads to. The journey is far more important than the destination in this one. The film is quite existential and bleak at times, almost a defeatist noir as we see the main character trying to avenge his sister (whom he had last treated poorly), only to cause far more harm in the process. This is all mixed with trademark over the top explosions, convenient crime encounters, a slow sex scene, bad dialogue, a slew of undeveloped characters that die off and some animated sequences. A Cheesy Ride but worth checking out for the novelty alone. A True genre Bender.

Trying to have the time of your life, only to have tragedy to ruin it. That happened when a group of punks attacked a young couple, killing the boyfriend, and the girl getting gang raped. That causes the brother and his friends since high school to take action against crime. Angry with all the "red tape", the group became vigilantes. Since they couldn't wait to get justice for his sister murder, the quad-squad go on a manhunt to find the murderers, only to become murderers themselves. During a robbery at a liquor store, they kill the culprits which one of them is a girl who was carrying a toy gun. It was a tragedy, but she was hanging out with the wrong people, and look what it got her. Standing up to crime is good, but going too far has its consequences. Another 80's cheese, and enjoyed it very much. Has Ernest Borgnine, "Shaft" star, Richard Roundtree, Tom Reilly who was fresh off from "CHiPs", and the star, James Van Patten of the Van Patten family. Good for a rainy day. 2 out of 5 stars.

this ain't no "regular" movie, i mean, there were some fu*ked up scenes in there.... a cannon release with the Golan/Globus on the production, that's have to be bad, in some strange good way. i think it's 30% fun and 70% torture/boring. still interesting though. plot is on a young and a bit high temper student called Kevin, who like to party a lot with his college boys friends, drinking beer, picking on the freshmen, getting drunk girls to bad, a typical 80's student.. everything is really nice but one day, his high school sister get raped sliced and killed, and then Kevin getting nuts. driven by revenge he decides that the gang (with the really cool van!) should be punished. slowly he's taking his friends and they all start playing - "justice league". the movie has early eighties colors and that means DARK, i saw it in complete darkness and still some of the scenes were pretty dark, it does some strange/o.k mood. i pretty much liked it.

Normally I hate 80's action movies, but this one was written and directed by anti-auteur Lawrence Foldes, so I knew that, although it would no doubt be completely incompetently made, it would also violate all the tedious clichés and formulas of the genre (not to mention all the boundaries of good taste), and I certainly wasn't disappointed. This starts out as a typical dumb frat comedy (with some surprisingly homoerotic pranks and hazing rituals). Then in a change of tone so sudden it might give you whiplash, the younger sister of one the fraternity guys is brutally and graphically raped and murdered by a gang of bikers. The cops won't do anything as usual, which is very odd since they are represented here by the father of the hero and the murdered girl (Ernest Borgnine)and his partner Shaft, I mean, Richard Roundtree. The brother becomes a vigilante and very implausibly gets his beer-drinking, good-time frat buddies to join him, even though he gets almost all of them killed. But you see they're all graduates of Foldes infamous "Malibu High" of which this movie is completely unrelated sequel.

Unlike most of the action movies made during the happy fascism of the Reagan era this movie definitely doesn't glorify "make-my-day" vigilantism, but is more in the spirit of harrowing 1970's rape-revenge movies like "Last House on the Left". But any message this movie might have about "digging two graves" when you go seeking revenge is lost in the jaw-droppingly incompetent narrative and film-making (my favorite scene is when the protagonist gets in an argument about violence with his philosophy professor and emphasizes his point by throwing his desk through a window).

Unlike in his previous films, Foldes has quite a cast on hand here. Besides Borgnine and Roundtree, Lynda Day George plays the protagonist's mother. Linnea Quigley also makes an appearance as one of several girls whose sole function seems to be to strip off and substantiate that the male characters are not actually gay. The lead is also interesting given that he is the son of Dick Van Patton from TV's "Eight is Enough". Recommended, but for all the wrong reasons.

Rarely do you find such realism, attention to detail and replication of real-life situations and common sense committed to film, as is the case with Young Warriors. Of course, what I mean by that is that this film is devoid of all of those things and, instead, offers an overdose of 80's Hollywood hogwash mixed with brainless violence and machismo. Personally, I love garbage like this, never tire of it, and as a kid I would eat this stuff up, enjoying the pointless nudity and violence while marveling at how dumb the whole thing was and even wondering if, possibly, some guy out there existed who really thought trash like this was truly GOOD.

It's like a bunch of executives were sitting around the table one day and were like, "OK, we don't have any new ideas and we need a movie. How about we mash up some of the popular movies from the last few years into one movie and see if it flies?" Finally, one guy speaks up and says, "Hell, how about Red Dawn mixed with Animal House and Death Wish?" The guy was instantly hailed as a genius and the result is this utterly ridiculous and entertaining-as-hell slab of dumbassitude that never gets old. I never tire of garbage like this and it always puts a smile on my face. Yeah, it's pure junk and it's easy to see how some people can hate it, but these sorts of films are a special niche for some of us and Young Warriors rocks in that regard. Dumbass, 80's revenge sleaze at it's finest.

This movie starts off as a college T'n'A flick, but turns pretty ugly after the main character's sister is gang raped by a biker gang driving a van. It has a pretty good pace, and James Van Patten does a pretty good job in this Cannon tax write-off movie. This was the first movie I ever saw at the Parkway Drive-in, here in Toronto. The main feature was "Alphabet City", and "Young Warriors was the added feature. Out of the 2 movies, "Young Warriors" was by far more entertaining and memorable. If you are a fan of blow 'em up, excessively violent movies, this one would make a great addition to any collection.

This is just plain bad, but not necessarily boring or un-entertaining. This movie has that genuine third class 80's action picture quality (dark, blurry, soft), and that genuine third class 80's music, and dito sound, and dito haircuts and dito shots and angels and so on. Everything about it is third class 80's. But I guess you could enjoy it anyway, just because of all it's genuine... bad nostalgia 80's. And supercast including Borgnine and "Shaft" Roundtree.

Of course this is a lousy picture, pulling one more vigilante scheme, so common in the late seventies and early eighties. It begins in such a way that I wished to stop right away, with all those stupid games played by college boys. But after thirty minutes, at last, the film really begins. I repeat, this feature brings nothing new, except the more than unexpected ending, very dark, brutal and gloomy for such a period, the optimistic Reagan years and its Wall Street Golden Boys era, princes of optimized and glorified money....Worth a look, really. One last point: I don't understand why they brought the puppy dog with them, during their bloody rampage patrols.

This movie was just average. Some scenes were good and some were just plain stupid! A well supported cast though and some good action. The best actor in this movie is definetely Anne Lockhart from the T.V. series "Battlestar Galactica." Cast also features "Mission: Impossible's" Lynda Day George, Mike Norris (Chuck's brother) and a supporting role by cult actress Linnea Quigley as Ginger(lookin' good!), who only appears in a few, but good scenes. There's also a one violent rape scene by a vicious gang which was well done! Savage Streets did a movie like this a year later (which also featured Quigley, but the role was bigger and better), except it was alot better than this movie! Some of the scene's in this movie was filmed in my hometown.

My review was written in November 1983 after a Times Square screening.

"Young Warriors" is an overly-ambitious teen exploitation film that mixes the popular drive-in formulae of hijinks, violence and sex tease with an uncomfortable overlay of preachiness. Cannon pickup is likely to do fair off-season business.

Filmed last year in British Columbia and Southern California as "The Graduates of Malibu High", a title it retains by way of introduction, picture limns the effects of crime and violence on teens three years after graduation, now attending Pacific Coast College. After an opening reel devoted to fraternity initiation revelry and sight gags, pic becomes melodramatic with the gang-rape and murder of Tiffany Carrigan (April Dawn) by thugs in a black van sporting a death's head insignia.

While her father (Ernest Borgnine) follows normal procedures as a police officer, Tiffany's brother Kevin (James Van Patten) feels frustrated and organizes his frat members to hit the streets and root out the killers. They quickly extend their efforts towards violently confronting any crime encountered, building up an impressive arsenal of automatic weaponry in the process.

The comic-strip fantasy elements here, culminating in a cantina shootout in which Kevin wields a machine gun in emulation of the slow-motion blood pack finale of Sam Peckinpah's "The Wild Bunch", do not mix well with numerous debates by Kevin with his dad, girlfriend and teachers regarding the violent crime problem in the U. S. Filmmaker Lawrence Foldes' specific juxtapositions are very heavy-handed, as in cross-cutting between Kevin's girlfriend (Anne Lockhart) crying on his mom Lynda Day George's shoulder and footage of Kevin being serviced by a street hooker prior to the final shootout.

Acting is okay, with the starbilled trio in relatively brief roles and Van Patten stuck with an unplayable assignment of belligerent student by day/G. I. Joe by night. Other offspring talent Anne Lockhart and Mike Norris visually resemble their famous forebears June and Chuck, but have little to do. Comic actor Dick Shawn adds a welcome wry touch as Van Patten's equivocal philosophy prof. Tech credits, particularly the visuals and special effects, are good.