IMDb RATING
5.2/10
1.3K
YOUR RATING
A New York City drug dealer decides to get out of the business, but has to flee from mobsters.A New York City drug dealer decides to get out of the business, but has to flee from mobsters.A New York City drug dealer decides to get out of the business, but has to flee from mobsters.
Raymond Serra
- Gino
- (as Ray Serra)
Storyline
Did you know
- TriviaThe period of principal photography on this picture was a production shoot in the American fall season of 1983 in New York City that ran for about twenty nights over four weeks in October that year.
- Goofs(at around 1h 19 mins) Shadow of camera visible.
Featured review
Young Italian-American drug dealer, Johnny (Vincent Spano) is trying to make it in the world. He gets double crossed and has to rethink his plans.
Amos Poe is a fine director who so far has never got his big break. This film is a true independent film, but it lacks the panache of other directors who made it big in the 80s such as Spike Lee and Joe Dante. Vincent Spano has sadly never been an A-lister, but he looks the part and is decent. After playing tough guys in films like Rumble Fish this isn't a departure for him in terms of character. The real star of the show is the cinematography by Oliver Wood. A lot of attention has been paid to the lighting, set design and camera work. The film has a neon look to it reminiscent of films like Blade Runner, Thief and Manhunter. It is style over substance and the derivative plot, one dimensional characterisation and corny dialogue make for a mediocre viewing experience.
The film is not widely remembered or respected, and it falls way short compared to similar hood thrillers like those by Walter Hill (Streets of Fire was released the same year) .
Amos Poe is a fine director who so far has never got his big break. This film is a true independent film, but it lacks the panache of other directors who made it big in the 80s such as Spike Lee and Joe Dante. Vincent Spano has sadly never been an A-lister, but he looks the part and is decent. After playing tough guys in films like Rumble Fish this isn't a departure for him in terms of character. The real star of the show is the cinematography by Oliver Wood. A lot of attention has been paid to the lighting, set design and camera work. The film has a neon look to it reminiscent of films like Blade Runner, Thief and Manhunter. It is style over substance and the derivative plot, one dimensional characterisation and corny dialogue make for a mediocre viewing experience.
The film is not widely remembered or respected, and it falls way short compared to similar hood thrillers like those by Walter Hill (Streets of Fire was released the same year) .
- ninjaalexs
- Apr 22, 2022
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Details
Box office
- Gross US & Canada
- $7,035,585
- Opening weekend US & Canada
- $1,172,292
- May 6, 1984
- Gross worldwide
- $7,035,585
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