The Ambassador

Robert Mitchum plays the title role of The Ambassador and in this case he's the American Ambassador to Israel. He's got the notion in his head that if he can get the Arab and Israeli students dialoging, it might lead the way to eventual peace. Of course there are malevolent forces on all sides that don't want to see that happen.

But that's not Mitchum's only problem. His wife Ellen Burstyn has embarked on a torrid love affair with an Arab, played by Fabio Testi, who turns out to be a big honcho in the Palentine Liberation Organization. And somebody's been taking some nasty home movies of them doing the horizontal mambo. Setting up Mitchum for blackmail and embarrassment whichever comes first.

Playing the supporting role of Mitchum's Embassy security chief is Rock Hudson and this was to be his last feature film. As the film progresses the strain on Hudson's health is becoming apparent.

It was not a happy shoot and the results show it. Mitchum and Hudson did not get along particularly. According to Lee Server's biography, Mitchum spent most of the time getting plastered more than normal. Ellen Burstyn supposedly took a sample of what he was drinking and was shocked to find it real booze. But Mitchum was legendary for holding his liquor.

I can see why Mitchum wasn't particularly happy with the film. His role is essentially that of a well meaning fathead who thinks he has all the answers to the Middle-east. Hudson took his role strictly for the cash, because he was having increased medical expenses from what would kill him a year later.

Being it's a Golan-Globus film the usual quota of violence is present. When you do a film about the Middle-east, that's almost a requirement for a picture. Still the location cinematography in Israel certainly helps.

Too bad that Mitchum and Hudson could not find a nice western to do as a joint project.

An always interesting, if audacious and harsh low-key political thriller from Cannon and headed by ace director J. Lee Thompson. Maybe his best work in the 80s. The aged stars are quite a delight and the true staying power with Robert Mitchum (who's playing it easy), Rock Hudson, Ellen Burstyn, Fabio Testi and Donald Pleasance working very well off each other. Indeed a top-notch ensemble cast confidently directed by Thompson.

The knotty context of the film (the on going conflict in the Middle East) is a complicated web (with touch of blackmail and martial problems thrown in for good measure), but smartly engineered if a little too pushy at times. Still it's effective, stirring and informative in detailing its intentions. When it came to the jarring action, it was to the point and within chaotic bursts. I didn't find it thrilling in those passages, but you're kept glued as you want to see what becomes of the suspense beating situations. Dov Seltzer's humidly sultry music arrangement is on the ball and suitably placed. It truly gives it a grander edge and the location choices authentically sprawl off the screen. Thompson keeps it moving and times everything to perfection.

A reasonably solid offering by all involved.

During the 1980s, Cannon Films made a lot of films...sometimes with big-name actors in them. But they all had one thing in common...they weren't exactly subtle! So, if you want explosions, a little sex and violence, they were the go-to studio of the era. As a result, when I saw that they made "The Ambassador" I wasn't thrilled with the prospect of watching the movie. I only watched it because Robert Mitchum and Rock Hudson (in his final theatrical release) somehow were convinced to star in the film.

The story begins with a meeting between the Ambassor (Mitchum) and a group of Palestinians in the desert. He wants to talk peace...but before the meeting gets going, a helicopter attacks...killing everyone but the Ambassador and his bodyguard (Hudson). Who was behind the attack isn't clear.

Soon, the Ambassador receives a phone call. Some unknown person indicates they have film footage of the Ambassador's wife (Ellen Burstyn) having very intimate relations with another man...a Palestinian with connections to the PLO. And, unless they are paid a million dollars, they say they'll publish the film. The Ambassador tells them to go ahead and publish it...he won't pay. But his bodyguard wants to investigate it himself. What follows is an attempt on the Ambassador's life and a lot of other things...such as a massacre and lots of violence.

On the plus side, the film was actually made in Israel...which isn't totally surprising considering the producers (Menahem Golan and Yoram Globus) were Israelis. Also, for a woman in her 50s, Ms. Burstyn has an amazing figure and her nude scenes must have pleased her! Additionally, Rock Hudson's character was pretty cool...sort of like the Terminator! On the negative side, the film's solution to the Palestinian-Israeli conflicts and the students' reactions do seem rather simplistic. Also, while the story has some interesting story elements, like a Golan-Globus product, there also are huge bloodbaths which come off as gratuitous and gory. On balance, the bad slightly outweighs the good and the film, which had some nifty ideas, gets the full Cannon Films treatment.

By 1984 Director J. Lee Thompson's Filmography Would Never Include such Great Films Like "Guns of Navarone" (1961), "Cape Fear" (1962). Or the Odd Western and Little Known Hidden-Gem, "White Buffalo" (1977).

He was Retained by the "Canon" Film Company and Pumped-Out Lesser Mid-Budgeted and Unremarkable Fodder.

Here He Teams Up with Robert Mitchum and Rock Hudson in a Disappointing Try at a Very Touchy Plot...Israel and the PLO.

It's Not a Bad Set Set-Up, Shot On-Location with the Story About "The Ambassador" (Mitchum) and His Efforts in Forging Peace-Talks Focusing on College Students of Both Sides.

The Story is Propelled Using the Back-Drop of Mitchum's Wife, Ellen Burstyn, and Her Affair with a Wealthy Arab Businessman. It's Caught on Film and Blackmail Begins.

Also, Caught on Film, is the Dirty-Deed in All its Pornographic Details.

The Movie's Climax is Overdone and Very Bloody and it Distracts from the Seriousness of the Situation with a Long Graphic-Violence Exploitation that Should be in Another Film.

Overall, it's Not Bad, just Nothing Above a Sophomoric Approach to a Very Complex, On-Going World Situation.

Worth a Watch with Low-Expectations.

Imdb has this as released 1984, while free tubi has this as 1985. Stars rock hudson and robert mitchum, as stevenson and hacker, trying to keep peace in israel and the territories. Hacker is the ambassador to israel. Stevenson is his security. Co-stars donald pleasence as the israeli minister of defense. Ellen burstyn is the ambassador's wife, alex, and her naughty, night-time activities are make her husband's job much harder, when she is filmed. It's okay. Pretty low budget. Produced by golan globus, who have a record of making films on the cheap. Some dropped threads of storyline. Or maybe that was just poor editing. Topless women. And hudson's final film. We spend so much time on trying to get the film back, when hacker has already told everyone he doesn't care if it's shown on national television. Big, grand finale. Very symbolic of the actual situation. Directed by lee thompson.